Willy Guhl Inspired Concrete Planter in Cone Shape Made in England, 1960’s

A Mid Century Modern or Modernist Concrete Planter from England 1960’s. Made from cast cement that is strong and durable, in an elegant tapered shaped cone, indicative of the mid-ce...

This wonderful over sized twin handled 19th Century Dairy Jug was found in the darkest depths of The historic Cotswolds in England. A Hand made Dairy Jug tha...

A Faux Bamboo Walnut mirror of beautiful warm tones, together with it’s original hanging chain in the Chinoiserie/Aesthetic Movement style. Refreshed and revived by professional rest...

A beautiful decorative Horn Beaker or cup with wonderful decorative markings, benefitting from and interior copper and silver or tin lining interior sleeve...

A Mid-Century Modern Peill & Putzler glass sea shell desk light or table light made in West Germany, in or around the 1960’s. This highly tactile and very smooth to the touch seashell light...

An organic and Brutalist style vase with Medallion motif on front and verso. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

Crafted by willy guhl in switzerland during the 1960s, these rectangular concrete box planters exhibit a rich red hue adorned with a beautifully aged patina. Measurements: 23.5" l x...

Crafted by willy guhl in switzerland during the 1960s, these rectangular concrete box planters exhibit a weathered rich red paint, adorned with a beautifully aged patina. Measuremen...

Pair of concrete Willy Guhl planters by Swiss architect Willy Guhl for Eternit, circa 1968.

Willy Guhl planter in original condition. Made from concrete on mesh for Swiss company Eternit, circa 1960's. This massive planter is large enough t...

Fantastic set of vases by Swiss architect Willy Guhl for Eternit. Great tabletop vase or planter in a unique weathered hand painted patina. Very unusual shape. Great indoors or outsi...

Fantastic concrete vase by Swiss architect Willy Guhl for Eternit. Great tabletop vase or planter in a unique weathered hand painted patina. Very unusual shape. Great indoors or outs...