Richard Hirsch Furniture
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Creator: Richard A. Hirsch
Richard Hirsch Encaustic Painting of Nothing #72, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #72 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #76, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #76 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #73, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #73 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #79, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #79 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #75, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #75 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #28, 2012
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #53, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #53 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #70, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #70 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #78, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #78 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #77, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #77 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #50, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #50 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #62, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #62 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #52, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #52 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #55, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #55 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #61, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #61 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #26, 2012
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #54, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #54 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #44, 2015
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #44 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #60, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #60 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #63, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #63 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #40, 2014
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #40 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Clay, Organic Material
Richard Hirsch Ceramic Mortar and Glass Pestle Sculpture, 2007
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle Sculpture #1 was assembled in 2007. It's wheel thrown and hand built clay with green and black watermelon glaze, raku rust patina and hot blown glass. Two separate pieces of wood fired stoneware are assembled with a third piece -- a hot blown glass pestle. "The glass "masher" is lightly sand-blasted, suggesting opacity but yielding subtle light penetration, the perfect foil for Hirsch’s heavy clay concavities. Conceptually, Hirsch enjoys the compatibility of the two heat-driven materials, and the alchemical issues with shared chemistry seems right for themes involving vessels and raw geologic age." This three piece sculpture...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Blown Glass
Richard Hirsch, Scott Meyer & Virginia Scotchie Crucible Assembly Sculpture
By Richard A. Hirsch , Scott Meyer, Virginia Scotchie
Located in New York, NY
Contemporary American ceramic artists Richard Hirsch, Scott Meyer and Virginia Scotchie's Crucible Assembly Sculpture was created in 2012. This piece is ma...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Slate
Richard Hirsch Ceramic Altar Bowl with Ladle #3, 2007
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Altar bowl with Ladle #3 was made in 2007. It's wheel thrown and hand built clay with low fire white glaze and raku patinas. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" Scott Meyer said; "As Hirsch's work progressed over the years, it would be a mistake to portray these advances as chronological. In fact, items found provocative would be added to the roster of possibility. The vessel might change in character with the deep interior space of a mortar becoming the shallow concavity of a Japanese, stone Tsubi basin or natural geode form. The corresponding implement might change from bulbous pestle to delicate ladle, alluding to the ceremonial cleansing for participants in the Tea Ceremony. In this sense, the proximity of these objects to their implied ceremonial use was similar to that which traditional Raku bowls...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic
Richard Hirsch Ceramic Scholar Rock Cup Sculpture #20, 2014
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Scholar Rock Cup Sculpture #20 was assembled in 2014. It's wheel thrown and hand built clay, low fire slips and shino glaze, rak...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Iron
