Pair Of Portasanta And Rosso Antico Marble Obelisks, Italian Early 20th Century

A Huge Italian Grand Tour Rosso Antico Marble Tazza Attributed to Benedetto Boschetti Mid 19th Century Italy - Probably Rome Circa 1840-50 Provenance The private collection of Will Fisher, antique dealer and connoisseur and the founder of Jamb Ltd This beautiful marble tazza is carved almost entirely from Rooso Antico marble, the exception being the base section which is made from contrasting Grand Antico instead. The tazza has an egg and dart carved outspreading rim of campagna design, with wrythen snake form naturalistic handles which twist over themselves in the most virtuosic fashion. Designing the handles alone would have required the skills of a master craftsperson. The body of the tazza is strongly gadrooned and then to the front and back there are Medusa masks, the Gorgon illustrated in fearsome detail with her snake hair...

A Pair of Early 19th Century French Bronze and Marble Tazzas of Particularly High Quality and Large Size French Circa 1820 These tazzas are incredibly finely detailed and of the fi...

An Unusual Pair of Early 20th Century Louis XV Style Bow Fronted Wall Lanterns Executed in Gilt Brass French - Circa 1900 These fine wall lanterns ...

A well drawn early 20th Century walnut Gainsborough type leather upholstered desk - armchair on cabriole legs in the 18th Century manner. English circa 1910. The arched...

Extremely fine marble group of Bacchus and Ariadne after the antique attributed to Carlo Albacini (1734 – 1813) Italy Rome circa 1800 Provenance A French Private Collection Carved in the round of white marble, the young couple shown walking and apparently exchanging words, his left arm gently wrapped around her shoulder, upholding part of her drapery, a wreath of fruit-bearing vines placed on his head, while hers shows no berries, from her right shoulder suspended a suggestive skin of a goat. In excellent condition having a restoration on Ariadne's left index finger. This finely carved sculptural group is one of a number of known examples of this subject, all inspired by a Greco-Roman classical original 1st and 2nd centuries A.D which is now in the Museum of Fine Arts in Boston (inv.68.770). Demonstrating the beginning of Bacchus' courtship of Ariadne and illustrates the “Return to Antiquity” which was expressed in numerous archaeological works in Rome at the end of the 18th Century. The subject matter made it perfect for a wide variety of settings and fine copies of the subject which survive in such collections as the Rothschilds at Waddesdon Manor, the Pitti Palace in Florence, the Musée des Beaux-Arts de Nantes, the Musées royaux des Beaux-Arts de Belgique and the National Trust property Erddig in Wales. This marble is exemplary of neoclassical aesthetics, by its ancient origin and by the creativity of the sculptor who perfectly links these two figures in the manner of Antonio Canova's standing groups (see Daedalus and Icarus or Venus and Adonis). This marble represents a moment of tender complicity illustrating the ability of neoclassical sculptors to detach themselves from ancient rigour in order to introduce an ideal of softness into their works. These two figures are not simply next to each other, but marry through the fusion of their drapes, through the play of glances and through the embracing gesture of Bacchus. Of the surviving 18th and early 19th century examples of this group, the finest are signed by or attributed to the Italian master Carlo Albacini (1734-1813). Albacini was a restorer of ancient marbles who worked extensively on such aristocratic assemblages as the Charles Townley collection, later to form the basis of the fine sculpture collections at the British Museum, whilst also creating copies of these antique pieces for his elite clientele. Aside from Townley, one of the most interesting and important English collectors of this period was the Earl of Bristol who had a fine house in Naples, a London townhouse and his Suffolk family seat Ickworth which he intended to fill with exceptional examples of art of all kinds. Bristol was a great patron of Italian artists and a chimneypiece from his collection that was supplied for his Italian home and later fitted at Ickworth was sold at Sotheby's on the 26th of November 2003 lot 87. This exceptionally carved chimneypiece...

A Fine and Decorative Pair of French Grand Tour Bronze and Siena Marble Tazzas of Large Scale French circa 1820 These fine tazzas retain an impressive patination and are of a well ...

Early 20th century carved decorative tablets, previously part of a larger architectural feature or fireplace. One with a floral organic relief and the other a continues pattern. Th...

Antique pair of marble corbels in Acanthus Leaf Pattern. This pair is made from solid marble, which have been hand carved with the architectural element of ornate scrolling. The corb...

A very interesting pair of early 20th century Northern Italian window protectors in bronze and iron. These intriguing pieces are wonderful to build in as "doors" to cabinets or niche...

FOUNTAIN IN ROYAL YELLOW early 20th Century Basin with double semi-octagonal ram's head. Hollowed out shelf for drainage, with volute. HEIGHT 77cm WIDTH 52cm DEPTH 41cm good co...

Spectacular pair of pilasters in walnut wood. Characterized by refined wood carving work with two large charitids. High artistic quality. Perfect as ...

late 19th Early 20th century pair of carved decorative elements, previously part of larger interior architectural feature or fireplace. Decorated with foliage and organic forms The ...