Sue Williams Art

"It’s Complicated" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The pa...

Richard Prince Untitled (de Kooning), 2008 Collage with color offset lithograph, hand-cutting, hand-painting and assemblage with extensive additions in graphite mounted on on inset board. Hand signed and numbered with the letter L (from A-Z) by artist on the front Frame Included Richard Prince’s “de Kooning” series is a process of interaction and appropriation with the works of ground-breaking imagery of the Abstract Expressionist master, Willem de Kooning. The idea for these edgy, Oedipal works came to him when he was leafing through a catalogue of de Kooning’s "Women" series. Prince started sketching over the paintings, and, as time went on, he began applying fragments cut and pasted from catalogues and vintage porn...

"Sound and Color" is an original oil pastel, ballpoint pen, and color pencil on arches paper work by Lauren Rinaldi. This piece ships in the pictured archival custom frame. The paper...

Ken Aptekar American (b. 1950) Go Know (Study) 1996 Graphite, white pigment, transparency film, and staples on paper Hand signed lower right sheet: 18 x 18 inches frame dimensions:...

Francisco Fernández, Claudia Fernández, Diego Toledo, Hector Quinones Corpse Drawing #47, The Return of the Cadavre Exquis, 1993 Ink, graphite, acrylic, and watercolor, with collage ...

One fountain at the mountain IV, 2019 (Unframed) His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, London, London Art F...

One fountain at the mountain IV, 2019 (Unframed) His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, London, London Art F...

Flowers and woman, 2015 (Unframed) His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, London, London Art Fair, The Other...

This layered paper and drawing collage titled "House Studies Series VI" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a...

"Sisters #4", 2019 by Valerie Hammond 72 x 35 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels ...

This layered paper and drawing collage titled "House Studies Series VIII" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through...

"Sisters #2", 2019 by Valerie Hammond 73 x 34.5 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels that are unframed, can be installed with magnets, but framing is recommended. In Valerie Hammond’s series of wax drawings, protection is two-fold: the artist (previously) encases dried flowers and ferns in a thin layer of wax, preserving their fragile tissues long after they’ve been plucked from the ground. In outlining a pair of hands, she also secures a memory, or rather, “the essence of a gesture and the fleeting moment in which it was made.” Centered on limbs lying flat on Japanese paper, the ongoing series dates back to the 1990s, when Hammond made the first tracing “partly in response to the death of a dear friend, whose beautiful hands I often found myself remembering.” She continued by working with family and friends, mainly women and children, to delineate their wrists, palms, and fingers. Today, the series features dozens of works that are comprised of either hands tethered to the dried botanics, which sprout outward in wispy tendrils, or others over layed with thread and glass beads. Although the delicate pieces began as a simple trace, Hammond shares that she soon began to overlay the original drawing with pressed florals, creating encaustic assemblages that “echoed the body’s bones, veins, and circulatory systems.” She continued to experiment with the series by introducing various techniques, including printmaking, Xerox transfers, and finally Photoshop inversions, that distorted the original rendering...