Neoclassical Revival Floor Mirrors and Full-Length Mirrors

Pair of Monumental Wall or Console Mirrors, Over the Mantle Mirror, A magnificent pair of gilt gesso and wood mirrors each having a large rectangular frame depicting carved birds, ...

19th century French Louis XVI style trumeau mirror. Stunning large 19th century French Louis XVI style painted and giltwood trumeau mirror. This fabulous full-length Neoclassical st...

A fantastic original Mid-Victorian cheval mirror. This was made in England, it dates from around 1860-1880. This is very well made and is a great size, large enough for use as a ful...

Elegant cheval mirror in solid mahogany and mahogany veneer from the 19th century from England Very beautiful mirror which has its original glass which is beveled Very beautiful pa...

Monumental pair of 1940s neoclassical French mirrors with parcel-gilt and attractively lightly aged mirror plate. Grandiose scale of 7' with a bracket for mounting but works quite be...

Modernist black vintage floor mirror or full length mirror model lipstick from plastic and mirror glass shaped very similar to Roger Lecal. Not st...

19th century empire revival mahogany pier mirror circa 1870. Excellent quality pier mirror using the finest mahogany.  Architectural cornice top with cresent shape which showcases t...

Sn4603, stylish Victorian floor standing or wall hanging mirror with original extensively foxed glass in rope decorated frame with large rope bow to the top and tassels to base. This...

Beautiful Antique Mirror from the 19th Century. Recuperated out of a mansion near Paris, France.

Beautiful full length floor mirror. The rectangular mirror tilts for versatility. Vintage, brass, faux bamboo cheval floor mirror on a stand with pivoting hardware. This gorgeous Hol...

0235 fine quality, simple and elegant early 19th century full length or pier mirror, having original glass with air bubbles and some foxing in cushion moulded gilded frame. This anti...

A carved giltwood mirror of very large-scale and great quality, made by Froom & Cribbs of London. The beautifully carved wooden frame decorated with flowers and foliage. The scrolled arched top centred by an open scallop cartouche with cresting eagle. Both the frame and glass are in good condition. Stamped on the back with important London makers name and address. Froom & Cribbs 1832-1849. At 136 Strand, London. Carvers and gilders, looking glass manufacturers, picture frame makers. William Froom (1791-1865) was christened in 1791 at St George the Martyr, Southwark, the son of William and Martha Froom. He first comes to notice in 1825, when he attended a meeting of more than fifty master carvers and gilders who resolved to resist the demands of journeymen for an increase in wages (The Times 30 June 1825). He followed Fentham & Co (qv) at 136 Strand, using the description, ‘Late Fentham & Co’, on his trade label for many years. By 1829 Froom had entered into a short-lived partnership with William Cribb (qv), which was dissolved in 1831 (London Gazette 3 May 1831). William Froom and his wife Elizabeth Anne had five children born between 1831 and 1840, christened at St Mary-le-Strand.William Froom was a customer of the composition ornament maker, George Jackson & Sons (qv), 1836-1842 (see Jackson account book, V&A Archive of Art and Design, AAD/2012/1/2/3). In the 1839 directory Froom was listed as a looking glassmaker and in the 1841 census as a plate glass manufacturer. He would appear to have retired from business in 1849 from his entries in the Post Office directory. In the 1851 census he was living in Oxford Square...