Grégoire Michonze Art

Shelli Langdale's "Portrait of a Horse (Pool with Two Figures)" is an original, handmade oil painting that depicts a white horse standing at the ...

Immerse yourself in a unique visual experience with this oil painting in shades of blue and violet. The artwork features enigmatic figures of men and animals coming to life in a noct...

Brass plate leads to Russian artist Pavel Pavlovich Dzhogin (1834 - 1885). This 19th century oil painting beautifully captures a serene rural scene with travelers on a cart traveling...

"River Landscape with a Windmill and Chapel" is a painting by Dutch Old Master Painter, Jan van Goyen. There are traces of a signature on the bow of the boat...

Esther Schlebos won "The Prix de Norvège" on her graduation in July 2019 for her landscape paintings with which she graduated. Together with Marein Kon...

In an original Harer frame. Illustrated in "Daniel Garber Catalogue Raisonne" Vol. II, pg. 271, and in book titled "Blue Chips", pg. 33 Jim’s of Lambertville is proud to offer this artwork by: Daniel Garber (1880-1958) One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

Milia Laufer, born Romania. From 1951 lived and worked in Safed. Together with her husband opened one of the earliest galleries in Israel, in Tiberias. Worked in watercolors and oils...

This painting, created during Zuccarelli's stay in England, represents the decisive moment when Macbeth, together with Banquo, meets the three witches who announce that he will be Ki...

Alpay Efe's "Vessel" is an original, handmade oil painting that depicts three hands gently overlapping on each other in an almost tender embrace. About th...

Very well executed mid-18th century artwork, rather oil study, depicts resting family sheltering from the scorching midday sun in grotto shape arch in ruined part of town. Mother fee...

View of a Village Square Vukmanovic Stefan Belgrade 1924 – 1995 Degernau Serbian Painter Signature: Signed bottom middle Medium: Oil on panel Dimensions: Image size 45 x 60 cm Biography: Vukmanovic (Vucmanovic) Stefan was born in 1924, in Belgrade, former Yugoslavia. He was a Serbian painter of landscapes and town scenes. Vukmanovic studied at the Munich Academy of Fine Arts with the master teacher and artist Charles Crodel (1894 – 1973). He was a member of the Munich Secession. In this statement of principles, the artists declared their intentions to move away from outmoded principles and a conservative conception of what art was. Throughout the 1930s, many political ideologies (Marxism, Socialism, Capitalist Democracy, Communism and Fascism) were engaged in struggles for dominance, and epitomised the political atmosphere of the era. Surrealism art...

Arthur Fitzwilliam Tait was born at Livesey Hall, near Liverpool, England, and began his career as a clerk at the gallery of Agnew & Zanetti’s Repository of Arts in Manchester. While...