Makuzu Kozan Ceramics

A impressively large and unusual stoneware vase in an urn shape from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. This vase is dated to the end of Makuzu's life circa 1910-1916 based on similar work created around that time. After achieving domestic and international fame, Makuzu retired and handed the business to his son Hanzan in 1912. He dedicated his time to other selected projects that were more in tune with Japanese sensibility than export aesthetic. He made a group of stoneware pottery pieces inspired by Edo master like Ninsei and Kenzan as well as his own poetic creation. This piece is attributed to that period. Standing of an impressive size, this vase is more like an urn, made with stoneware instead of porcelain. It was coated with a brown iron glaze with a slight translucent quality. Underglaze whit slips were used to draw low relief decoration of bamboo leaves that sparsely scatter on the surface. Slightly more elaborate scrolling vines and autumn flowers circles under the mouth rim. Same white slip inlay was used to sign the vase under the base. The whole effect of the piece is unusual. With its dark glaze in contrast with the sparse white decoration that is more abstract and geometric than realistic, it appears almost modern with an Art Deco flavor. For stoneware urn and vase in the similar genre by Makuzu Kozan: see figure 113 on page 182 of "Sekai ni Aisa Reta ya Kimono" MIYAGAWA KOZAN MAKUZU...

Japanese Meiji porcelain Kutani vase hand painted with decorative and a figural panel dating between 1868 and 1912. The elegantly shaped tall ...

Exceptional Japanese contemporary porcelain dessert/fruit/bread plate in an elegant square shape, hand-painted in blue underglaze in cobalt and light blue to showcase a graceful arab...

This is a good quality, hand decorated Japanese porcelain charger, large plate or bowl with an Imari pattern, dating to the late 19th centur...

A rare yellow ground Japanese ceramic charger 15.5 inches in diameter. Decorated on a yellow base with a bird, foliage and blossom in shades of yellow, blue, brown and green. S...

Japanese contemporary porcelain dinner plate in an elegant square shape, hand-painted in blue uderglaze in cobalt and light blue to showcase a grace...

Set of six contemporary Japanese Imari porcelain dessert plates in blue underglaze on pure white fine porcelain, characteristic of Arita porcelain. This pattern is called Royal Blue ...

This stunning colelction is totally handmade and hanpainted in Italy.        

Set of six exquisite contemporary Japnese gilded hand painted Porcelain dessert plates in vivid red, blue and green generously decorated with gold, with an intricate flower and gold pattern. The pattern of this stunning set, scalloped around the rim of the cup and saucer, is inspired by Meissen in Germany. This beautiful set is produced by one of the most respected Japanese porcelain companies with the history of producing exceptional porcelain pieces. Imari-Arita region of Japan has a history of more than 400 years of exporting the finest porcelain produced in that region. There was a fascination for Arita ware...

Japanese Meiji period satsuma scalloped shaped bowl. The bowl of beautiful form with gilt pin-striping and dotting to the accented areas. The exterior decorated with multiple fish swimming around the outside with small flower sprays between. To the inside a painted netting covers the bowl with butterflies and further floral sprays. The centre decorated with representations of each of the woodcut prints from Hiroshige's Tokaido gojusan tsugi (53 Stations of the Tokaido Road). To the base a stylised cartouche signature within an oval for Suizan.  This Japanese satsuma bowl...

A beautiful small Japanese Satsuma ginger jar vase, circa early-20th century, Japan. Colors include cream, copper, green, blue, white, black, orange...

A rare Meissen Marcolini Porcelain Chinoiserie incense burner vase and cover, made for the Chinese market, circa 1800, blue cross swords and star mark, Pressnummer 58 A Museum Quality Piece. Painted in the sought after famille rose palette with sprigs of indianische Blumen and enriched in gilding, the simulated pierced body supported by four feet painted with stylized dragons, the pierced cover with a Buddhist lion finial. 10" high x 6" wide x 6" deep The shape of this piece, which appears to be unrecorded in the literature, is inspired by similar Chinese porcelain censers from the Qing Dynasty, Kangxi Period (1654-1722). An example in the Palace Museum, Beijing, is illustrated by Li Yi-hua in Qing Porcelain of Kangxi, Yongzheng and Qianlong Periods from the Palace Museum Collection, Hong Kong, 1989, pl. 65. Another in the British Museum, London (museum no. PDF, A.812) is catalogued as a perfume-holder. These porcelain examples are in turn inspired by ancient Chinese bronzes from both the Shang (1600-1046 BC) and the Zhou (1046-246 BCE) dynasties, an example of which was sold anonymously by Christie's New York, 22 March 2019, lot 1601. This chain of inspiration tracking backwards from the 19th century to antiquity provides a clear example of how ceramics, and indeed other mediums, are able to influence and motivate the works of later generations. For a Meissen porcelain snuff...