Richard Hirsch Ceramic Altar Bowl with Blown Glass Ladle Sculpture #3, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Altar Bowl with Blown Glass Ladle Sculpture #3 was assembled in 2020. It's wheel thrown and hand built clay, gold enamel paint, black and white glazes with hot blown glass. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" Scott Meyer said; "As Hirsch's work progressed over the years, it would be a mistake to portray these advances as chronological. In fact, items found provocative would be added to the roster of possibility. The vessel might change in character with the deep interior space of a mortar becoming the shallow concavity of a Japanese, stone Tsubi basin or natural geode form. The corresponding implement might change from bulbous pestle to delicate ladle, alluding to the ceremonial cleansing for participants in the Tea Ceremony. In this sense, the proximity of these objects to their implied ceremonial use was similar to that which traditional Raku bowls...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Blown Glass
Richard Hirsch and Peter Voulkos Ceramic Altar Bowl with Weapon, 2001
By Richard A. Hirsch , Peter Voulkos
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch and American ceramic artist Peter Voulkos' Altar Bowl with Weapon is raku-fired, hand built and hand sculptured. It was fired in P...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic
Richard Hirsch Glazed Ceramic Crucible Sculpture Group #3, 2016
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Crucible Sculpture Group #3 was assembled in 2016. It's wheel thrown and hand built clay, wood and soda fired with Baskin crusty...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Stoneware
Richard Hirsch Ceramic Mortar and Hot Blown Glass Pestle Sculpture, 2009
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle Sculpture was assembled in 2009. It's wheel thrown and hand built clay with red and black glazes, raku patinas and a hot blown glass pestle. The following is an excerpt from the book "With Fire: Richard Hirsch, A Life Between Chance and Design" written by Scott Meyer...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Blown Glass
Richard Hirsch Ceramic Scholar Rock Cup Sculpture #43, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Scholar Rock Cup Sculpture #43 was assembled in 2017. It's wheel thrown and hand built clay with red terra sigillata, green glaz...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Stoneware
Richard Hirsch Glazed Ceramic Crucible Sculpture, 2018
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture was made in 2018. It's wheel thrown and hand built clay, wood fired wi...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Stoneware
Richard Hirsch Ceramic Mortar and Glass Pestle Sculpture #1, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle Sculpture #1 was assembled in 2020. It's wheel thrown and hand built clay, gold enamel paint, black and ...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Blown Glass
Richard Hirsch Ceramic Scholar Rock Cup Sculpture #16, 2016
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Scholar Rock Cup Sculpture #16 was assembled in 2016. It's wheel thrown and hand built clay, wood fired stoneware with shino gla...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Stoneware
Richard Hirsch Ceramic Mortar and Glass Pestle Sculpture #5, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle Sculpture #5 was assembled in 2020. It's wheel thrown and hand built clay, gold enamel paint, black and ...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Blown Glass
Richard Hirsch Glazed Ceramic Crucible Sculpture with Blown Glass Pestle, 2018
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch ceramic Crucible Sculpture was assembled in 2018. It's wheel thrown and hand built clay with green glaze, bronze glaze, red glaze,...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Blown Glass, Ceramic, Stoneware
Richard Hirsch White Marble Mortar and Glass Pestle Sculpture, 2006 - 2010
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch’s white marble mortar and glass pestle was made during 2006-2010. Its wheel thrown and hand built clay, black glaze, sculpted whit...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Marble
Richard Hirsch, Scott Meyer and Ken Baskin Crucible Project Sculpture, 2013
By Ken Baskin, Richard A. Hirsch , Scott Meyer
Located in New York, NY
Contemporary American ceramic artists Richard Hirsch, Scott Meyer and Ken Baskin's collaborative Crucible Project Sculpture was created in 2013 and is wood...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Stoneware
Richard Hirsch Ceramic Mortar and Pestle Sculpture #30, 2009
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Pestle Sculpture #30 was assembled in 2009. It's wheel thrown and hand built clay, slips and glazes with raku patinas. The following is an excerpt from the book "With Fire: Richard Hirsch, A Life Between Chance and Design" written by Scott Meyer; "The glass "masher" is lightly sand-blasted, suggesting opacity but yielding subtle light penetration, the perfect foil for Hirsch’s heavy clay concavities. Conceptually, Hirsch enjoys the compatibility of the two heat-driven materials, and the alchemical issues with shared chemistry seems right for themes involving vessels and raw geologic age." This four piece sculpture is signed and dated by the artist. It will ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "Mortars and Pestles" pgs. 57 - 60. The Ceramic Mortar and Pestle...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic
Richard Hirsch Ceramic Scholar Rock Cup Sculpture #19, 2016
