Primitive Memoryware Table

Wonderful very functional spool shelf. Very well-made, great color.

charming tramp art box with mirror held by carved tab

Wonderful patriotic piece of Folk Art. Red, white and blue wall shelf featuring hand-carved eagle and painted stars and stripes.

Bowling ball impaled artistically with assorted metal items great piece of Folk Art for table or shelf.

Roller chain folk art candelabra, great with no candles as sculpture.

Muslin covered barrel trimmed in tape measure. Great little Folk Art piece that was used as giant pincushion and stool for home seamstress.

Antique primitive / rustic hand crafted heavy wooden mallet with octagonal shaped head and rounded handle. Measures: 14".

Antique hand crafted primitive / rustic wooden mallet with heavily distressed round burl wood head and handle. Measure: 14".

Vintage 1/3 scale folk art canoe model. Made of birch bark and bentwood featuring traditional primitive construction. Log cabin, lodge, store display. DIMENSIONS 47” x 12” x 12....

Weird and Quirky Bistro Garden Table and Chairs Weird and Quirky Bistro Garden Table and Chairs made from Iron Tools and Car parts This is no do...

Oil on panel depicting a man in a horse-drawn carriage by acclaimed outsider artist, Bruno Del Favero (b. Italy 1910, d. USA 1995), circa 1970. Fine example showcasing Del Favero's ...

Oil on panel by acclaimed outsider artist, Bruno Del Favero (b. Italy 1910, d. USA 1995), circa 1970. Fine example showcasing Del Favero's aptitude for creating fantastical landscapes. Contrasting oxen / bulls and flamingos with a castle backdrop creates an imaginary context removed from reality. Del Favero's marriage of fantasy and whimsy beautifully suits his Naïve painting style. Singed on verso. Bio from the Philadelphia Museum of Art: Born Princeton, Michigan, 1910; died Greenwich, Connecticut, 1995 Bruno Del Favero moved from Michigan to northern Italy with his parents at age five, returning in 1928 and settling in Greenwich, Connecticut, where he married and remained for the rest of his days. He made his living as a mason, chauffeur, and landscape gardener. It is not known exactly when or why he began to paint his delicate and mysterious landscapes, but he was exhibiting in local art shows by the early 1970s and took himself seriously enough as an artist to join the Greenwich Art Society. He maintained a studio in the basement of his home, but never shared his art with his wife and five children. After the artist's death his family introduced his work to New York dealers Shari Cavin...