Mark Bradley Schwartz Art

Oil on canvas with silver leaf, black painted wood frame with gold leaf Signed and dated in red, l.r. $6000.00 + $500.00 framing This artwork is offered by ClampArt, located in New...

Telopa, the father and son of artists, paints women in an elegant Mannerist style that combines classic beauty and mythological, symbolic allegory. A...

Jeff Koons Lavishly illustrated 592 page monograph (hand signed by Jeff Koons), 2009 Hardback monograph with dust jacket (hand signed by Jeff Koons) Boldly signed and dated 12/1/14 o...

Italian painter (c. 1920) - Academic male nude. 26 x 23 cm without frame, 29 x 26 cm with frame. Charcoal drawing on paper, in a wooden frame. Condition report: Paper and drawing ...

Suchitra Bhosle's "Somewhere in Paris" is an original, hand made oil painting that depicts a feminine model in a translucent white shift reclining on a background of white. About th...

Early 19th Century Portrait of Dutch Man and Woman - Pair - Original Oil on Line Exceptional Dutch School portraits of young man and woman. Some craquelure through due to age. Laid d...

This beautiful French 19th century Orientalist oil painting is by noted French artist Joseph Caraud. It was painted circa 1848 when Caraud was painting Algerian scenes. The compositi...

This incredibly striking portrait, painted in a fiery palette captures an intimate moment between the artist and sitter who were lovers. Philip Core (1951-1989) Portrait of Adrian Ffooks, 4th/7th regiment Signed and dated 1987 to the reverse Oil on board 30 x 17¾ inches without the frame 35 x 23 inches with the frame Provenance: Gifted as a wedding present to Kit Hesketh-Harvey by his future wife. The artist was a friend of the couple and they had introduced Core to FFooks. Kit Hesketh Harvey co-wrote the screenplay (with James Ivory) for E.M.Forster’s Maurice and he had called upon Ffooks, who was renowned for his horsemanship, to be a stunt double for the equestrian scenes in this iconic film. Philp Core grew up in New Orleans, the son of a well-to-do family. At just seven he won the Vieux Carré Open Artists Competition. He was sent to a military academy, and from 1963 to the Middlesex School in Concord, Massachusetts. He attended Harvard University, where he won a number of art and literature prizes. As a schoolboy he self-published a booklet of drawings Palm Fronde Alphabet. An interest in Aubrey Beardsley and fin de siècle artists and writers, led to him spending time in Paris working with Philippe Jullian on his book The Symbolists, before returning to Harvard to complete an honours thesis on Belgian symbolist Fernand Khnopff. He graduated in 1973. Under the pseudonym Féllippé Fecit, he produced a series of erotic drawings for the poet John Glassco for his book Squire Hardman, and in 1968 in the Japanese style for The Temple of Pederasty, a free adaption by Glassco of a work by Japanese expatriate writer Ken Sato. Of this time, George Melly...

18th Century Military portrait of a young officer in Napoleonic period military dress. The painting is not signed but the subject is Major Alexander Brown. The work is oil on canvas later mounted on board and presented in a fine 'Regence style' carved gilt frame. There are labels to the back referring to the subject, 'Major Brown of Trinity' and a framers trade label from Edinburgh. A magnificent and imposing portrait of a young military officer in the prime of his life. His red uniform adorned with fine buttons, fringed epaulettes and high gilt collar. His ruddy complexion offset by his stylish hair, a quiff and swept forward to the sides as was the fashion at the time. Sir David Wilkie RA (18 November 1785 – 1 June 1841) was a Scottish painter, especially known for his portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. He painted successfully in a wide variety of genres, including historical scenes. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter". He was Principal Painter in Ordinary to King William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably The Chelsea Pensioners Reading the Waterloo Dispatch of 1822 in Apsley House. Sir David Wilkie was actually admitted in 1799 (despite only being 14) through the influence of the Earl of Leven...

Will Barnet: A Timeless World (hand signed, dated and warmly inscribed), 2000 Softback monograph with stiff wraps (hand signed, dated and warmly inscribed) Hand signed, dated and warmly inscribed to Margo by Will Barnet on the half title page 12 × 9 × 1/2 inches We believe the colleague Margo refers to renowned African American artist Margo Humphrey, who also worked at the Rutgers Center for Innovative Printmaking with Will Barnet. The full inscription reads: Sep 21 2000 To my colleague -Margo- with appreciation and affection Will Barnet Book information: Published by the Montclair Art Museum, New Jersey and Distributed by Rutgers University Press English; Paperback; 124 pages containing 43 color and 20 black-and-white illustrations Publisher's blurb: Painter and printmaker Will Barnet has actively participated in the New York art world for nearly 70 years. A leading figure in the Indian Space painting movement of the late 1940s, Barnet stressed the spatial structures of Northwest Coast Indian art. Throughout the 1950s and into the 1960s, he made a series of hardedged, totemic abstractions marked by their "all-positive" space, which he described as austere, classical expressions of Indian culture. He then moved on to new art forms in the 1960s and 1970s, creating a series of family and art world portraits that achieved a remarkable balance between the formal demands of abstraction and the humanist aspects of representation. Will Barnet: A Timeless World is the first substantial publications to unify Barnet's prodigious output. Art historian Gail Stavitsky provides an overview of this artist's entire career. Twig Johnson, the museum's curator of Native American Art, discusses the relationship of Barnet's work to this important indigenous artistic tradition. Jessica Nicoll, chief curator at the Portland Museum of Art, explores the profound impact of New England upon Barnet and his work. Many of Barnet's works are beautifully reproduced in this catalog, containing 43 color and 20 black-and-white illustrations. More about Will Barnet: Will Barnet was born in Beverly, Massachusetts in 1911. He has taught and exhibited widely over his more than seventy-five year career. His works are in the collection of virtually every American museum, including locally The Guggenheim Museum, The Metropolitan Museum of Art, The Museum of Modern Art, and The Whitney Museum of American. He is an elected member of the American Academy of Arts and Letters. In fall 2011 the National Academy Museum will present a retrospective exhibition being organized by Bruce Weber. Barnet is represented exclusively by Alexandre Gallery...

This superb British nude portrait oil painting is attributed to the circle of Harold Knight. Painted circa 1930, it is a seated study of a nude woman in soft focus, arms raised to on...

Shana’s portraits adorned two covers of Time Magazine. Shana’s work is about the face and eyes. Young face, old face, black or white. Her subjects are confused, lonely, ragged and ...