Everett Shinn On Sale
Hearts Unreasoning, by Sarah Bernhardt The First of Six Romances of the French S
By Everett Shinn
Located in Miami, FL
Hearts Unreasoning, by Sarah Bernhardt The First of Six Romances of the French Stage -
McCall’s Magazine December 1920 interior illustration. The work is related to Shinn's fam...
Category
1920s American Impressionist Figurative Paintings
Materials
Board, Oil
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Amor Aeternus, Painting, Oil on Canvas
By William Oxer F.R.S.A.
Located in Yardley, PA
Rublev Oil Paint on Primed Cotton duck Canvas, framed to Guild of Framers Museum Standard with hand painted, gilded, gessoed and finished frame by artist. :: Painting :: Pre-Raphaeli...
Category
21st Century and Contemporary Pre-Raphaelite Paintings
Materials
Oil
Cynthia (with Cat) /// Modern James Roy Hopkins Pet Nude Figurative Grass Sun
Located in Saint Augustine, FL
Artist: James Roy Hopkins (American, 1877-1969)
Title: "Cynthia (with Cat)"
*Monogram signed and dated by Hopkins lower right
Year: 1937
Medium: Original Oil Painting on Canvas
Frami...
Category
1930s Impressionist Nude Paintings
Materials
Canvas, Paint, Oil, Gesso
Orientale
By Henri Fantin-Latour
Located in New York, NY
Signed, lower right: Fantin
Provenance:
Gustave Tempelaere (1840–1904), Paris; possibly by descent to his son:
Julien Tempelaere (1876–1961) and with F. & J. Tempelaere, Paris, prob...
Category
1890s Romantic Figurative Paintings
Materials
Paper, Canvas, Oil
The Conversation, American Impressionist Landscape with Figures, Oil on Canvas
By Albert Van Nesse Greene
Located in Doylestown, PA
"The Conversation" is an American Regional town scene and landscape in Pennsylvania by American Impressionist painter Albert Van Nesse Greene.
The painting is a 10" x 12.5" oil on c...
Category
Early 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil, Board
At the Mirror
By Frederick Carl Frieseke
Located in New Orleans, LA
the most important American Impressionists of his age. While many of his contemporaries focused on the landscape, Frieseke gained his inspiration from the figural, and in particular ...
Category
Early 20th Century Impressionist Nude Paintings
Materials
Oil, Canvas
Une femme lisant - Academic Pastel, Figure in Interior by Delphin Enjolras
By Delphin Enjolras
Located in Marlow, Buckinghamshire
Beautiful signed pastel on board circa 1910 by French academic painter Delphin Enjolras. The work depicts a beautiful brunette woman in a silk and lace dress with a shawl draped over...
Category
1910s Academic Figurative Paintings
Materials
Pastel, Board
"A Summer Afternoon" Wilson Irvine, Old Lyme Connecticut, American Impressionism
By Wilson Henry Irvine
Located in New York, NY
Wilson Irvine
A Summer Afternoon, circa 1915
Signed lower left
Oil on canvas
25 x 30 inches
Provenance:
Gift of the artist, c. 1930
Private Collection, Iowa, c. 1930
By Descent, Pri...
Category
1910s American Impressionist Landscape Paintings
Materials
Oil, Canvas
Woman Playing the Piano Forte
By Marguerite Stuber Pearson
Located in Lawrence, NY
Marguerite Stuber Pearson was a firm proponent of the Boston School tradition, characterized by her mastery of academic technique and the selection of traditional subjects of portrai...
Category
1930s American Impressionist Interior Paintings
Materials
Oil
Susannah (Without the Elders) /// Old Masters British Nude Bath Biblical Story
By Frederick Goodall R.A.
Located in Saint Augustine, FL
Artist: Frederick Goodall (English, 1822-1904)
Title: "Susannah (Without the Elders)"
*Monogram signed and dated by Goodall lower left
Year: 1885
Medium: Original Oil Painting on Can...
Category
1880s Victorian Nude Paintings
Materials
Canvas, Paint, Oil, Gesso
Portrait of a Young Woman, American Impressionist
Located in Miami, FL
Portrait of a young woman in a white blouse in the style of William Merritt Chase. ( American Impressionism). This work was most likely painted from life and is wonderfully painted a...
Category
Early 1900s American Impressionist Portrait Paintings
Materials
Canvas, Oil
H 16 in W 22 in D 1 in
Union Square, Winter (Washington Monument)
By Theodore Robinson
Located in New York, NY
As one of the first, and most important, American Impressionists, Theodore Robinson helped to introduce the French style to American artists and audiences.
