Alvin Corporation Decorative Objects

Art Nouveau-Style, sterling silver, pedestal-based vase, Gorham Mfg. Company, Providence, Rhode Island, year-hallmarked for 1923. Hammered in design and chased with flowers. Measures...

This Art Nouveau vase displays particularly beautiful embossing which allows the harmonious creation of the figures of two young women at the front of the vase and two more at the ba...

An exceptional, fine and impressive antique George V English sterling silver photograph frame; an addition to our ornamental silverware collection. This exceptional antique George V sterling silver photograph frame has a rounded rectangular form with an incurved, domed upper portion and a plain rectangular internal window. The surface of this George V silver photo frame is plain and embellished with a paralleling embossed decorated border to the rim. This antique silver photograph frame...

A Silver Overlay Loetz Silberiris Vase, c1905 Additional information: Date : c1905 Origin : Klostermuhle, Bohemia Bowl Features : Chased silver overl...

Vase Loetz Widow Klostermuehle Bohemia Art Nouveau Made by Loetz, Klostermühle circa 1900 Decor: PHAENOMEN GRE & Gorgeous Silver Overlay This finest Loetz Art Nouveau ...

The Art Nouveau glass perfume bottle is embellished with an English sterling (stamped and with rampant lion) silver filigree overlay and cap....

Tall clear glass vase features a wide base and heavy silver overlay in a banded grid pattern with shield form, circa 1940s. Unknown maker.

Antique Amphora blue green iridescent 3263 vase 8" tall Art Nouveau. Item features signed "Amphora G 3263 D" to base, impressive details, matte iridesc...

Antique American hammered sterling silver trumpet bud vase, circa 1890's.

This is a large hand blown emerald green opaque glass vase with applied open work copper overlay decoration, which is likely to have been manufactured i...

Art Nouveau Period, sterling silver-mounted iridescent green Art Glass 2-handled bud vase, London, year-hallmarked for 1901. Measures 7 1/4 inches high x 3 inches diameter (at widest...

Loetz Art Nouveau circa 1900 art glass vases with floral and decorative scroll Silver Overlay. (Pair) Larger: Corset form in iridescent gold glass decorated with scrolling silver overlay and a blank cartouche. Height: 5.25 X 2.75 Diameter Condition: Mint. Smaller: Bulbous smoke stack form in iridescent green-gold decorated with scrolling silver overlay flowers. Marked: Alvin pat 67 Height: 4.25 X 2,65 Diameter Condition: Mint AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period –The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...