Half Triceratops Skull

An impressive skull of an Edmontosaurus, a large herbivorous dinosaur that lived during the Late Cretaceous period, 68-66 million years ago. The three rows of sixty or more teeth on either side of the jaw, known as the ‘dental battery’, mark the Edmontosaurus as part of the Hadrosauridae, or duckbill family of dinosaurs. It belongs to the flat-skulled, or solid-crested, Hadrosaurinae, which replaced the older hollow-crested hadrosaurs. Edmontosaurus was one of the last non-avian dinosaurs to ever exist, living shortly before the Cretaceous-Paleogene extinction event. The Edmontosaurus was named in 1917 by Lawrence Lambe, after a partial specimen from Edmonton in Alberta, Canada. The existence of large Edmontosaur bone beds...

A rare Gogotte formation – a millions-of-years old naturally shaped sandstone concretion, consisting of tiny quartz fragments held together by cal...

A female head finely carved from evenly-coloured cream alabaster. The face features a strong chin, high rounded cheekbones, and large elliptical eyes deeply inset for inlays. The remains of the nose indicate that it was long, thin, and roughly triangular in form. A small, round mouth sits just below the nose. Deeply incised eyebrows follow the shape of the eyes, which are framed by unusual grooved canthi on either side, possibly to represent cosmetic eye paint. The supraorbital margins above the eyes are deeply carved, while the carving below the eyes is more subtle, smoothing the sockets into the rounded cheeks. The ears are formed from two arcs and a central sphere, and both lobes are pierced for earrings. The long hair frames the face below the ears, and is carved to create a rougher texture. There is a stock sticker on the back of the neck. A fragment of the right shoulder remains. This suggests that the head was part of a larger sculpture, possibly a full figure (though this seems unlikely due to its relatively large scale) or, more likely, a bust. This head is stylistically aligned with those found at Timna, the capital of the ancient Yemeni kingdom of Qataban, which existed from the 1st millennium BC until the late 1st or 2nd centuries AD. Timna served as an important hub of the Incense Route, the camel caravan that transported incense from Arabia and India to ports on the Mediterranean Sea. Roman author and philosopher Pliny the Elder (23/24-79 AD) described Timna as a busy city with around 65 temples. Excavations in 1950 and 1951 by Wendell Phillips...

Sirens were dangerous bird-like females who tempted sailors with their hauntingly beautiful song. In Homer’s Odyssey (XII, 39) Odysseus and his sailors were warned about the lethal c...

This impressive bust is depicted with head turned slightly to the right and gaze lifted. His eyes are articulated, with the pupils indicated with a drill, giving the face a striking realism. The shoulders are draped with a cloak. Straight brows sit beneath a mass of thickly curling hair, which continues to a full beard. It is worked with great skill, evident in the heavy drill work articulating and highlighting the voluminous curls, and the highly polished surfaces, giving the appearance of soft skin. The contrast between these textures gives a chiaroscuro affect which is one of the main traits of the best Antonine busts. Roman marble portraits reached their apotheosis of craftmanship and technique under the Antonine emperors, as is evidenced in this masterful bust. The evolution of the style may be traced back to the emperor Hadrian, who was the first emperor to wear a full beard. The articulation of pupils and iris appears on busts of his lover Antinous, a novelty which continued in later Antonine portraits, such as this one. The features of this bust point to a possible identification of Emperor Lucius Verus...

Two pairs of two halves from the same bar, finely detailed, with pointed ears and eyebrows, opaque yellow face, opaque red on the mouth, nose, eyes and ears, translucent cobalt blue edges to the mouth, nose and ears, with translucent emerald green leaves above and between the translucent cobalt blue brows and eye line, translucent pink pupils, with translucent cobalt blie and opaque white snake scales below the face, in translucent cobalt blue matrix, cut in the lower part of a cartouche design. These rare heads might represent the Agathos Daimon, the tutelary deity of Alexandria, who was also identified with Serapis, the male counterpart of Isis-Thermouthis (who in turn was a graecisized form of the early snake harvest goddess Renenutet). In a statue of Isis-Thermouthis in Alexandria museum (no. 25773, ex-collection King Farouk I), reproduced in Gotten, Pharaonen, no. 151, the snake goddess...

Nickel-plated over bronze skull sculpture.

Very old water buffalo skull with cool wood repairs.

Exceptional French sculpture of a human skull, warm Brown colored Terracotta with a good,old patina, mounted on a black base, nice and refined sculpting with an eye for detail, very ...

This stylized marble skull is sculpted from solid marble, showcasing the beautiful veins of color throughout the skull. An odd and unusual sculpture, this...

Sculpture brass skull all in solid. brass in polished finish.

Decorative white resin skull on acrylic base.