Korean Ceramic Moon Jar with Dragon Joseon Dynasty

Two ensuite Korean porcelain jars circa early 19th century Joseon Dynasty, attributed to Punwon-ri ware and measures 5.5" diameter x 4" height and...

A Korean ceramic storage jar circa 18th century of Joseon Dynasty. The jar is of a characteristic form with a bulbous upper body that tappers with a gra...

A Korean ceramic storage jar circa 18th century of Joseon Dynasty. The jar is of a classic Maebyong form (known in Chinese as Plum Vase or Meiping...

A small ceramic celadon storage jar circa 18th century of Korean Joseon Dynasty. The melon shape jar with a mouth and base of the same size display a beautiful harmony in its form. T...

A Korean ceramic bottle with octagonal faceted form with underglaze copper red decoration. The robust bottle with the long neck and a relatively thick built was used to hold liquor such as wine and it was from Joseon dynasty, likely late period (circa mid-late 19th century). The bottle was covered in a milky white glaze with a pleasant warm yellow tint. It has an underglaze iron red paint of branches of gingko leaves on the front and the back side. The color was oxidated into an ochre brown hue instead of iron red. The octagonal form extends nicely from the opening to the base, continuing through the body and makes this bottle geometrically interesting. The rustic paint of the gingko leaves also render the piece a folky modern appeal. For three faceted wine bottles from different period of Joseon Dynasty, see illustration 2, 71 and 73 of "Five Centuries of Korean Ceramics Pottery and Porcelains of the Yi Dynasty...

An antique Korean Buncheong stoneware vase from early Joseon Dynasty circa late 15th to early 16th century. The vase is of a classic pear form with a ...

A sublime Korean white glazed porcelain globular jar, Joseon Dynasty, 18th century, Korea. The squat jar is heavily potted, with a globular body, very short neck, and wide mouth r...

A subtle and sublime small Korean white glazed porcelain moon jar, Joseon Dynasty, 18th/19th century, Korea. The small moon jar of typical form, ...

A beautifully glazed and colored, hand-decorated Korean Buncheong vase. Joseon Dynasty (1392-1910). Very nice patina. We are listing it as 19th cent...

It's a wonderful moon jar. It is a rare size that is suitable for the alcove of a Japanese tea room. It is shaped at once without connecting the uppe...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...