Gold Cross Pendant Elizabeth Locke

Venetian-glass intaglios, ancient Greek and Roman coins, antique porcelain buttons and other treasures that Elizabeth Locke collects from around the world all inspire and are incorporated into her earrings, necklaces and other handmade designs.

The Virginia-based jeweler began her journey as a collector after she’d already launched her namesake jewelry line, and her assemblage of micromosaics, which are essentially miniature plaques composed of enameled-glass tesserae, were the subject of the 2020–21 exhibition “A Return to the Grand Tour: Micromosaic Jewels from the Collection of Elizabeth Locke” at the Virginia Museum of Fine Arts.

“They’re very hard to find, and you never know where you’ll see them,” Locke explains of micromosaics, the magnificent, miniature works for which she’s had to navigate lesser-known antique shops and auctions and build relationships with private dealers in Europe.

All of Locke’s imaginative jewelry pieces see an integration of rare and eclectic materials, the kind that might’ve been amassed during a 19th-century Grand Tour of Europe, when these coming-of-age journeys had long been popular (mostly for wealthy European men). Working in a neoclassical style, Locke references history with a modern approach for her moonstone earrings, gold-link bracelets, Venetian-glass pendants and other distinctive accessories. As she told W magazine, “Jewelry is designed for the era in which it is worn.”

In 1988, as an editor for Town & Country, Locke traveled to Bangkok to write about making jewelry. Unexpectedly, she found her niche. Upon her return home, Locke enrolled in the Gemological Institute of America and began sketching ideas. By 1990, her tourmaline ring — crafted with the goldsmiths she had met in Bangkok and who she would continue to collaborate with over the following decades — landed the cover of W.

Locke’s handmade, 19-karat-gold designs give one-of-a-kind antiquities new meaning in the 21st century. Not one to follow trends, Locke prefers designs that express a unique vision. “I know what I can do and I know what I feel comfortable doing, and I stick to it,” she has said.

Find a collection of Elizabeth Locke’s jewelry on 1stDibs.

We are fortunate to know much of the world’s long and dazzling history of necklaces, as this type of jewelry was so treasured that it was frequently buried with its owners.

Lapis lazuli beads adorned necklaces unearthed from the royal graves at the ancient Iraqi civilization of Sumer, while the excavation of King Tut’s burial chamber revealed a sense of style that led to a frenzy of Art Deco designs, with artisans of the 1920s seeking to emulate the elegant work crafted by Ancient Egypt’s goldsmiths and jewelry makers. 

In ancient times, pendant necklaces worn by royalty and nobles conferred wealth and prestige. Today, wearing jewelry is about personal expression: Luxury diamond necklaces exude confidence and can symbolize the celebratory nature of a deep romantic relationship, while paper-clip chain-link necklaces designed by the likes of goldsmith Faye Kim are firmly planted in the past as well as the present. Kim works exclusively with eco-friendly gold, and these fashionable, fun accessories owe to the design of 19th-century watch fobs. 

For some, necklaces are thought of as being a solely feminine piece, but this widely loved accessory has been gender-neutral for eons. In fact, just as women rarely took to wearing a single necklace during the Renaissance, men of the era layered chains and valuable pendants atop their bejeweled clothing. In modern times, the free-spirited hippie and counterculture movements of the 1960s saw costume-jewelry designers celebrating self-expression through colorful multistrand necklaces and no shortage of beads, which were worn by anyone and everyone. 

Even after all of these years, the necklace remains an irrefutable staple of any complete outfit. Although new trends in jewelry are constantly emerging, the glamour and beauty of the past continue to inform modern styles and designs. In a way, the cyclical history of the necklace differs little from its familiar looped form: The celebrated French jewelry house Van Cleef & Arpels found much inspiration in King Tut, and, now, their Alhambra collection is a go-to for modern royals. Vintage necklaces designed by David Webb — whose work landed him on the cover of Vogue in 1950, two years after opening his Manhattan shop — were likely inspired by the ornamental styles of ancient Greece, Mesopotamia and Egypt. 

On 1stDibs, browse top designers like Cartier, Tiffany & Co. and Bulgari, or shop by your favorite style, from eye-catching choker necklaces to understated links to pearl necklaces and more.