Rupert Shepherd Art

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

Rick Borens' piece showcases a Native American chief standing in front of a landscape Dimensions without Frame: H: 20in x W: 31.5 in. Artist Bi...

Naturalistic portrait of Jim Derrick by the artist Lou Benesch. The portrait features a central figure clad in a cowboy hat, nice work shirt, and a gold bracelet leaning against a po...

This sweet little boy sits quietly like a well brought up child, but you can see in his eyes how much he likes to run and play. In this sensitive portrait painted in circa 1860 by Fé...

We are delighted to present for sale a charming oil painting by the Swedish artist Thure Wallner (1888-1965), showcasing a whimsical scene of a kitten nestled in the grass amidst blo...

ATTRIBUTED TO LAUREANO BARRAU Spanish, 1863 - 1957 UNDER THE PARASOL unsigned oil on canvas 35-1/2 x 26 inches (90 x 66 cm.) framed: 44-1/4 x 35-1/2 in...

Oil on canvas Image size: 10 x 30 1/4 inches (25.5 x 77 cm) Original gilt Watts frame This is a head and shoulders portrait of William Ewart Gladstone painted after a photograph tak...

Yellow and blue-toned abstract impressionist portrait of a boy by Danish artist Hans Christian Bärenholdt. Signed by the artist at the bottom right. Hung in a gold carved frame. Dim...

English family portrait from the late 18th century. The canvas is aged accordingly with newsprint from October 1847. The painting is framed in a decorative gold frame with an open ba...

A delicately-observed, three-quarter length oil portrait of a young woman in society, fashionably dressed in a pinch-waisted, embroidered chiffon ball-gown and wearing a gold pendant and teardrop earrings with tea roses in her hair; the subject shown gazing towards the viewer with candor and good humor. Displayed in a period, black-walnut frame with period gilt liner. Danish School...

Neutral toned abstract impressionist portrait of a man wearing a suit by Danish artist Hans Christian Bärenholdt. Signed and dated by the artist at the bottom right. Currently hung i...

Procaccini was born in Bologna, but his family moved to Milan when the artist was eleven years old. His artistic education was evidently familial— from his father Ercole and his elder brothers Camillo and Carlo Antonio, all painters—but his career began as a sculptor, and at an early age: his first known commission, a sculpted saint for the Duomo of Milan, came when he was only seventeen years old. Procaccini’s earliest documented painting, the Pietà for the Church of Santa Maria presso San Celso in Milan, was completed by 1604. By this time the artist had made the trip to Parma recorded by his biographers, where he studied Correggio, Mazzola Bedoli, and especially Parmigianino; reflections of their work are apparent throughout Procaccini's career. As Dr. Hugh Brigstocke has recently indicated, the present oil sketch is preparatory for the figure of the angel seen between the heads of the Virgin and St. Charles Borrommeo in Procaccini's altarpiece in the Church of Santa Afra in Brescia (ill. in Il Seicento Lombardo; Catalogo dei dipinti e delle sculture, exh. cat. Milan 1973, no. 98, pl. 113). As such it is the only known oil sketch of Procaccini's that can be directly connected with an extant altarpiece. The finished canvas, The Virgin and Child with Saints Charles Borrommeo and Latino with Angels, remains in the church for which it was painted; it is one of the most significant works of Procaccini's maturity and is generally dated after the artist's trip to Genoa in 1618. The Head of an Angel is an immediate study, no doubt taken from life, but one stylistically suffused with strong echoes of Correggio and Leonardo. Luigi Lanzi, writing of the completed altarpiece in 1796, specifically commented on Procaccini's indebtedness to Correggio (as well as the expressions of the angels) here: “Di Giulio Cesare...