Circa 1800 Bronze Statue of Krishna Dancing

Late 19th century small bronze statue of Vishnu, chiseled with great detail on a fine casting, lost wax process. 2 1/2" x 1 3/8" x 4...

Small bronze serene standing figure, a Hindu God, lost wax casting. 19th Century. 1 1/2" x 1" x 3 3/4" H. Whitehall Antiques is a family business that has b...

Scarlet tole French snuff box, circa 1800, navette form - silver trimmed. 3.5" w, 1" h, 1.75" d Whitehall Antiques is a family business that has been...

English George III period straight front chest of drawers, c.1800. 2 over 3 drawer form, raised on French splay feet. Choice veneers. Reproduction pulls in original holes (plus plugs...

Circa 1800 Sheraton bowfront sideboard, English. Mahogany with decorative ebony line inlays across the drawer fronts, top edge, and surmounting each ...

Circa 1800 cherry and chestnut French armoire. Chevron doors. Capeau de Gendarme top. Extensive inlays including in the frieze above and between the doors to pick up on the chevron w...

Rare and highly unusual antique Japanese statue of the esoteric deity 'Dakini Ten,' a Buddhist goddess who was associated with the agricultural...

Rare Japanese antique statue of a Chinese child performing Tai chi capturing the pose in motion. Middle Edo period, circa 1750. Made from polychrome on carved ...

This is an old Japanese "Kobo Daishi" wooden figure. "Kobo Daishi" means "Kukai". "Kukai" was a monk from the early Heian period. His posthumous name was "Kobo Daishi". He is the fou...

This is a fantastic piece. Perhaps part of a Tibetan temple shrine at one time. Beautiful faded gilt coloring and patina. We believe this is the Tibeat figure of the white Tara, the goddess of great compassion. She is akin to the Chinese figure of Quan Yin.  We are listing as 20th century but could be older. Nice size and weight. Would be a great addition to any collection and sure to stand out in any setting. From a large collection of Chinese and Tibetan antiques...

Weight: 8 kg The Snaked Altar, situated atop a marble column at the entrance square of the Ancient City of Asclepion, holds the distinction of being recognized as the earliest symbol of medicine and pharmacy. The altar's prominent position within the Asclepion complex highlights its importance in the context of ancient medical practices. It served as a visual representation of the profound connection between spirituality and healing, as Asclepius, the Greek god of medicine, was often depicted alongside snakes, which were regarded as symbols of rebirth and rejuvenation. Today, the original Snaked Altar finds its rightful place of honor in the prestigious Bergama Museum. Visitors to the museum can marvel at its intricate details and appreciate the craftsmanship of the ancient artisans who sculpted it. The altar's preservation allows us to delve into the depths of history and gain insights into the ancient world's understanding and reverence for medicine. *Crafted from compressed marble powder. *Manufactured using molds...

Weight: 8 kg The Snaked Altar, situated atop a marble column at the entrance square of the Ancient City of Asclepion, holds the distinction of being recognized as the earliest symbol of medicine and pharmacy. The altar's prominent position within the Asclepion complex highlights its importance in the context of ancient medical practices. It served as a visual representation of the profound connection between spirituality and healing, as Asclepius, the Greek god of medicine, was often depicted alongside snakes, which were regarded as symbols of rebirth and rejuvenation. Today, the original Snaked Altar finds its rightful place of honor in the prestigious Bergama Museum. Visitors to the museum can marvel at its intricate details and appreciate the craftsmanship of the ancient artisans who sculpted it. The altar's preservation allows us to delve into the depths of history and gain insights into the ancient world's understanding and reverence for medicine. *Crafted from compressed marble powder. *Manufactured using molds...