Jan De Swart Lucite Sculpture

Jan De Swart's "Ark" Ship, sculpted architectural and playful elements intricately displayed showing the master’s wit and technical skills.Exhibited at Collective Design Fair N.Y. Ma...

Sawtooth on Lucite display stand.

Solid stone sculpture, polished stone sculpture.

Horse sculpture, signed Jo Mead.

Rosenthal bronze sculpture. 1965, untitled. Stamped "Rosenthal, 1965." Nice original patina.

Prestini sculpture, this is one of the biggest I-beam examples. Can be shown with or without artist designed pedestal base, shown, image 7. Signed [PRESTINI 191].

A wonderful organic example of Jan De Swart sculpture.  

1970s Lucite clear sculpture with red movement.

Stunning 1970s Jan Johansson designed for Orrefors modernist glass sculpture. Beautiful design and very heavy it weights 23 pounds.

Nice abstract plexiglass sculpture by Jan Verschoor (1943 -), Amstelveen Holland, 1970. This sculpture is an abstract composition of two birds. This ear...

A small rare sculpture by Jan Bowski circa the 1980's, has a tiny fleabite as shown on the pic sold as/is on the edge.

This abstract sculpture in Carrara marble was sculpted ‘en taille directe’ by the Belgian artist Jan Keustermans. The triangular composition creates a dynamic effect. The sculpture is signed and dated, Jake 04. It is a unique piece. It is the first time that Jan Keustermans and his family offer a selection of sculptures, directly from the artist’s atelier. Jan Alfons Keustermans (°1940) is a Belgian sculptor, medalist and draftsman. He studied at the National Higher Institute of Fine Arts in Antwerp and until 2000 he was director of the Municipal Academy of Fine Arts in Turnhout. He has won several art prizes for sculpture and participated in group exhibitions in Belgium and abroad. He has created more than 850 works. In 1994, he won the Ministry of Finance’s competition for a portrait of King Albert II on the Belgian currency. In 1997 he designed a similar version for the euro coin. Keustermans’ work evolved from figurative to completely abstract. He describes the abstract works as ‘memorial...