Ancient Roman Turquoise Glass Cup

This beautifully preserved ring was cast from light green transparent glass. Its large size and shape are typical of Hellenistic finger rings, and its now ...

Greek Black Glaze Kantharos Circa Early 4th Century B.C. Terracotta With old label reading ‘No. 133’ Height: 8.8 cm This 4th Century B.C. kan...

Roman marble Fragment of a Right Foot with Sandal Circa 1st - 2nd Century A.D. An evocative Roman marble fragment, preserving the front portion of an over-lifesized sandalled foot. The toes, nails, and bridge of the foot have been sensitively carved. The outer sole of the sandal remains, with delicate, pointed straps joining between the first two toes in a diamond shape. This fragment once belonged to Danish sculptor Jens Adolf Jerichau...

Roman Marble Head of Sophocles Circa 1st-2nd Century Marble This fine Roman marble head preserves the proper left side of the face of a middle-aged man, with broad nose, soft lips, and bearded chin. The short beard and sideburns have been finely carved with a flat chisel, to render the soft, wavy strands of hair. The cheekbone, undereye, and nasolabial folds have been delicately modelled in the marble by a skilled hand. In a letter from 1975, the former director of Ny Carlsberg Glyptotek, Copenhagen, suggested that the head could depict the Ancient Greek tragedian Sophocles. Few figures in the Classical world stand aside Sophocles (c. 496-406 BC), inarguably the best known of the Athenian tragedians, in terms of the impact his works have had on the history of art and literature. The psychological depth he achieves in the seven of the 123 of his plays that have survived to the present day - most notably the three Theban plays: Antigone, Oedipus the King, and Oedipus at Colonus - not only inspired the Athenians, among whom Sophocles was honoured as a hero long after his death, but in our own time, have provoked landmark works on phychoanalysis and literary criticism, by thinkers like René Girard and, most famously, Sigmund Freud. In its masterful treatment of the marble this fragment sensitively captures the features of one of the most important playwrights of all time. Height on stand: 7.9 inches (20 cm). Provenance: Collection of Danish sculptor Jens Adolf Jerichau...

Roman Marble Fragment of jupiter Circa 2nd-3rd Century A.D. Measure: Height: 19.7 cm This beautiful Roman fragmentary statuette depicts Jupiter, the king of the gods, here recognisable from his two chief attributes, the eagle with outstretched wings - according the Pseudo-Hyginus, singled out by Jupiter because ''it alone, men say, strives to fly straight into the rays of the rising sun'' - and the base of the scepter, which remains at the side of the left foot, an aspect likely borrowed from the statue of Zeus at Olympia, once one of the Seven Wonders of the World. Though much of the original piece has been lost, the subtle anatomical detail in the feet mark this out as a piece of exceptional quality, and the work of an artist of particular talent and patience - as Johann Winckelmann once said of the famous Belvedere Torso, ''if you contemplate this with a quiet eye [...] the god will at once become visible in this stone.'' This fragment once caught the eye of Henry Howard, 4th Earl of Carlisle (1694-1758), a Knight of the Garter and among the most prolific collectors of his day. The piece, acquired during his travels to Rome, was proudly displayed on an alcove of the Western Staircase of Castle Howard...

Corinthian helmet with Bull Horns and Lotus Flower Decoration. Archaic Period, c.550-500 BC. Cast, hammered and incised bronze. An exceptionally well preserved example of one of the most iconic ancient Greek...

Beautiful original ancient Roman glass embedded in Lucite cube, was used for containing perfume. Exceptional object of art for display.

Ancient Roman glass bottle with thin thumb handles, circa 2nd-3rd century AD. Origin Roman Empire.

Glass balsamarium with a twisted tubular body, tapering towards the applied disc base, with two trailed handles 12.0 cm (h) Provenance: Ex anonymous Sale; Pierre Bergé Auctioneers, Paris, 17 January 2009, lot 38 Roman glass was used primarily for the production of vessels. It developed from Hellenistic technical traditions, initially concentrating on the production of intensely coloured cast glass...

A jug with a bell-shaped body and clover lip, a green trailed handle and a green collar in the middle of the cylindrical neck. 12.4 cm (h) Intact Provenance: Ex C.A. Hessing Collection, coll. no.57 Ex Anonymous sale; Bonhams, London, 22 September 1998, lot 226 Published: Sheppard & Cooper Ltd, Glass: The Eighth Wonder of the Ancient World, London, 1994, p.14, no.75. Roman glass was used primarily for the production of vessels. It developed from Hellenistic technical traditions, initially concentrating on the production of intensely coloured cast glass vessels...

Belly-shaped with cylindrical neck and with folded down collar rim, the unguentarium with twisted glass decoration with white intertwining the main yellow colour 4.5 cm (h) Intact Ex. German private collection H.G., collected between 1970s-1990s Roman glass was used primarily for the production of vessels. It developed from Hellenistic technical traditions, initially concentrating on the production of intensely coloured cast glass vessels...

Lucite base holder, Measures. 3.4" x 4.2" x 1.8"L.