Hand-Painted Scholar's Objects

An extraordinary specimen created by nature millions of years ago, this large and stunning Chinese black chrysanthemum stone features white crystalline mineral (calcite and chalcedon...

A tri-pod ceramic incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji to the start of Taisho period (1890-1910s). A fine example of the artist's work belonging to the late part of his underglaze paint phase (started around 1887 until his death), the surface of the koro was painted in beautiful shades of blue to depict a continuous landscape not unlike a traditional ink and watercolor hand scroll. The rise and fall mountains recede and fade into the horizon and are dotted with groves of pines. The sky is painted with a beautiful subtle shade of pink, suggesting a time of sunrise or sunset. The koro is fitted with an ensuite reticulated sterling silver hoya (incense cover), pierced with swirling cloud and marked with "pure silver' in Kanji. The base is signed in underglaze blue "Makuzu Kozan Sei" within a double ring. The piece is beautifully potted in form and the decoration was done with expertise using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking landscape known as "Mountain and Water" with sense of dimensions and gradient, the poetic effects normally conveyed only by sumi ink staining on paper. The piece comes with an unsigned tomobako (wood storage box) of a recent age. Also known as Miyagawa Kozan (1842–1916), Makuzu Kozan was one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

A malachite rock specimen with intense green and black colors fitted on a wood stand and displayed as a Chinese scholar stone. The gemstone in t...

In the late Qing Dynasty, it was popular to incorporate calligraphy and poetry into ceramics. The piece has a flat, oval shape and was likely used as an inkstone, one of the essentia...

This is a stone mined in Japan. Not only in China but also in Japan from ancient times, rocks in the mountains have been shaved and stones for viewing have been quarried. Such stones for appreciation are collectively called "suiseki". Suiseki means "water" and "stone". The name comes from the fact that I enjoyed pouring water on the stones and changing the color of the stones. And this item is also Suiseki, but it is for viewing without splashing water. It is made with the image of a mountain view. The flow of the river...

A fine antique Chinese export porcelain shrimp bowl. In the Canton pattern. Decorated in underglaze blue depicting a mountainous Chinese village. The bac...

Suiseki is a Japanese culture and hobby of appreciating stones indoors. Appreciate by arranging natural stones on a pedestal or a ceramic board with sand. Suiseki means "water" and ...

A very finely cast Japanese bronze water coupe in the form of the courtesan Eguchi riding an elephant, signed Kazutada, Edo to Meiji Period, mid 19th century, Japan. The small and elegant bronze water coupe is exquisitely cast to depict a figure of a seated lady reading poetry upon the back of a large recumbent elephant. This image depicts the Courtesan of Eguchi as Fugen Bosatsu...

Rare one-of-a-kind collection Japanese Connoisseurs Collection of Five (5) Fine Antique Smoking Pipes, Kiseru. You dont need to be a conn...

A lovely and luxurious Japanese silver incense burner of lobed melon form, akoda koro, marked jungin and signed Nomura, Meiji Period, circa 1900, Japan. The silver koro...

An antique Burmese set of sixteen double-sided Kammavaca or Buddhist manuscripts, written in Bali in red and black lacquer on a gold leaf ground. This set is accompanied by the original pair of gold leaf and red lacquer pictorial cover boards. Kammavaca are volumes consisting of extracts from the Theravadin Vinaya, that relates to the traditional ceremonies of monks. Together with a manuscript chest...

This 'Imari Pavilion' pattern Yongzheng Porcelain depicts pavilion terrace, bamboo fence, and low table festooned with flowers and draped with curtains. Period : Qing Dynasty, Yong...