Hermann Dudley Murphy Art

This original painting is a beautifully depicted nude figure study in a cozy interior space with southwest elements by San Jose, California artist David D....

This Abstract Painting of a Female Nude, 'You and I', by Behnaz Sohrabian, was created in 2019 and measures 48 x 36 x 2 inches. The Oil on Canvas brushwork in reds, whites, grays and...

Nude Figure Study, Standing Female Figure with Sage Green Figure study of a nude model in studio by Los Gatos, California artist M.Z. Murphy (American, 20th century), c.1990. The f...

Mid-century figure study of an African American man by American Impressionist artist Genevieve Rogers. Unsigned, but acquired with a collection of her...

Mid century nude figure study of a woman in a blue chair by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collection of her work. Presented ...

Black and White Figurative Nude - Oil on Canvas Black and white figurative nude by F Vasquez (20th C). The nude torso of a woman takes up the canvas. Her right hand is on her hip wh...

Beautiful modern impressionist figure painting of a nude woman by bay area artist George Wishon (American, b.20th Century). A contrast of...

Seated Nude Woman American Figurative School 1940s Mid-century American impressionist painting of a woman by American artist Frederick "Fred" Yost (American/Swiss, 1888-1968). He studied: at Mt. Union Col., Alliance, OH; American Students League, New York, and with Homer Boss, John Sloan, Robert Henri, R. Lahey. The painting gleans much form his studies with John Sloan and Robert Henri in the French post-impressionist style. Image 24"H x 18"W Frame, 30"H x 24"W x 1.5"D Signed "Yost" lower right Painter, lithographer, teacher, lecturer About Fred's life: by Hal Fry of the Herald “Fred Does Whatever He Likes” was a title given to a biography written about Fred Yost by Hal Fry of the Herald. The following is taken directly from this column: “Fred Yost’s living style is like his painting style. He has fun with it. Fred John Yost was born in Switzerland, he’ sure, on November 6, 1889, he thinks. His father John brought the family to his country when Fred was about a year old—first to New York and later to Canton, Sebring and finally Alliance, where Yost Sr. loaded freight for a railroad. Fred like drawing and painting so far back he can’t remember how or when it started—it was always that way. But through the public schools in Alliance he didn’t think of this as a career possibility. He wanted to be a newspaperman. He worked his way through Mt. Union College, finishing, he thinks, about 1912. Then he beat it for New York and after kicking around for a time got a job as a proofreader for the Wall Street Journal. He combined this and art school until World War I took him into the Army. In infantry, field artillery and ordnance duties he served with the 27th New York Division through St. Mihiel and the Argonne and the rest—in the process getting his hearing clobbered by blasts from his outfit’s own guns. Coming out a Sergeant in 1919, he went back to the Wall Street Journal briefly—then caught on as a staff artist for the (New York) Herald. For several years, when he felt like it, Yost would take a bus to the Mexican border and switch to a Mexican bus to carry him way down south, then make it any way he could to the places he wanted to see. On these trips he virtually becomes a peon, disappearing totally from those who know him—living with, like and clearly thoroughly liked by the people among whom he moves.” Yost was a graduate of the Art Students League and past president of the Ohio Watercolor Society. Fred Yost, a man who eminently loved the Mexican landscape, Exhibited: S. Indp. A., 1928, 1930-33; MMA, 1945; AIC; Butler AI, 1947-1951; Ohio WC Soc.; PAFA, 1948-1950; Akron AI, 1947-1951, 1958; Fla. Southern Col., 1952; Ohio Univ., 1950; Columbus Gal. FA, 1947-50; AWCS, 1958; Salons of Am.; 3 solo: Canton AI; Akron AI, Springfield Mus. A. Contributor to Ford Times, 1958-59. Awards: prizes, Massilon Museum, 1944; Ohio Watercolor Society, 1944, 1948; Indianapolis, Ind., 1944; Tri-State Pr. M., 1945, 1946; Butler AI, 1946; Youngstown Pub. Schools, 1946 (prize); Ohio Univ., 1950; Ethel Printz award, 1950; Fla. Southern Col., 1952; Akron AI, 1952, 1956-1958; Canton AI, 1961, 1963; medal, Phila. Pa., 1950 Member: Ohio Watercolor Society (president) Work: Massillon Mus.; Youngstown Pub. Sch. Coll.; Butler AI; Akron AI; Kennedy & Co., NY; Beaver Col., Beaver Falls, Pa.; Block Gal., Indianapolis; Prospect Park, NY; murals, Sioux City Steak House; Sioux City A. Center; City Hall, Sioux City; Akron AI; Evangelical Church, Akron; Rockefeller Center; Radio City, NY; Brooklyn Zoological Park. Affiliated with NYC Park Dept. Mural Projects. Comments: Came to U. S. in 1889. Position: teacher, Butler AI; Akron AI; instr., Akron AI, Akron, Ohio; cur. Historical House of Refuge...

Late 19th century California School reclining nude female figure by anonymous 19th Century artist. In the style of William-Adolphe Bouguereau. ...

Clyde Steadman's "Bathsheba" is an original, handmade oil painting that depicts an impasto painting of a nude female model in an interior setting.

Nude in the old Roman baths by M. Bondi (Italian, 20th C.) Excellent execution and details. Oil on linen Image 47"H x 23.5"W Signed lower right "M Bondi" On verso "M Bondi - Livorno,...

Dazzling reclining nude figurative in a dreamy, twilight setting with desert tones by Scottsdale, Arizona artist Thomas (Tom) P. Darro (American, b. 1946), circa 1990. Signed "T.P. Darro" lower right corner. Displayed in a carved wood frame, with linen liner and wood fillet. Image, 18"H x 36"W. Raised in an artistically rich atmosphere, Tom Darro has spent his entire life in the world of the arts. His father, Peter Darro, is a renowned painter and sculptor. His mother, Ann Darro, was an opera singer with the Chicago Civic Opera. In addition, three of Tom's uncles served as art directors for various organizations. Born in Chicago, Tom opted not to take an offered scholarship to the Chicago Art Institute and instead headed for New York City. While there, he began his education in the intricacies of the art world. Later, Tom took the opportunity to move to Los Angeles to concentrate on his art studies. For over two years he took private lessons from European trained painter Theodore Lukits at his studio and workshop. He then studied color theory under artist Christian Title...