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Vintage French Ceramic Wall Mirror by Mithé Espelt (circa 1960s)
About the Item
Vintage French ceramic wall mirror with bird motif (circa 1960s), by Mithé Espelt. A porthole-shaped decorative wall mirror delights the eye. The stylised birds are outlined in Espelt's trademark gold craquelure yet their interior gives the impression of coloured cracked glass. A very charming and stylish mirror indeed - a real conversation piece. Please enjoy the accompanying photos with this listing. Upon request a video will be provided.
About the artist: Born in 1923 in Lunel in the South of France, Mithé Espelt grew up in a family of affluent winegrowers and was very close to her grandfather who passed on his love for the arts and brought her into contact with major intellectuals and artists of the time. She rubbed shoulders with Jean Hugo, Jean Cocteau, Pablo Picasso, Christian Bérard and many others. She graduated from the Beaux-Arts school in Montpellier in 1942, and then studied at the Fontcarrade school where she took a special interest in ceramics. She began by designing buttons for fashion houses in Paris, before managing the entire production of buttons and jewellery at the Lydia Chartier workshop and collaborating with Line Vautrin, amongst others. At the end of the war, she returned to her native south, opened her studio and took advantage of the growing excitement around ceramics, particularly those from the town of Vallauris. To stand out and sustain the workshop business she started designing gilded jewellery, a touch of luxury in which her creativity, the colours she used and her originality in workmanship ensured her success. A very feminine aesthetic was the hallmark of her many beautiful objects designed for the boudoir: jewel-encrusted wall mirrors, elegant hand mirrors and beguiling jewellery boxes among other things. These highly collectable pieces all featuring her signature gold crackle are considered works of art today. These works do not generally bear any signature. As a result, her opulent objects have long been misattributed to Vallauris ceramicist François Lembo. Since this confusion was clarified and a book with her works was published, Mithé Espelt's objects have skyrocketed in price. Not signing her pieces was a way of shunning recognition and fame. Her work has been the subject of significant attention recently thanks to Antoine Candau’s book, “Mithé Espelt, the Discreet Luxury of the Everyday,” which reveals their artistic significance and is becoming a mandatory guide to mid-century French ceramics. In addition, 'The World of Interiors' magazine dedicated several pages to her works in their April 2021 edition.
Dimensions:
Dia 34 cm / 13.4"
H 1.5 cm / 0.6"
- Creator:Mithé Espelt (Artist)
- Dimensions:Height: 0.6 in (1.5 cm)Diameter: 13.39 in (34 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1960s
- Condition:
- Seller Location:London, GB
- Reference Number:
Mithé Espelt
Marie-Thérèse Espelt, known better as Mithé Espelt, was a dominant force in mid-20th-century ceramics in France. Mithé is remembered for her modern ceramic wall mirrors, gilded and enameled ashtrays and other ornate objects and boxes, often featuring birds and lively colors. She preferred not to sign her pieces and, as a consequence, much of her work has been misattributed, including to French ceramist François Lembo.
Mithé grew up in the Camargue region of France. Her father’s extensive network included 1904 Nobel Prize winner Frédéric Mistral and Parisian painter and decorator Jean Hugo. Mithé’s early introduction to a community of artists inspired her to study sculpture and drawing at the Beaux-Arts School in Montpellier in 1939.
Mithé’s early work caught the attention of French ceramist Emilie Decanis and jewelry distributor Charles Démery. Mithé set up a ceramics workshop in the Hôtel de Bernis in Lunel, where she quickly garnered a reputation for her ceramic work and accessories, including mirrors, jewelry boxes and buttons. Démery founded the Souleiado boutique, which began distributing Mithé’s work, thus attracting a worldwide audience.
French author Antoine Candau wrote a retrospective book on Mithé’s career titled Mithé Espelt, the Discreet Luxury of the Every Day, which contributed to bringing her legacy to the forefront while shedding light on her anonymity. While Mithé was respected within her inner circle, the general public is only now beginning to understand the immense talent behind her over five-decade-long career.
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