Wicker Mounted Objects
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Material: Wicker
Pair of Tamberma Shields on Stands
Located in Chicago, IL
A pair of wonderfully sculptural early 20th century handwoven wicker shields from the Tamberma people of Togo, mounted on custom steel stands.
Category
Early 20th Century Togolese Tribal Wicker Mounted Objects
Materials
Wicker
Abelam "Yam Festival" Mask on Stand from Papua New Guinea
Located in Atlanta, GA
A Papua New Guinea yam festival mask of a horn-billed bird from the mid-20th century. This vintage ceremonial mask, also referred to as a baba mask, originates from the Abelam people...
Category
Mid-20th Century Papua New Guinean Tribal Wicker Mounted Objects
Materials
Iron
Pair of Papua New Guinea "Yam Festival" Masks
Located in Atlanta, GA
A pair of Papua New Guinea yam festival masks from the mid 20th century. These vintage ceremonial masks, also referred to as a baba mask, originate from the Abelam people, along the ...
Category
Mid-20th Century Papua New Guinean Tribal Wicker Mounted Objects
Materials
Iron
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Antique Congolese African Tribal Carved Hemba Helmet Mask, Suku Peoples
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A scarce antique African tribal carved Hemba helmet mask, the Suku peoples, possibly Kwese culture, Democratic Republic of the Congo, Central Africa, early 20th century, surmounted by four-legged animal, over round face, with mouth ajar and incised jagged teeth exposed, protruding almond shaped eyes, scattered remnants of pigment, full raffia fiber fringe, mounted on wood stand.
A superb museum quality example, this remarkable tribal folk art sculpture is a wonderful way to add rustic warmth, rich historical depth, and fascinating cultural interest to any space!
Dimensions: (approx)
Overall: 26" High, 9" Wide, 10.25" Deep;
Mask only: 15" Tall;
7 lbs total
Provenance / Acquisition:
Acquired from the highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas.
Excellent Condition:
Nicely aged distressed patina over the whole. Highly desirable wear consistent with age and indicative of use, including scattered losses, antique character marks and typical signs of aging throughout. Retaining scattered remnants of original pigment. Overall a superb museum quality example
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