Rare annamese cream glazed ewer, Vietnam, 11-15th century

Famous annamese cylindrical jar with lid. Decor modeled in lotus petals, covered with a cream glaze. Dates : Presumably Ly Dynasty (11-13th century) Region : Vietnam Type : Jar Fou...

Although heavily influenced by the Chinese ceramic tradition, Vietnam materials and potting styles are unique. Technically not ‘porcelain’, which is translucent and pure white, these stonewares are different in appearance from Chinese and other Southeast Asian ceramics. Vietnamese wares are typically more heavily potted and have an off-white clay body. Cobalt oxide could have been imported from West Asia via China to produce the blue tones. Year/Period : 15th century Region : North Vietnam Type : Ewer Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

A parrot on a tree. Stoneware with underglaze blue and painted green. The leaves were creatively expressed with green-glaze. Dates : 15th century Le Dynasty Region : North Annam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue 1) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 2) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

A blue-and-white porcelain dish with a central floral motif, likely a lotus, which is a recurrent symbol in Asian art representing purity and beauty. The lotus is surrounded by concentric patterns of foliage and vines, typical of the blue-and-white ceramics that were prevalent during the Ming Dynasty. The cobalt blue used for the intricate designs stands out against the white background, giving the piece a timeless elegance. The design's fluidity and organic shapes suggest it was painted by a skilled artisan, making it a fine example of the artistry from the period when it was created. Dates : 15th century Le Dynasty Region : North Annam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

This ceramic piece beautifully captures the scene of a sparrow perched on a small branchs, depicted with a minimalist touch. The artist skillfully conveys the sense of intimacy as the sparrow approaches the slender twig. The simplicity of the design is evident in the clean lines and subtle details, allowing the viewer to focus on the essence of the moment. Dates : 15th century Le Dynasty Region : North Annam Type : Stoneware Pot Found/Acquired : Southeast Asia , South China Sea, Hoi An Hoard Reference : Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

The octagonal lobed ovoid body rising from a short spreading foot to a tall trumpet neck, set at the shoulder with a tall curved spout and to the other side with a tall strap handle, the dished cover surmounted with a ruyi-shaped finial, covered overall in a creamy-white glaze. Compared to other similar types of Northern Song Dynasty ceramics, this piece is extremely elegant in shape. It most closely resembles the Qingbai porcelain in the collection of The Museum of Oriental Ceramics in Osaka. Period : Northern Song dynasty(960~1127) Type : Creamy-white glaze Ewer Provenance : Acquired in 1999, Hongkong Reference : THE MET Accession Number: 18.57.1 Sotheby's London 2018 - St George Street Sale Asian Art - Lot 208 * Song Dynasty Ding-Yao Ware Song Dynasty Ding Yao porcelain holds a significant place in Chinese ceramic art, specifically as a type of white porcelain produced during the Song Dynasty. Produced predominantly during the mid to late Song Dynasty, Ding Yao ceramics are renowned for their delicate and intricate features. Ding Yao ceramics were primarily crafted from clay rich in white minerals and fired at high temperatures to achieve a durable and lustrous surface. One distinctive characteristic of this serene white ceramic is the presence of silver or gold-colored splashes of glaze, often created using a mineral called galena. Galena, with its lustrous appearance, was suitable for creating fine patterns and intricate decorations. These ceramics frequently feature delicate carvings, floral motifs, or subtle decorations. While commonly used for utilitarian purposes such as tableware, Ding Yao porcelain also served as a medium for artistic expression, producing many artworks. The production of Ding Yao ceramics was relatively limited, and surviving pieces are considered rare and valuable art pieces...

Step into the enigmatic world of Majapahit culture with this exquisite 15th-century terracotta handmaiden figure, a mesmerizing testament to Java's rich heritage. Believed to have o...

A Chinese Ming dynasty period glazed terracotta funeral table mingqi from 15th-16th century with food and drinks. Created in China during the Ming Dynasty, this terracotta funeral table showcases a typical Chinese altar, painted in green with tempera and adorned with a lovely variety of modeled and painted miniature food and drinks such as cakes. Called Mingqi, these kinds of terracotta models were traditionally placed in Chinese burials...

A Chinese Ming dynasty period glazed terracotta funeral table mingqi from 15th-16th century with food in dishes. Created in China during the Ming Dynasty, this terracotta funeral table showcases a typical Chinese altar, painted in green with tempera and adorned with a lovely variety of modeled and painted miniature foods such as cakes and breads. Called Mingqi, these kinds of terracotta models were traditionally placed in Chinese burials...

Antique Thai Sankampaeng pottery jar with brown glazed. Sankampaeng is a Northern Thai ceramic which kilns were found in Chiangmai province. Age: Thailand, Sankampaeng Period, 15th ...

Antique Thai Sankampaeng pottery ceramic brown glazed jar. Sankampaeng is a Northern Thai ceramic which kilns were found in Chiangmai province. Age:...

Antique Thai Sankampaeng pottery ceramic brown glazed jar. Sankampaeng is a Northern Thai ceramic which kilns were found in Chiangmai province. Age:...