Celadon Incense Burner with Peony Arabesque Design/Chinese Antique/14th-17th C

This incense burner presents the characteristics of a typical Yi Dynasty Joseon Dynasty incense burner with a body that rises smoothly from the base, openworked ears and a semi-circu...

This is an old Tokoname sutra jar from the Heian to Kamakura periods. It has a shape that traces the lineage of medium-sized Sue ware pots, and is a unique ty...

During the Muromachi Period (1392–1573), the concept of wabi-sabi was formed from the tea ceremony culture. Shigaraki ware was greatly influenced by the aesthetic sense of tea masters in the flow of the times. This product is a small jar called "UZUKUMARU", which was used by farmers as a pot to store seeds. The higaki pattern drawn on the body is unique to Shigaraki. It is said that it is modeled after a shimenawa rope or the bamboo fence...

This product is a rare six-sided vermillion lacquer rinka (ring of flowers) tray. It was made in the late Yuan and early Ming dynasties. It has been ca...

This product is a white porcelain bottle from the Joseon Dynasty. People in those days used bottles like this to make soap from waste oil. With use, the porcelain frayed and curle...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

Nicely made and large incense burner or Okimono of a turtle. In earthenware with nice patina. Shimane Prefecture Iwayaki (Nagahama Yaki) Turtle figurine. The head and part of the bac...

Antique Sukhothai stoneware Naga. Age: Thailand, Sukhothai Period, 14th - 16th Century Size of Naga only: Height 38.5 cm. / width 16.3 cm. / length 19 cm. Size including stand: Heig...

A beautiful Chinese celadon glazed deep dish with an impressed peony design to the center, Ming Dynasty, circa 1400, Longquan kilns, China. The lovey dish covered in an attractive ...

A Chinese Song period celadon glazed bowl. Really nicely thinly potted example with craquelure due to age. Provenance: From a private London coll...

A bronze censer or also known as a incense burner from the 19th century. This incense burner has great detailing with handles in the shape of bonsai trees. The center section has a e...

The Boshan incense burner is particularly notable among Han dynasty incense burners for its unique shape. Designed to resemble a mountain or even a mythical mountain, it is characterized by its pointed peaks that rise upwards. These peaks often function as vents for the smoke, creating an effect reminiscent of a volcanic eruption. The body of the incense burner is typically round, with multiple small peaks surrounding a central, larger peak. The material used is mainly ceramic, although there are instances where they were made of bronze. It is presumed that this incense burner was used for religious or ceremonial purposes during its time. The colors of these burners are usually in shades of pale green or greyish brown, with the application of glaze to achieve a variety of colors on occasion. Such incense burners are often found in tombs or ritual sites, and their purpose was to burn incense for purification of space or to produce pleasant aromas. The Boshan incense burner also represents a significant cultural heritage, showcasing the craftsmanship and artistic values of the period. Today, it is considered a quintessential example of ancient Chinese art. Period : Han-Jin Dynasty Type : Incense Burner Medium : Yue celadon...