Porcelain Qing Kangxi Dragon Bowl
Antique Early 18th Century Chinese Qing Ceramics
Porcelain
Antique 19th Century Chinese Qing Ceramics
Porcelain
Antique 18th Century Chinese Qing Decorative Bowls
Porcelain
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Antique Early 18th Century Chinese Qing Ceramics
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Antique Mid-19th Century Chinese Qing Ceramics
Ceramic, Paint
Antique 1880s Chinese Qing Ceramics
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20th Century Chinese Ceramics
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Antique Early 17th Century Chinese Chinese Export Ceramics
Porcelain
Antique 17th Century Dutch Baroque Delft and Faience
Earthenware, Delft
Antique 17th Century Chinese Ming Ceramics
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Antique 1890s Chinese Qing Ceramics
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Antique Early 18th Century Dutch Dutch Colonial Vases
Delft, Pottery
Antique 17th Century Dutch Baroque Delft and Faience
Earthenware, Delft, Pottery
Antique 18th Century Chinese Qing Ceramics
Porcelain
Antique 18th Century Chinese Qing Ceramics
Porcelain
Antique 18th Century Chinese Qing Ceramics
Porcelain
20th Century Chinese Ceramics
Porcelain
Antique 1680s Chinese Qing Ceramics
Porcelain
20th Century Chinese Chinese Export Ceramics
Recent Sales
Antique Early 19th Century Chinese Qing Ceramics
Porcelain
Antique Early 18th Century Chinese Qing Ceramics
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Early 20th Century Chinese Qing Ceramics
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Antique Early 19th Century English Qing Decorative Boxes
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A Close Look at qing Furniture
The last imperial dynasty from 1644 to 1912 was a time of change in China, beginning with the invasion by Manchurian forces that ended the Ming dynasty and established the Shunzhi Emperor. The expansion of exportation and trade that had bolstered the arts during the Ming era continued, as Qing dynasty furniture involved the same attention to craftsmanship with expert construction techniques in hardwood pieces that were assembled with mortise and tenon joints rather than nails or glue. Together, these eras comprise a golden age of Chinese furniture design.
Ming-style furniture is simple and elegant with clean lines. Chairs of the period and other Ming furniture made an impression on Scandinavian modernist Hans Wegner and his streamlined seating, for example. Whereas Qing-style furniture is elaborate, with an increasing influence from the West leading to lavish carving inspired by the European Baroque and Rococo styles. And while many of the forms that define examples of the latter are common within classical Chinese furniture, such as curving and folding chairs as well as large screens, Qing designs are laden with ornamentation. Frequently, the carved motifs and inlaid designs in mother-of-pearl were auspicious, such as peonies for wealth or dragons for luck. Bats were symbols of happiness in the design of Qing furniture, with one of the characters in the word for bat, bianfu, being a homophone for fu, or “fortune.”
While several types of wood were used in the construction of Qing beds, tables, storage pieces and seating, today’s collectors know that the most prized were the rare rosewoods zitan and huanghuali. They were both sourced from Hainan, China’s largest island, and are marked by a rich luster that occurs naturally, without the application of lacquer or other decorative materials. Many of the most popular woods were imported from southeast Asia, adding to their value. Red sandalwood was also sought after for its durability and connection with Chinese medicine, with some chairs being made for health benefits.
Find a collection of antique Qing tea tables, stools, benches, decorative objects and more furniture on 1stDibs.