Bronze Age amphoriskos

ITEM: Ring MATERIAL: Bronze CULTURE: Iron Age, Amlash PERIOD: 1st millenium B.C DIMENSIONS: 21 mm x 28 mm diameter CONDITION: Good condition PROVENANCE: Ex English private collection...

ITEM: Ring MATERIAL: Bronze CULTURE: Iron Age, Amlash PERIOD: 1st millenium B.C DIMENSIONS: 23 mm x 32 mm diameter CONDITION: Good condition PROVENANCE: Ex English private collection...

ITEM: Ring MATERIAL: Bronze CULTURE: Iron Age, Amlash PERIOD: 1st millenium B.C DIMENSIONS: 20 mm x 29 mm diameter CONDITION: Good condition PROVENANCE: Ex English private collection...

ITEM: Military cheek piece of a helmet fragment with Jupiter’s eagle MATERIAL: Bronze CULTURE: Roman PERIOD: 3rd Century A.D DIMENSIONS: 180 mm x 123 mm CONDITION: Good condition PROVENANCE: Ex Alison Barker private collection, a retired London barrister, acquired between 1960s – 1990s BIBLIOGRAPHY: RUCINSKI, E., Get the picture?: Iconography of cheek pieces on Roman Imperial cavalry helmets...

ITEM: Aryballos depicting a horse head MATERIAL: Pottery CULTURE: Greek, Corinthian PERIOD: 7th Century B.C DIMENSIONS: 62 mm x 55 mm diameter CONDITION: Good condition PROVENANCE: E...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 645 mm x 260 mm x 180 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 04B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...

Bactrian alabaster chalice, circa 3000-2000 BC. It has an elegant tapering formed base with a undeep rimmed cup. The alabaster is strikingly vained. ...

Pair of Spiral pendants, bronze age, Europe, circa 1000 BC, 3 and 3 half inches 7 9 cm, mounted on custom stands. Provenance: From a private European collection; formed in the 1980s.

Translucent green and brown jade Bi from the early Bronze age. (2200 - 1900 B.C). The organic shapes created by the blending of these two main colors evo...

Ancient Luristan bronze spear with excellent green patina. Luristan bronze comes from the province of Lorestan, a region of nowadays Western Iran in the Zagros Mountains. With its r...

Ancient Luristan bronze spear with excellent green patina. Luristan bronze comes from the province of Lorestan, a region of nowadays Western I...

Ancient Luristan bronze sword with green patina. Luristan bronze comes from the province of Lorestan, a region of nowadays Western Iran in the Zagros Mountains. With its rich and ...