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Scholar Rock Cup Sculpture #19 was assembled in 2016. It's wheel thrown and hand built clay, wood fired stoneware with shino gla...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic
Richard Hirsch Ceramic Scholar Rock Cup Sculpture #46, 2018
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Scholar rock cup sculpture #46 was assembled in 2018. It's wheel thrown and hand built clay, woodfired black slip, low-fired bla...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic
Richard Hirsch Ceramic Mortar and Glass Pestle Sculpture #4, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle Sculpture #4 was assembled in 2020. It's wheel thrown and hand built clay, gold enamel paint, black and ...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Blown Glass
Richard Hirsch Ceramic Mortar and Pestle Sculpture, 2010
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Pestle Sculpture was assembled in 2010. It's wheel thrown and hand built clay, lowfired slips, black glaze, raku pati...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic
Richard Hirsch Glazed Ceramic Crucible Sculpture #32 with Blown Glass, 2016
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch ceramic crucible sculpture #32 was assembled in 2016. It's wheel thrown and hand built clay, anagama wood fired with raku rust pat...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Stoneware, Ceramic, Blown Glass
Richard Hirsch Ceramic Mortar and Blown Glass Pestle Sculpture #10, 2004
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle Sculpture #10 was assembled in 2004. It's wheel thrown and hand built clay with black glaze, raku patinas and hot blown glass. The following is an excerpt from the book "With Fire: Richard Hirsch, A Life Between Chance and Design" written by Scott Meyer...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Blown Glass
Richard Hirsch Glazed Ceramic Crucible Sculpture with Blown Glass Pestle, 2018
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible sculpture was made in 2018. It's wheel thrown and hand built clay, wood fired with bronze glaze, raku rust patina...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Stoneware, Ceramic, Blown Glass
Richard Hirsch and Ken Baskin Ladle Presentation Sculpture, 2011
By Richard A. Hirsch , Ken Baskin
Located in New York, NY
Contemporary American ceramic artists Richard Hirsch and Ken Baskin Ladle Presentation Sculpture was created in 2011. This piece is made of soda fired stoneware, saggar fired brick and steel. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" written by Scott Meyer, Ken Baskin said; "Working collaboratively is based upon a spirit of dedication and generosity, excellent communication, similar levels of ability and an alignment of passion and vision. Most importantly, the group must have mutual trust and respect. Without question, we all hold each other in the highest esteem. I have the utmost respect for everyone involved in The Crucible Project." This sculpture is signed by both artists and ships directly from the Crucible Show inventory located in Montevello, Al.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "Outside In, Collaboration" pgs. 106 - 121 / "Ladle Presentation" pictured on pg. 119)
Richard Hirsch Brief Bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics.
Frequently his work appears in book and magazine publications, such as; Overseas Contemporary Ceramic Art Classics by Baiming, China; Raku Investigations into Fire by David Jones, England; The History of American Ceramics from 1607 to the Present by Elaine Levin, New York; World Contemporary Ceramics by Baiming, China; and Firing, Philosophies within Contemporary Ceramic Practice by David Jones, England.
Several museums have included his work for their permanent collections. These include; The Carnegie Museum of Art, Pittsburgh; The Renwick Gallery, Smithsonian Institute, Washington DC; The High Museum of Art, Atlanta; The Everson Museum of Art, Syracuse; The Nelson-Atkins Museum of Art, Kansas City, Missouri; The Taipei County Yinko Ceramics Museum, Taipei, Taiwan; and the George R. Gardiner Museum of Ceramic Art, Toronto, Canada.
In 1984, Hirsch was elected as a permanent member of The International Ceramics Academy, a worldwide organization headquartered in Geneva, Switzerland. A recipient of a William J. Fulbright Research Scholar Award in 2002, Hirsch has also received several Individual Artists Grants. Most recently he was honored by The Rochester Institute of Technology, with the Board of Trustees' Outstanding Scholarship Award. Recently Hirsch collaborated with Dr. Scott Meyer on his biography, the book is entitled With Fire: Richard Hirsch and is published by The Cary Graphic Arts Press at RIT, ISBN-13: 978-1-933360-97-3.
Amid the ever-shifting sands of change and new trends that is prevalent in contemporary ceramics, Richard Hirsch has maintained his steadfast personal aesthetic and continues to make a significant contribution to his field.
Ken Baskin Brief Bio:
Kenneth Baskin received his BFA from College for Creative Studies in Detroit, Michigan and earned his MFA from University of South Carolina. Presently he holds the position of Associate Professor of Art/Ceramics at McNeese State University in Lake Charles, Louisiana.
