Grand Parquet Regulator Clock in Empire Style Mahogany -1X55

Experience the timeless beauty of this functional 19th-century column clock, an exquisite piece that captures the essence of an era. Standing at a height of 58 cm, this antique mante...

Introducing this exquisite 19th-century functional column clock, a true testament to the elegance of the era. Standing at a height of 61 cm, this antique mantel clock features a port...

Step into the past with this functional 19th-century S.Marti column clock, a magnificent timepiece that embodies the essence of its era. Measuring 46 x 22 x 13 cm, this antique mante...

Enhance your dining experience with this exquisite set of 6 Chippendale chairs, crafted in alternating light and dark mahogany tones around 1880-1900. Each chair features plush velve...

Step into the grandeur of the Empire era with this Exceptional Empire Mahogany Centre Desk, crafted around 1850. Boasting impressive dimensions of H78 x 170 x 85 cm, this monumental ...

Elevate your living space with the charm and elegance of this Handmade Vintage Persian Style Malayer Oversize Rug. Created with care in the 1970s, this rug showcases classic Persian ...

A beautiful brass clock with gold dore finish. Beveled glass panels with a porcelain dial and time and strike. French works. Running condition. Corner crack in one glass panel.

In the noted horology book "Britten's Old Clocks and Watches", G.H. Baillie defines a Grand Sonnerie movement as follows: "A form of quarter-striking in which the hour last struck is also repeated at each hour." It works like this, striking the quarter-hour on one gong and the hour on a second, slightly lower-toned gong: At 3:15 the clock strikes once on the higher chime to indicate the quarter hour, followed by three strikes on the lower chime to indicate the hour. At 3:30 the clock strikes two times on the higher chime (half-hour), followed by three chimes on the lower gong (hour). This way, if you are within hearing distance of the clock, day or night, you can tell exactly what time it is at each quarter hour A "petite sonnerie...

A Regulator clock by William Chisholm, London. Baillie has no record of the maker but by the design of its original case, we believe it to be late 18th century circa 1790. The 8 day ...

The clock movement is suspended from a portico within four pillars. The mahogany case is decorated with extremely beautiful cast and gilded bronzes, including two griffons facing an ...

Constructed in bronze, patinated and gilt; the rectangular form case supported on engraved oblate spherical feet, the frieze dressed with a row of female masks capping pillars, linke...

A Model of Jean Henri Riesener (Received Master in 1768) executed in 1785. (inv. OA 5501 In Louvre Museum). 19th Century. This fine and sumptuous “Regulateur de Pendule” presents a fine amaranth. Of Sycamore oeuil de vermeuil, ebony and buis stringing marquetry. The base and the gaine are decorated with diamond shapes. The hours are inscribed in Roman numerals and the munutes in Arabic. It takes place in a magnificent gilt décor of three winged children playing with garlands on clouds. The regulateur is enriched with a delicate garniture of bronze. The dial and each panel are framed by an elegant frieze of palms and pearls. The top of the gaine is enhanced with a frieze of palms and ovums, foliages and garlands of flowers. Each corner is ornated with fleurons. The front of the gaine is embellished by an Apollo mask (Sun Symbol) and each side with laurel crowns. Under the mask the cartouche is decorated by a stylized vase of flowers. Foliated scrolls, flowers, garlands, cornucopias and musical instruments such as a harp (Apollo Reference) the cherubs are underlined by pearls, scrolls of Acanthus Leaves and garlands dawning out in foliages, framed with ropes until the lions feet. The feet rest on a base ornated with fleurons and foliages with buds of flowers ending in four conical feet with acanthus leaves. With André-Charles Boulle (1642–1732) and Charles Cressent (1685–1768), Riesener was arguably one of the three greatest French ébénistes of the 18th century. Eventually taking over the workshop after Oeben's death in 1763, and marrying his widow some four years later. He is renowned for completing the famous bureau du Roi...