Early 20th Century Antique Carved Wood Chair

A set of 3 Eraly 20th Century Duncan Phyfe carved Mahogany and vinyl Upholstered Seat. Two side chairs measuring 18.5" in width, 18.5" in depth and standing 33.5" in height. One capt...

An Early 20th Victorian Carved Walnut and Upholstered Side Chair measuring 20" in width, 20" in depth and standing 36.25" in height with a seat height of 18"

An Early American Patinated Maple Plank Chair, Eraly 20th Century. Great patina. Not just for decorative purpose only. Very sturdy for actual use. No wiggles or squikies. Measures 16...

Early 20th century American Victorian Cane Seat Side Chair. Newer caning and good condition. Measures 18" in width, 22" in depth, and stands 30.75" tall. The seat height is 17.

A rare Ribbon-Back Chippendale Style Varnished Carved Pine Side Chair in great vintage condition. Clean upholstery. Measures

A very well crafted Mid-20th Century Carved Mahogany and Low Rush Seat Side Chair in very good vintage condition. Great for smaller persons. Will make a great addition to your person...

An English pair of Gothic Revival style carved and painted wood chairs, circa 1920's. This antique pair of chairs from England have been intricately carved in Gothic Revival style wi...

Early 20th century English bamboo chair Great accent piece in any decor More of an accent chair than conversational seating.  

A wonderfully sculptural early 20th century Ethiopian side chair with a hide seat and back stitched with hide strips, and stretched over a primitive wood frame. Chair is functional, ...

A superb and striking pair of Sheraton Revival mahogany and satinwood banded chairs, Circa 1900 in date. The high back chairs feature satinwood banding with boxwood and ebonised line inlay and wonderful foliate carved decoration. The square tops are supported by a pair of ionic columns which frame rails above criss-cross splats. The overstuffed golden upholstered seats are above satinwood banded seat rails and the chairs are raised on reeded taping legs that terminate in decoratively carved spade feet. It is rare to find such a perfectly sculpted pair of chairs. THE BOTANICAL NAME FOR THE MAHOGANY THESE CHAIRS ARE MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been cleaned, polished, and waxed in our workshops. Please see photos for confirmation. Dimensions in cm: Height 96 x Width 47 x Depth 49 - Chairs Dimensions in inches: Height 3 foot, 2 inches x Width 1 foot, 6 inches x Depth 1 foot, 7 inches - Chairs Thomas Sheraton (1751 - 1806) was an English cabinetmaker and one of the leading exponents of Neoclassicism. Sheraton gave his name to a style of furniture characterised by a feminine refinement of late Georgian styles and became the most powerful source of inspiration behind the furniture of the late 18th century. His four-part Cabinet-Maker and Upholsterers’ Drawing Book greatly influenced English and American design. Sheraton was apprenticed to a cabinetmaker, but he became better known as an inventor, artist, mystic, and religious controversialist. Initially he wrote on theological subjects, describing himself as a “mechanic, one who never had the advantage of collegiate or academical education.” He settled in London c. 1790, and his trade card gave his address as Wardour Street, Soho. Supporting himself mainly as an author, Sheraton wrote Drawing Book (1791), the first part of which is devoted to somewhat naive, verbose dissertations on perspective, architecture, and geometry and the second part, on which his reputation is certainly based, is filled with plates that are admirable in draftsmanship, form, and proportion. In 1803 Sheraton, who had been ordained a Baptist minister in 1800, published his Cabinet Dictionary (with plates), containing An Explanation of All Terms Used in the Cabinet, Chair and Upholstery Branches with Dictionary for Varnishing, Polishing and Gilding. Some of the designs in this work, venturing well into the Regency style, are markedly unconventional. That he was a fashionable cabinetmaker is remarkable, for he was poor, his home of necessity half shop. It cannot be presumed that he was the maker of those examples even closely resembling his plates. Although Sheraton undoubtedly borrowed from other cabinetmakers, most of the plates in his early publications are supposedly his own designs. The term Sheraton has been recklessly bestowed upon vast quantities of late 18th-century painted and inlaid satinwood furniture...

Green stained oak chair with inset caned seat and back. Stamped PECK.

A beautiful pair of early 20th century Art Nouveau carved wood armchairs High backs with high wavy arms, fine floral and foliate carved motifs on the back, arms and bottom.