In 2007 Baskin was honored as one of the recipients of one of the National Council on Education in the Ceramic Arts (NCECA) Emerging Artist Awards. Recently he was honored by being selected for a solo exhibition of his ceramic sculptures at the Taipei County Yingge Ceramics Museum, Taipei, Taiwan; in conjunction with this exhibition he was also invited as a visiting artist, workshop instructor and lecturer at: Tainan National University of the Arts in Tainan, Taiwan and National Taiwan University of the Arts in Taipei. Baskin’s work has also been included in numerous group and solo exhibitions both nationally and internationally. Baskin’s creative research was the topic for an essay titled “20th Century...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Steel
Richard Hirsch Glazed Ceramic Crucible Sculpture #51, 2018
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #51 was made in 2018. It's wheel thrown and hand built clay with bronze glaze, red glaze, enamel paint,...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Stoneware, Ceramic, Blown Glass
Richard Hirsch Glazed Ceramic Crucible Sculpture #50, 2018
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #50 was made in 2018. It's wheel thrown and hand built clay with bronz...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Stoneware, Ceramic, Blown Glass
Richard Hirsch Glazed Ceramic Crucible Sculpture #17, 2011
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #17 was made in 2011. It's wheel thrown and hand built clay, wood fire...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Stoneware
Richard Hirsch Ceramic Altar Bowl with Blown Glass Ladle #5, 2007
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Altar bowl with blown glass ladle #5 was assembled in 2007. It's wheel thrown and hand built clay with low fire slips and glazes, black glaze, enamel polychrome paint, raku green patina and hot blown glass. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" Scott Meyer said; "As Hirsch's work progressed over the years, it would be a mistake to portray these advances as chronological. In fact, items found provocative would be added to the roster of possibility. The vessel might change in character with the deep interior space of a mortar becoming the shallow concavity of a Japanese, stone Tsubi basin or natural geode form. The corresponding implement might change from bulbous pestle to delicate ladle, alluding to the ceremonial cleansing for participants in the Tea Ceremony. In this sense, the proximity of these objects to their implied ceremonial use was similar to that which traditional Raku bowls...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Blown Glass
Richard Hirsch Ceramic Mortar and Blown Glass Pestle Sculpture #23, 2006
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle Sculpture #23 was assembled in 2006. It's wheel thrown and hand built clay with low fire slips and glazes, raku patinas and hot blown glass. The following is an excerpt from the book "With Fire: Richard Hirsch, A Life Between Chance and Design" written by Scott Meyer...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Blown Glass, Ceramic
Richard Hirsch Glazed Ceramic Crucible Sculpture Group #1, 2016
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Crucible Sculpture Group #1 was assembled in 2016. It's wheel thrown and hand built clay, wood and soda fired with Baskin crusty...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Stoneware
Richard Hirsch Black Glazed Ceramic Crucible Sculpture #7, 2009
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Black Ceramic Crucible Sculpture #7 was created in 2009. It's wheel thrown, hand built with black glaze and raku patinas. In the b...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Stoneware
Richard Hirsch Black Marble Mortar and Glass Pestle Sculpture, 2006 - 2010
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch’s Black Marble Mortar and Glass Pestle Sculpture was made during 2006 – 2010. It's wheel thrown and hand built clay, black glaze, ...
Category
21st Century and Contemporary American Mid-Century Modern Richard Hirsch Furniture
Materials
Marble
Richard Hirsch Glazed Ceramic Crucible Sculpture #25, 2011
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #25 was made in 2011. It's wheel thrown and hand built clay, soda fire...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Stoneware
Richard Hirsch Glazed Ceramic Crucible Sculpture #24, 2011
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #24 was made in 2011. It's wheel thrown and hand built clay, soda fired with bronze glaze, raku rust an...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Stoneware
Richard Hirsch Glazed Ceramic Crucible Sculpture #14, 2010
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #14 was assembled in 2010. It's wheel thrown and hand built clay, lowf...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic, Stoneware
Richard Hirsch Glazed Ceramic Crucible Sculpture #1, 2011
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #1 was assembled in 2011. It's wheel thrown and hand built clay, black glaze, low fired slips and raku ...
Category
21st Century and Contemporary American Modern Richard Hirsch Furniture
Materials
Ceramic
Richard A. Hirsch furniture for sale on 1stDibs.
Richard A. Hirsch furniture are available for sale on 1stDibs. These distinctive items are frequently made of ceramic and are designed with extraordinary care. There are many options to choose from in our collection of Richard A. Hirsch furniture, although brown editions of this piece are particularly popular. We have 11 vintage editions of these items in-stock, while there is 91 modern edition to choose from as well. Many of the original furniture by Richard A. Hirsch were created in the modern style in united states during the 21st century and contemporary. If you’re looking for additional options, many customers also consider furniture by Jonathan Adler, Christopher Gentner, and James Bearden. Prices for Richard A. Hirsch furniture can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $1,600 and can go as high as $35,000, while a piece like these, on average, fetch $6,500.