Category
19th Century American Impressionist Landscape Paintings
Materials
Oil
Forest Nymph - Figurative Nude Oil Painting Colors Brown Grey Pale Blue Green
By Lyubena Fox
Located in Sofia, BG
"Forrest Nymph" (2016)
Oil on canvas
80 x 100 cm unframed
Painting was started in 2015, most of it was finished by 2016, the last touches done in 2019. Inspired by the 19th cent...
Category
2010s Academic Figurative Paintings
Materials
Oil, Canvas
H 31.5 in W 39.38 in D 0.79 in
Ballerina
By Louis Kronberg
Located in Milford, NH
A fine impressionist pastel painting of a ballerina by American artist Louis Kronberg (1872-1965). The painter, dealer and art advisor Louis Kronberg was born in Boston, Massachusett...
Category
Early 20th Century American Impressionist Figurative Paintings
Materials
Paper, Pastel
The Bather by Childe Hassam
By Childe Hassam
Located in New Orleans, LA
Childe Hassam
1859-1935 American
The Bather
Signed and dated “Childe Hassam” (lower right)
Oil on canvas
Considered by many to be America’s foremost Impressionist painter, Childe...
Category
20th Century Impressionist Nude Paintings
Materials
Oil, Canvas
Ballet Dancers Performance c. 1900 French Impressionist Oil Painting on Canvas
Located in Cirencester, Gloucestershire
The Ballet Dancers
French School, circa 1890
oil painting on canvas, framed
canvas: 42cm x 34cm
framed: 53cm x 46cm
provenance: private collection, France
Beautiful antique French ...
Category
Late 19th Century Impressionist Figurative Paintings
Materials
Oil, Canvas
H 20.87 in W 18.12 in D 2.76 in
The Gray Kimono
By William Merritt Chase
Located in New York, NY
The Gray Kimono, 1901, by William Merritt Chase (1849-1916)
Oil on canvas
20 x 16 inches unframed (50.8 x 40.64 cm)
28 x 24 1/16 inches framed (71.12 x 61.11875 cm)
Paper (Alice Wil...
Category
Early 20th Century American Impressionist Portrait Paintings
Materials
Oil
Recent Sales
Yes, Sir
By Everett Shinn
Located in Minneapolis, MN
This Everett Shinn pencil & gouache artwork offers a humorous take on class relations, and seemingly, the effects of intoxication. A well-heeled gentleman is shown face down in the g...
Category
1910s Ashcan School Figurative Drawings and Watercolors
Materials
Archival Paper, Gouache, Paper, Pencil
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Everett Shinn for sale on 1stDibs
Everett Shinn, a future member of the Eight and remarkable, rather theatrical personality was born at Woodstown, New Jersey in 1873. Even more recent sources give 1876 as the year of Everett Shinn's birth (Zurier, Snyder, and Mecklenburg, 1995, p. 224) but the artist usually lied about his age to appear younger than he actually was. Edith DeShazo (1974, errata sheet) claimed that information from family members established the date of November 6, 1876 as Shinn's birthday. But if this is true, he would have enrolled at the Spring Garden Institute in Philadelphia to study industrial art at the age of twelve. Born to a Quaker named Isaiah Conklin Shinn and Josephine Ransley Shinn, Everett was their third child. He enjoyed a happy childhood as an undisciplined boy fond of sweets, acrobatics, and the circus (DeShazo, 1974, pp. 15-17).
Shinn opted for the Pennsylvania Academy of the Fine Arts for instruction in the fall of 1893, and began as a staff artist for the Philadelphia Press. At that time William Glackens was working there as well, while John Sloan was at the Inquirer. A year later, Glackens was at the Press, and also, in 1894, George Luks joined the staff there. As DeShazo explained (1974, p. 29), "the Press art department became a meeting place for men both on the staff and off with similar artistic and literary interests." Members of the same group also met at Robert Henri's studio. By 1897, Shinn was in New York, working for the New York World where Luks had been for about a year. The rest of the "Philadelphia Four" (artist-reporters) would follow them before long.
Shinn spent much of 1898 hounding the offices of Harper's until finally, the editor and publisher, Colonel George Harvey saw his portfolio, then commissioned a view of the Old Metropolitan Opera House in a snowstorm. The pastel appeared about a year later in the February 17th issue of Harper's Weekly, in 1900. Meanwhile, Shinn kept busy with decorative work (murals, screens, and door panels) at private residences and even in Trenton, New Jersey's City Hall. In 1899, the Boussod-Valadon Galleries gave Shinn his first one-man show. He continued to carry out commissions for illustrations (see Bullard, 1968). Shinn began exhibiting at the Pennsylvania Academy (1899-1908) and at the Art Institute of Chicago (1903-43).