Henry Matthews Vases

Art Nouveau-Style, sterling silver, pedestal-based vase, Gorham Mfg. Company, Providence, Rhode Island, year-hallmarked for 1923. Hammered in design and chased with flowers. Measures...

This Art Nouveau vase displays particularly beautiful embossing which allows the harmonious creation of the figures of two young women at the front of the vase and two more at the ba...

Hallmarked in Birmingham in 1907, this attractive, Edwardian, antique sterling silver Epergne, is  the Art Nouveau taste, with a central larger...

Doulton & Co. Art Nouveau vase painted by W. G. Hodkinson, 1891-1902.

A pair of Japanese ceramic vases, imported by Toyo and labeled Katuni/Satsuma. Hand painted in an Art Nouveau style, with green grass blades around the base and white tipped pink cro...

Art Nouveau glass vase with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Conical mouth and neck, and bellied bowl. Overlay in form of dense leafing scrollwork...

Exceptional Art Nouveau glass vase by Loetz Witwe Klostermuehle, Bohemia, circa 1902. This absolute rare, iriscident Loetz vase shows an unusual shaped body with a beautiful green gl...

A charming pair of Art Nouveau vases featuring a pair of fairies. One of the fairies calls out to her partner, who listens from the other vase. The reverse of the vases each has a da...

Flower vase On one side it has a nude - Erotic lady drinking wine, and on the other a devil. Very nice quality enamel porcelain flower vase. It has silver rings on the neck and on t...

Loetz Art Nouveau circa 1900 art glass vases with floral and decorative scroll Silver Overlay. (Pair) Larger: Corset form in iridescent gold glass decorated with scrolling silver overlay and a blank cartouche. Height: 5.25 X 2.75 Diameter Condition: Mint. Smaller: Bulbous smoke stack form in iridescent green-gold decorated with scrolling silver overlay flowers. Marked: Alvin pat 67 Height: 4.25 X 2,65 Diameter Condition: Mint AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period –The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

Mold-blown body widening conically upwards, on a flush, round stand, a constriction forming the narrow shoulders with a wide opening, flared rim of the mouth, polished pontil with th...

Art Nouveau Period, sterling silver-mounted iridescent green Art Glass 2-handled bud vase, London, year-hallmarked for 1901. Measures 7 1/4 inches high x 3 inches diameter (at widest...