Early 18th Century Serving Bowls
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Period: Early 18th Century
Spode Pottery Neoclassical Greek Pattern Blue Printed Supper Set
By Spode
Located in Downingtown, PA
Spode pottery neoclassical Greek pattern blue printed supper set
Early-19th century
From a large collection of Greek pattern pieces in various colors ...
Category
English Neoclassical Antique Early 18th Century Serving Bowls
Materials
Pearlware, Pottery
Antique George I Britannia Standard Silver Porringer
Located in Jesmond, Newcastle Upon Tyne
An antique George I English Britannia silver porringer; an addition to our Georgian silverware collection.
This antique George I Britannia standard silver porringer has a circular rounded form.
The lower portion of this antique porringer...
Category
English George I Antique Early 18th Century Serving Bowls
Materials
Sterling Silver
Antique George I Sterling Silver Porringer / Bleeding Bowl 1717
Located in London, GB
A classic antique George I solid Silver Porringer / Bleeding Bowl with a substantial shaped handle. The handle has an engrave monogram R over RM. The bow...
Category
English George I Antique Early 18th Century Serving Bowls
Materials
Sterling Silver
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Early 19th Century Spode Red Greek Pattern Tile
By Josiah Spode, Spode
Located in Fort Lauderdale, FL
A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern.
Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog.
This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares.
Dimensions: 5 in. x 5 in. x 1/4 in.
Condition: Excellent.
Provenance:
The Collection of Nancy and Andrew Ramage
Jonathan Horne...
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French 1st Standard Sauceboat and Stand Tetard Freres, circa 1900
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