Grand Tour Bronze Model of the "Warwick Vase" on Pedestal

Pair of Grand Tour 'Néo-Grec' gilt bronze vases, Attributed, F. Barbedienne Each one with typical all over decoration, with applied handles with lion masks. Unmarked. Each vase sta...

Pair of Roman Grand Tour Bronze and Ormolu Serpent Motif Vases/ Ewers/Urns  Italy, circa 1880s A beautiful pair of Roman Grand Tour Bronze and Ormolu Serpent Motif Vases, Ewers, and...

Grand Tour bronze figural ewer and stand, after the Roman Antique The ewer alone measures 8" x 5" x 5" The base measures 4" D x 1" H.

Grand Tour bronze model of a Recumbent horse, realistically cast and modeled, raised on a faux marbleized base.  

Diminutive Grand Tour bronze 'Balancing Faun' on marble pedestal Italy, The sculpture circa 1890, the marble pedestal later addition 20th C A small well executed bronze sculpture...

Large Grand Tour Bronze Model of the Place Vendôme, With Napoleon France, circa 1870s This exceptional Grand Tour bronze model of the Place Vendôme, dating back to the 1870s in France, is a magnificent tribute to history and artistry. Standing at an impressive height of 26 inches and mounted on a 6.75-inch square Belgian Black Marble base with a bronze fence...

Stunning Grand Tour neoclassical urn or cachepot having fancy decoration on the outside and gilded metal interior. 5.5 diameter 9" w handle to handle Opening is 3.75" (Connie)

A decorative pair of Grand Tour bronze-patinated urns of ancient Greek 'volute krater' form,  Italy, 19th century. Why we like them We love the decorative look of these urns, evoking the Grand Tour travels of the 19th century. Perfect for lamp conversion. Design This shape was introduced in the late 6th century B.C. and was favoured by significant artists who worked in terracotta and in bronze. The earliest example in bronze belongs to the late 5th century B.C. and was found in a tomb in Agrigento. A characteristic of volute-krater handles is the fine articulation of the volute itself and of the lower terminals where they rested on the shoulder of the vase. Here, as in most metal examples, they assume the form of swans' heads. A pair of handles of this design is in the collection of the Metropolitan Museum of Art, New York. Chiurazzi, De Angelis and Sommer where the main Neapolitan foundries that catered for the needs and tastes of the grand-tourists throughout the 19th and early 20th centuries. They produced a wide range of fine quality objects, often using the museum casts...

This Grand Tour bronze model of the Medici vase is beautifully cast and patinated. It features a deep frieze with a mythological bas-relief, the fluted loop handles rise from sayers'...

A pair of Grand Tour bronze tazzas raised on stepped sienna marble plinths and mounted on sienna marble bases with bronze molding. Circa 1820, Italy.

A Grand tour version of an ancient Greek amphora jar. Painted terracotta with figures and horses. The two-handled storage jar held oil, wine, mil...

Each vase with scrolled handles resting on "griotte rouge" marble bases.