16th Century Urns

A French Primitive mortar in sandstone dating from the 17th century.

Lion of Forge, Spain, 16th century In forging, measurements: 10 x 17 x 5 cm Good condition Spanish private collection.

Male head. Carved stone. Century XVI. Carved stone relief showing a male face turned to the right. It is necessary to highlight both the quality of the fac...

Planter and Its Rattan column, circa 1930 good condition column height alone: 98 cm.

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

I would like to introduce you to a very beautiful form of time. This is probably an earthenware vessel made in Peru, South America. In Peru, there are many earthenware with many round curves, and many of them have polished and smooth surfaces. There are many objects with complicated shapes, but there are also objects with simple and practical shapes like this excavated. This one is black, but I think it originally had pale pink skin. However, it has turned black due to soot and charring. There is surface deterioration, but the condition is good and there are no major scratches. Please use it carefully because it is light and thin. It is a very beautiful curved vase. A Japanese collector used this excavated vase...

This antique ceramic jar or vase is believed to be from the 15th century and is of the Mamluk period. It is made of a sandy earthenware and feature...

It is a very old jar in Japan. This is a pottery called Tokoname ware. Tokoname is a kiln located in Aichi prefecture, Japan. It is said to have originated around the 12th century. A...

A rare and ancient Mamluk period Islamic handblown glass mosque lamp, Egypt or Syria, early 1500's. The lamp of diminutive form & having a flared neck with Islamic calligraphy, the g...

A Speckled Granite mortar and pestle with fine Elemental form, good weight and very good condition. The Mortar has a fine slightly pebble like outer surface and the interior is smoot...

French Victorian bronze figure of a 16th century man holding a quill and book with a guitar on base (signed).      

This is a very old and large Japanese pottery. It is called Tokoname-yaki. This pottery was made from the 14th to 16th century. The distorted shape is very unique. It is very beauti...