Louise Bourgeois Art

Yellow Sky is a limited edition drypoint print by artist Kate Boxer, featuring two cowboys riding through a dessert scene. Kate Boxer, artist and printmaker, is available online and ...

Accidents, Injuries and other Calamities poster Judy Chicago (Hand signed and inscribed), 1988 Offset lithograph on thin board (signed and inscribed by Judy Chicago) 26 × 20 1/4 inch...

Artist: John James Audubon (American, 1785-1851) Title: "Snow Bunting" (Plate CLXXXIX - 189; part No. 38) Portfolio: The Birds of America, Havell Edition ...

I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by Kate Boxer. Kate Boxer m...

Judy Chicago Through the Flower, 1991 Silkscreen on Stonehenge natural white paper with deckled edges Publisher: Unified Arts, Albuquerque, New Mexico Signed, titled and numbered on the front; with publishers' blind stamp Frame included: elegantly floated and framed in a museum quality wood frame with UV plexiglass Measurements: Framed 33 inches vertical by 33 inches horizontal by 1.5 inches Artwork Print 31 inches vertical by 31 inches horizontal More about Judy Chicago Born Judy Cohen in Chicago, Illinois, in 1939, Chicago attended the Art Institute of Chicago and the University of California, Los Angeles. Chicago’s early work was Minimalist, and she was part of the landmark Primary Structures exhibition in 1966 at The Jewish Museum in New York. She turned to feminist content in the late 1960s. At this time she changed her last name to Chicago, the location of her birth. Believing in the need for a feminist pedagogy for female art students, Chicago began the first Feminist Art Program at California State University, Fresno, in 1970. The following year, with artist Miriam Schapiro, she co-founded the Feminist Art Program at California Institute of the Arts, Valencia. Womanhouse (1972), a collaborative installation the two artists created with their students, transformed an abandoned building into a house representative of women’s experiences. Chicago is perhaps best known for her iconic The Dinner Party (1974–1979), which celebrates women’s history through place settings designed for 39 important women. The monumental, collaborative project incorporates traditional women’s crafts such as embroidery, needlepoint, and ceramics. Chicago’s work has continued to address themes from women’s lives with The Birth Project (1980–1985) and The Holocaust Project (1985–1993). She is a prolific lecturer and writer, and she has taught at Duke and Indiana Universities and the University of North Carolina at Chapel Hill. Her numerous awards include grants from the National Endowment for the Arts and the Getty Foundation and four honorary doctorates. She currently resides with her husband, photographer Donald Woodman, with whom she collaborates on artistic and teaching opportunities. -Courtesy of National Museum of Women in the Arts Judy Chicago is the subject of a one person exhibition at the New Museum in New York, October 2023. In the age of "Me-Too" and beyond, one of the first self-proclaimed feminist artists...

Artist: John James Audubon (American, 1785-1851) Title: "Red Phalarope" (Plate CCLV - 255; part No. 51) Portfolio: The Birds of America, Havell Edition Year: 1835 Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper Limited edition: approx. 180 Printer: Robert Havell Jr., London, UK Publisher: John James Audubon, London, UK Sheet size: 22.25" x 29" Platemark size: 15.75" x 22.63" Image size: 13.25" x 20.75" Condition: One small tear upper left in margin which has been professionally repaired. In excellent condition with clean paper and strong colors Rare Notes: Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). "J. Whatman 1834" watermark upper left. Based on a composition painted in London in 1835. Edward Dwight...

A very good impression of this etching and engraving with color aquatint. Signed, dated and numbered 132/150 in pencil by Dali. Published by Argillet, Paris. From "Mythologie." Cat...

Cowboy dancers by Kate Boxer is a drypoint and carborundum print on paper. Additional information: Limited edition print Edition of 30 Signed by artist and inscribed with edition nu...

A limited edition drypoint and gouache print of an oystercatcher bird.  Additional information: Drypoint on Paper Edition of 30 73.5 H x 68.5 W cm (28.94 x 26.97 in) Sold unframed ...

Donkey by Kate Boxer is a limited edition drypoint etching with medium. This work is amazing in the flesh - Donkey has wonderful texture. The gold ink Kate Boxer has used for Donkey ...

Limited edition drypoint etching of a nude figure from a posterior view by Jim Smyth (American, b. 1938). Numbered and signed by hand "7/15 Jim Smyth" along the bottom edge. Presented in a new cream and off-white double mat. No frame. Image size: 14.75"H x 10.75"W Jim Smyth (American, b. 1938) has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy and the Art Students league. He is also a graduate from UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with an extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deep etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian. In 2002 Jim was invited to study at the Academy of Art in St. Petersburg, Russia, where he worked in Life Drawing and Life Painting. Smyth is a popular lecturer, a sought after demonstrator and juror. He is the recipient of many awards for both his painting and his teaching. In 1988 and again in 2003, he received the Kenneth Washburn...

Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame. Painter and printmaker Lawrence Nelson Wilbur...