Brutalist Metal Curio Cabinet

c. 1980s. Metal base with teak frame, base swivels. Made in Denmark.

c. 20th Century. Mosaic stone slate top with wood frame. Reminiscent of Scandinavian tables.

c. 1920s. Full wood construction with metal drawers. Ceramic knobs. One of a kind.

c. 1980s. Seat reupholstered in black Knoll fabric. Price is for the set. Contact us if you’d like to purchase a single item. Six available total.

c. 1970s. Price is for the set. Contact us if you’d like to purchase a single item. Stackable. Metal perforated seat and back.

c. 1960s. Made in France. Rare piece of design history with ABS plastics doors and drawers. Cabinet was modified to have casters on base. Could be wall mounted.

Measuring in at just over five feet wide, this Vanleigh credenza gives new definition to the word "multi-purpose". It can be a bar, credenza, server, buffet, etc. Beneath the lamina...

Brutalist style and 1950s Dutch design cabinet: An eyecatcher with aerial and harmonious lines, composed of 2 graphic panels sliding doors opening on shelves and airy brush brass ste...

This Belgian masterpiece, attributed to De Coene in Kortrijk in the 1970s showcases an iconic diamond-shaped pattern, which gives the cabinet the typical brutalist...

Early 1900s lighted curio cabinet with glass doors.

Rare and unique brutalist bar cabinet decorated with hand carved bear. Koncz Vilmos (1932 – 2006). He started painting at the age of 30, using the following techniques: charcoal, pastel, oil. He has had solo exhibitions eight times in Budapest, and his works have been featured in seventeen group exhibitions worldwide. He was an experimental creator. Its more than 420 works include glass mosaics, terracotta, copper embossing and furniture carving. After his death, most of his oeuvre was “lost”. A decade and a half passed from painting to the first carvings. Middle Eastern and African culture had a major impact on his further artistic work. Traveled and created in Baghdad, Kuwait, Beirut and Tanzania. He became acquainted with the ancient folk art of the Makonde tribe, with carvings of ebony and ivory, which changed his creative career. When he made an authentic bracelet out of ivory, decorated with African motifs, the members of the tribe welcomed him among themselves. He became the tribe’s "Mister Vili." An exhibition of his painted paintings was held at the Kilimanjaro Hotel. He learned the machining of copper from the Arabs and the making of glass mosaics, and the tricks of jewelry making from the Hindus. He had forty large sculptures erected in various settlements of Hungary, mostly multi-field, made with a circular carving technique. Everything from ornaments on the table to the three-meter-high monument was found in his oeuvre. The Tiszakürt Arboretum also houses two wooden sculptures made of circular carvings: Tasso and the Tanzanian family tree. Donated works of his hometown: the 1956 headboard, the “Jászok” and “Kunok” (Old Hungarian Tribes), the “Flute”, the “Kolompolás” (Ringing the Bell) and the “Winged Altar”. In the 1980s, he also made carvings for the Budapest Zoo and Botanical Garden. His Ars Poetic was: “I do what I love, which drives from within, because I want to leave marks behind that I once existed and perhaps not uselessly” (2002). The term "Brutalist" originated from Le Corbusier’s Cité...

Static black brutalist cabinet set combining a 2doors and 1 doors cabinet with round graphical doorpanels. Both cabinets are totaal restored and had a fresh paint. In absolute perf...