Bronze devotional plaque, St Francis of Assisi receiving the Stigmata. 17th c.

Devotional plaque, Adoration of the Three Wise Men. Bronze. Spanish school, 17th century. Rectangular devotional plaque made of bronze, which presents the scene of the Birth of Jesu...

Devotional plaque, Ecce Homo. Bronze. Spanish school, 17th century. Bronze devotional plate with an oval shape and a washer at the top that presents a relief within a frame of smoot...

Devotional medal, Santiago Apóstol. Ormolu, 17th century. Openwork devotional medal with the image of Santiago Apóstol in the center, on a pedestal and holding a staff and a book, surrounded by a crown of leaves knotted with two loops above and below. Copies similar to the present one are found in the Museum of Pilgrimages in Santiago de Compostela...

Devotional plaque, San Vicente Mártir, or Huesca or Zaragoza, or Valencia. Bronze, 19th century. Oval bronze plate with a circular element at the top and a frame to enhance the reli...

Devotional plaque, Saint Peter in tears. Bronze. Spanish school, 19th century. Devotional plaque made of bronze with a rectangular shape that has a washer at the top and a frame of ...

Devotional pendant or reliquary. Oil painting on aventurine, enamel, gold. Spain, 17th century. Medallion or devotional pendant or reliquary made of aventurine or aventurine with an octagonal shape and faceted fronts, enhanced with a series of enamels combining black and gold, which protect two oil paintings with a Catholic Christian religious theme, located one on each side of the piece. Protected, you can see a very particular Virgin with Child for being inspired by the Icon of the Madonna del Popolo (Rome, Italy), and a simplified Martyrdom of San Lorenzo (the saint, the grill and an angel with a crown and the palm corresponding to the subject). The edges of the piece have been protected with simple metal elements. The painting of San Lorenzo follows a common composition in the Spanish school, and would recall works such as the painting of the main altar of the Church of San Lorenzo de Huesca, for example, but also others such as the engraving by Marcantonio Raimondi (executed around 1527) in some details. The so-called icon of the Madonna del Popolo was well known for being considered as made by Saint Luke, and was brought to the church of the same denomination by Gregory IX from the Sancta Sanctorum of the Lateran Palace after a flood caused a terrible plague in the city and through a solemn procession with the image of Santa Maria del Popolo. Regarding the material of the piece, a certain type of glass and a type of quartz (which can be green or reddish-brown, and usually has tiny elements of yellow mica that give it golden reflections) is known as aventurine or aventurine. In the first case, it is known that “aventurine” or “stellaria” appears mentioned in the Murano workshops for the first time during the first quarter of the 17th century, in reference to a very complicated production paste (it is said that the name comes from of this circumstance, that is, that its creation was due to luck or luck) that imitates the effects of that stone (from India and Russia at that time) thanks to the inclusion of copper particles, and that it was used as if out of stone (cut) given the complexity of its use in blowing (practically impossible). And, dealing with this material, it is necessary to mention “The Nativity” by Pietro da Cortona, dated around 1656, which is kept in the El Prado...

A beautiful depiction of St. Francis of Assisi kneeling before a vision of a crucified Jesus Christ. A slim wood frame supports the oil on canvas pai...

A Thai bronze head of the Buddha. Sukothai period, late 16th-early 17th century. His face with serene expression, arched eyebrows above incised eyes a...

The mortar with fleurs de lys decoration.

Typical Baroque cast decoration. Deeply patinated with a Coat of Arms, two mythical dragons and Date of 1651 atop a wheeled carriage incorporating elements that have been replaced.

Antique print titled 'Saint Francois d'Assise'. Print of Francis of Assisi. This print originates from 'Histoire et Costumes des Ordres Religieux'. ...

Wonderful 17th century French Baroque cast iron figure of the Virgin praying. Likely originally part of an outdoor shrine as it has been exposed to the elements. The weathered surfac...