George Washington Praying At Valley Forge, Unique Historical Art Signed 19thc

Italian folk art Pyrography picture signed, H. Toscano This is an original and unusual detailed 1690 enactment , and hand incised work of art on wood pan...

American Folk Art Pyrography At Its Finest This is an original and beautiful 23 inch by 19.25 inch hand-painted and hand incised work of art on board of a lovely Victorian lady enth...

American folk art Pyrography pair Flying Ducks. This is an original and beautifully detailed hand incised work of art on wood panel of five (5) flying ducks. This unique work of art is hand incised using pyrographic techniques. It is signed lower left E. H. Hart. Dimensions: 9.75 iniches wide and 12 inches high. Provenance: Old New England collection. History of the Pyrography: py·rog·ra·phy is the art or technique of decorating wood or leather by burning a design on the surface with a heated metallic point. Pyrography was particular popular during the last quarter of the 19th century and first quarter of the 20th century About E.H. Hart Hart, Ernest Huntley 'Ernest H. Hart' (New York City, 1910 - Florida, 1985). An American painter, printmaker, illustrator, and author, Ernest Huntley Hart...

Vintage pair (2) Folk Art or Outsider Art Portraits of Native Americans. The female displays braided hair and a necklace with pendant of possible an acorn or shell; the male with a ...

Black Americana Antique Folk Art or Outsider Art Portrait Black American Lawyer, Signed June 10, 1862 This is an original historical and detailed hand incised work of art on wood p...

From an important thirty year old New England collection of American Folk Art Pyrography Robert Ball Hughes (British-American, 1804-1868) This original period framed 1866 pyrography on wood panel was created after the painting by Sir John Gilbert (English, 1817-1897) with detailed description and dedication written on the back of the panel using the same technique. A photographed rubbing of the reverse dedication will be included and is part of this description (photo). Frame: 20 inches high and 28.5 inches wide; Site: 13.25 inches high and 22 inches wide This painting depicts the episode from Shakespeare’s Henry VI Part II Act III Scene V in which Sir John Falstaff inspects the recruits mustered by Justice Robert Shallow and his cousin Silence. Falstaff sits in a chair surrounded by his cronies whilst Bardolph leads Bullcalf forward. Hayman’s treatments of Falstaff reviewing recruits are perhaps among the most successful depictions of a theatrical scene in British painting. The tableau vibrates with the energy that he brought to his Vauxhall supper box scenes of games and dancing, and is filled with the humour and observation of his portraiture. Every figure is in motion and proclaims its own individuality. About Robert Ball Hughes (British-American, 1804-1868) Known as Ball Hughes and also using that as a signature, this man was a sculptor and wax-portrait artist. He was born in London, England, and died in Dorchester, Massachusetts. He studied and exhibited at the Royal Academy in London as well as at the Pennsylvania Academy of the Fine Arts and the National Academy of Design in New York City. He emigrated to New York in 1829, having earned much prestige in England. In New York, he received many commissions for portrait busts in bronze and wax. Among his subjects were John Trumbull, Alexander Hamilton, and Washington Irving. From 1838 to 1840, he worked in Philadelphia and from 1840, worked in Boston. In his final years, he began to produce pyrographic wood pictures (pyro engravings or "poker pictures"), including The Witches of MacBeth (c. 1840), Babylonian Lions (1856), Don Quixote in His Study (1863), The Trumpeter (1864), General Grant...

Presented is a framed oil-on-canvas painting entitled George Washington at Dorchester Heights by an unnamed artist. The painting dates to the mid-to-late 19th century and was modeled after the original 1806 painting by Gilbert Stuart. Gilbert Stuart (1755-1828) is best known for the hundreds of portraits he completed of American politicians and social figures during his lifetime. Stuart hoped to one day paint the first president of the United States, purportedly declaring to a friend: “I expect to make a fortune by Washington.” Stuart took on many government and private commissions during his life; his reputation and skill resulted in George Washington agreeing to sit for Stuart on three separate occasions. George Washington at Dorchester Heights was painted by Stuart in 1806. Washington stands beside his horse with a distant view of the city of Boston...

Painting of George Washington in oil on canvas, an early example, rendered circa 1850, a very pleasing and well-executed copy of Gilbert ...

This fine 19thc folk art still life painting is painted on board and has been re-framed.The detail work is amazing.The condition is pristine.It is signed by the artist in the lower r...

This fine very well done 19thc oil painting of sheep heard is signed by the artist J. Rorphuro .This is so amazing and a great size.

Early 19thc oval portrait painting of a young gentleman on a new oval board.The condition is very good with no repairs.

This amazing folk art tole ware box is in original red painted back round with floral decoration & a embossed bird popping out.