Brigitte Parusel Art

Artist: David Diao, Chinese-American (1943-) Title: Barnett Newman: The Paintings (Yellow) Year: 1992 Medium: Silkscreen, signed and numbered in pencil Image: 15 x 39 inches Siz...

Richard Tuttle (American, born 1941) Homesick as a Nail, 1998 Medium: Set of 1 drypoint etching on wove paper and 1 silkscreen, printed in five colors on acetate on both sides, with ...

Méditerranée (Abstract painting) Watercolor and colored pencil on paper — Unframed A composition that stayed in my mind afterwards having visited the Rayol gardens where the sea and...

Ecume (Abstract painting) Collage, acrylic, watercolor and colored pencil — Unframed The foam, the water and the earth. Space of a moment when we no longer know whether what we see ...

Genre: Other Subject: Architecture Medium: Print Surface: Paper Country: Germany Dimensions: 19 3/4" x 15 3/4" Dimensions w/Frame: 22 3/4" x 19" Gerhard Merz Venedig 1997 1998 From the portfolio Sequences printed on Magnani rag paper. print 50 x 40 cm (19¾ x 15¾"), signed and numbered. Edition of 60. Gerhard Merz, born 1947 in Mammendorf near Munich, lives and works in Berlin and Pescia, Italy. Gerhard Merz, who has occasionally been labeled a modern classicist, uses the elements of art - measurement, form and light - in a careful reconsideration of modernism. These three prints document the idea, the architectural plan, and the realized art space at the German Pavillion of the Venice Biennale 1997: brick walls, plaster and fluorescent light - clarity and blankness. »The beautiful is mute and blank.« Gerhard Merz (born 25 May 1947 in Mammendorf , Kreis Fürstenfeldbruck ) is a German artist. From 1969 to 1973, he studied at the Academy of Fine Arts Munich and became a student in the masterclass of Rudi Tröger . Between 1964 and 1969, inspired by Francis Bacon and Uwe Lausen, expressive pictures emerged and subsequently metal sculptures. Since the beginning of the 1970s, he has been increasingly successful with spatial installations in which he drew references to the history of literature and art, as well as to political history, as well as the development of large-format, monochrome images with lines of pencil strokes. In the building of the Federal Foreign Office in Bonn, he designed a wall through a large polychromatic mosaic. Starting in 1977, he was represented at Documenta in Kassel four times in a row. In 1983 he was awarded the Arnold-Bode-Prize of the documenta – City of Kassel . In 1991 he received a reputation as a professor at the Kunstakademie Düsseldorf . In 1998/1999 he was commissioned to design the rooms within the framework of the old building renovation of the Federal Foreign Office in Berlin in a joint project with the architect Hans Kollhoff...

Artist: Nassos Daphnis, Greek (1914 - 2010) Title: SS 10-78 Year: 1978 Medium: Silkscreen, Signed and numbered in pencil Edition: 120, 25 AP Size: 32 in. x 40.5 in. (81.28...

A lovely signed pen drawing in three colours by Thilo Maatsch. Artist: Thilo Maatsch Date: 1966 Framed size: 49 x 37.5cm Signature: Signed in pencil: “TM 66” Mounting: Conservation-...

Mooncatcher by Rebecca Denton [2018] limited_edition Etching and aquatint Edition number /40 Image size: H:20.5 cm x W:20.5 cm Complete Size of Unframe...

Riprap 2 (Abstract Drawing) Colour pencil and acrylic on paper. Unframed. This fluid abstract work on paper is intuitively made with a coloured pencil and acrylic. The intersectin...

Snow Globe by Rebecca Denton [2019] limited_edition Etching and aquatint Edition number /40 Image size: H:20.5 cm x W:25.5 cm Complete Size of Unframed...

Erwin Pfrang, German (b. 1951) Graphite, Colored Pencil on paper Framed 20.5/8 X 16.5/8 sheet 6 X 7.75 Erwin Pfrang (born 1951, in Munich) is a German painter and printmaker. Pfrang studied at the Academy of Fine Arts in Munich from 1974–79. Later he spent many years as an independent artist in Montepulciano, Val d’Orcia and Catania, Italy, interrupted by stays in Munich and Augsburg. He presently lives and works in Berlin. Erwin Pfrang is the grandson of the Munich folk comedian Konstantin Pfrang. Carla Schulz-Hoffmann makes an attempt at characterising the painter: “An artist such as Erwin Pfrang inhabits an alternative world, a tiny microcosm of subjectivity, and lives that life uncompromisingly, with all the limitations and hardships that it entails. Among twentieth-century artists a comparable stance can be encountered perhaps in Jean Fautrier, but certainly in Otto Wols. His oeuvre relates in its figuration to Bosch or James Ensor and his oil painting to Lucian Freud in its painterly quality. Erwin Pfrang is represented by gallerists Fred Jahn, Munich (Exhibition: Don’t Forget Your Mask: Don’t (Part I: Don’t Forget Your Mask), Forget (Part II: Don’t Forget Your Mask), Your Mask (Part III: Don’t Forget Your Mask)Artists: Imi Knoebel, Barry Le Va, Karel Appel, Alexi Tsioris, William N. Copley, Isa Genzken...

This intimately scaled watercolour grid is a quiet contemplation of color: washed charcoal, blue, cyan, kelp green, lime and white. The poetic title may hint at the literal ratio of water to land in the world that is represented through color in this elegant artwork. Milly Ristvedt, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe at the Vancouver School of Art. At 24, her work was included in the Centennial Exhibition at the Art Gallery of Ontario...