Daniel Loveday Art

This beautiful surrealist painting by Mauricio comes rolled in a tube and needs to be stretched when received. In his pieces, Mauricio combines his figurative expertise along with su...

Title: Together Medium: Oil on canvas Size: 12 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2013 Artist: ShaoHua Nong...

Oil on canvas. Framed. Signed lower right.

Helen Bellaver's "Bronze Kimono" is part of a series of works on paper the artist competed over the space of two years. These works share the ...

Artist: Richard Kirk, American XXth Title: Surreal Portrait Year: circa 1960 Medium: Oil on Canvas, signed Size: 36 x 24 in. (91.44 x 60.96 cm) Frame:...

Title: Pine Tree Medium: Oil on canvas Size: 27.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

It is with great pride that we present a recently completed oil painting by Azerbaijani artist, Fidan Kim. Ms. Kim is a classically trained painter whose paintings evoke the surreal...

Artist: Tito Salomoni (1928 - 1989) Title: Life's Souvenirs Date: 1984 Medium: Oil on Canvas, signed lower left Size: 20 x 24 in. (50.8 x 60.96 cm) Frame...

Paul Riba (American, 1912-1977) Driftwood and Fish Oil on panel Signed lower right 9.25 x 23.5 inches 14 x 28.25 inches, framed Paul Riba was a painter of Magic Realism. He explore...

"Deaf dialogue" is an abstract style painting by the French artist Maestro Simon Richard Halimi. Through his art, he has a very sharp and unique style of bright and colorful expressi...

Artwork size: 102,5x98 cm Frame size: 110x105 cm This artwork is accompanied by a certificate of authenticity signed by Alisée Matta. Provenance: Artist Jean-Pierre Jouffroy, Paris. The estate of the artist Jean-Pierre Jouffroy, Paris. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén...