Zbigniew Kopania Art

Le Grand Basin des Tuileries. Oil on canvas, 74x93 cm

Alexander III Bridge and the banks of the Seine Oil on canvas, 55x81 cm Gustave Madelain (1867-1944) Landscape painter, Gustave Madelain was born in...

Flutist and Mandolin Player. 2015. Oil on canvas, 64x70 cm from series Playing Angels

Pocket Dark Blue Sloes is an original still-life painting by artist Dani Humberstone. This painting is a small scale renaissance inspired still life in a photorealistic style and sol...

Follower of Antonio Canal, known as Canaletto (19th century) - Venice, view of the Island of S. Giorgio from the Punta della Dogana. 30 x 40 cm without frame, 41.5 x 51.5 cm with fr...

Pocket Yellow Quince by Dani Humberstone [2022] original and hand signed by the artist Oil paint on canvas Image size: H:5 cm x W:5 cm Complete Size of Unframed Work: H:5 cm x W:5 cm x D:3cm Frame Size: H:16 cm x W:16 cm x D:3.5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Please note that insitu images are purely an indication of how a piece may look. Pocket Yellow Quince is an original oil painting bay Dani Humberstone as part of her pocket fruit series.

Pocket Crimson Strawberry is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque s...

Jean Grimal is a true 20th century discovery. This breathtaking piece is a gorgeous example of his mastery as an artist. He beautifully creates chiaroscuro in this painting. The way the light touches the edges of the Chinese bowl and the grapes is an example of his skill in representing light. Jean Grimal (1942-1998) was born in the town of Tulle, France in 1942. Jean’s family moved to Paris when he was 8 years of age. After receiving a classical French education with studies in Latin and Greek, Jean Grimal entered the University to receive his Baccalaureate. He then attended Claude Barnard School for three years, when he received his Art Degree.  Upon completion Grimal taught art for seven years.  As Grimal’s own interest in formal painting and art began to possess him, the artist’s destiny changed.  In 1967 Jean Grimal stepped aside from teaching and pursued a career in professional painting and working as an illustrator in advertising.  As an advertising illustrator, Grimal worked with Lise Goldfard for more than 25 years at Studio 44 where they collaborated with major and important accounts, such as: Air France, Christofle, Peugeot, Lacoste, to name a few. At the same time he began presenting his formal paintings to galleries in Paris and Cannes, France and in London and Windsor, England.  Much to his surprise, Grimal found that his paintings were sought after by major art galleries and collectors throughout Europe.  After a number of years of being an important and successful art illustrator for these major accounts, he found himself having to choose between the two.  Fortunately for collectors, he chose to dedicate his life to the classical style of painting.  Jean looked at the simplest things in life through a microscope, where he could take the simplest object and depict the age of the fruit or the leaf. Jean Grimal received great pleasure from his work and painted for over thirty years.  As his style matured and became ever more perfect Jean Grimal truly reached the pinnacle of his career.  The artist’s methods were particularly distinguished when measured against his peers.  Grimal’s painting skill was distinctive and exceptional. Jean Grimal was known for his realistic trompe l’oeil and still life paintings.  The artist would carefully arrange the objects to form a satisfying composition.  By painting every shadow, highlight, and reflection within each composition Grimal brought mundane subjects to life.  His tight rendering combined with his attention to light and detail allowed him to blur the lines between illusion and reality, truly making his works one of a kind.  Grimal’s trompe l’oeil paintings consist of intricate compositions of cards, envelopes, photographs, paper of different materials and weights, backs of canvases, images of other artists’ works, kitchen utensils, pistols, and more.  Grimal had a talent for mastering these illusions that deceive the eye in his trompe l’oeil paintings.    No matter what genre Grimal was painting, tight, unperceivable brushwork characterizes his work.  The artist painted every crease and crinkle, every shadow and highlight, every detail.  By doing so, he was able to capture each individual surface texture of the objects in his paintings.  Grimal was also fabulous at depicting light in his paintings- often contrasting strong lights with strong darks, creating chiaroscuro modeling.  His still life paintings are reminiscent of Dutch seventeenth century...

Item is in excellent condition and has only been displayed in a gallery setting. Vincente Esparza was born in Graus, Huesca in 1946. In 1967 he began his studies at La Escuela De ...

Attributed Paul Von Franken (1818-1884), famous Gemany a genre and landscape painter, signed bottom right. Fertile scenery coastal town with castle, mosque, minaret, large travelers ...

Pocket Persimmon Fruit by Dani Humberstone [2022] original and hand signed by artist Oil paint on canvas Image size: H:5 cm x W:5 cm Complete Size of Unframed Work: H:5 cm x W:5 cm x D:3cm Frame Size: H:16 cm x W:16 cm x D:3.5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Please note that insitu images are purely an indication of how a piece may look. Pocket Persimmon Fruit is an original oil painting by Dani Humberstone as part of her pocket fruit series.

Juan Francisco Vidaller (1925) - Sheep shepherd landscape - Oil on canvas Oil measures 38x46 cm. Frameless. Painter born in 1925. Self-taught. In love with nature, the countryside, the sea and its people have been the main theme of his paintings. On this occasion, they reflect his primordial interpretation of what he has observed for decades in Girona, from its Empordà coast to the Garrotxa Volcanic. Two key points: his predilection for autumnal and marine themes, his sailing boats with the people who crewed them. These are some authoritative opinions: ... Vidaller is in love with the classics. his painting concretizes reality, seeking the imperishable quality of painting of all time. In his paintings we rediscover the old silence of the countryside, the transparent grass of the waters, the restful path, the boats, the seafarers... Molí, Art Critics Association. ... perhaps the greatness of this artist lies in being unique in the midst of progressive fever. Perhaps it could be, in the conviction that authentic artistic identity depends more on quality than on novelty... Rafael L. Pozo. ... pointing out the flirting...