The Cape Verde Islands Coast Antique Engraving by Van Schley, 1747

An early map of what is now the coast of the capital city of Dakar, Senegal. What is now a dense, bustling city was at this time a uninhabited coast. Shows the overall contours of th...

Antique map titled ?Plan de la Baye et Isle d'Arguim (..) - Oppervlakte van de Baai en 't Eiland van Arguin (..)'. Original antique map of the bay and the island of Arguin. This map ...

Antique map titled 'Carte des Isles de Comore Johanna ou Anouan Mohilla ou Moaly et Mayote (..) - Kaart van de Eilanden Komoro, Anjuan, Moelia, en Mayotta (..)'. Copper engraving of ...

Antique print titled 'Oppervlakte van de Baaije van 't Eiland St. Vincent (..)'. View of the Bay of the Island of St. Vincent, one of the Capeverdian Islands. Originates from a Dutch...

Antique map titled 'Carte de la Guinée (..)'. This map was originally part of a 2 sheet larger map of Eastern Africa, showing the Cape Verde Islands and Senegal. This map originates ...

Antique map Africa titled 'Isles du Cap Verd Coste et Pays des Negres'. Antique map of the coast of Africa and the Cape Verde islands. Artists a...

Johann Christian Friderici [= Frederici] (Heldburg 1766 - Cape Town 1804) Prospect van het eyland, en de rheede van St. Iago. Geteekend van Johann Christian Friderici / Verbeelding van de inwoonders op St Iago (View of the island, and the roadstead of St. Iago. Drawn by Johann Christian Friderci / Depiction of the inhabitants on St Iago) ?Porto Praia, Cape Verde...

Author Celerie Kemble A house by the sea should be a house of dreams. Where windows and doors are thrown open to the ocean, and gusts of cool, salty air turn us all into kids again--buoyant and joyful. Spending childhood days on the beach and in the magical, romantic chaos of her family's rambling house internationally renowned interior designer Celerie Kemble has a deep-rooted connection to the sun and surf. However, in the summer of 2004, Kemble laid eyes on a wild swath of jungle in the Dominican Republic next to minty-blue water and an endless stretch of golden sand, she fell madly in love. Over many years, she designed a home away from home there, an island retreat--a clubhouse and a grouping of family homes and guesthouses--suffused with light and air, full of indoor and outdoor rooms for relaxation. In her latest book, Island Whimsy, Kemble recounts the deeply personal and creative journey of designing Playa Grande and bringing this labor of love to life. The chapters of this book are organized around the different ways Kemble sought to braid her family's story into the larger landscape of Playa Grande and to provide inspiration, joy, and respite to all who come. "Fantasy" looks at the way she used whimsical, dreamlike elements--from the latticework cabanas by the pool to the lamb statues...

Bordering the coastlines of eight countries, the Red Sea is a melting pot of civilizations, faiths and hopes. With unique coral reefs and diverse underwater life...

O/7821 - interesting French book that I saved from ruin: they are usually dismembered to make prints to sell individually. This one is intact, with its 24 printed plates. Nice to ...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presented is a Proclamation of Emancipation wood engraving by W. Roberts. The engraving was published in 1864, just one year after President Abraham Lincoln signed the original Proclamation. W. Roberts was the artist and engraver and Corydon Alexis Alvord was the printer. The engraving was published by R. A Dimmick, in New York, 1864. The text of the Proclamation is set in a variety of typefaces, which is encased in a pictorial border. The border is decorated with a portrait of Abraham Lincoln and seven other vignettes, including the horrors of slavery at left, the bombardment of Fort Sumter at bottom, and scenes from a prosperous and united nation at right. On September 22, 1862, five days after the Union victory at the Battle of Antietam, Lincoln issued a preliminary decree stating that, unless the rebellious states returned to the Union by January 1, freedom would be granted to slaves within those states. No Confederate states took the offer, and on January 1, 1863 Lincoln presented the Emancipation Proclamation...