John Bentham-Dinsdale "Thames Entry" Oil on Canvas C. 1972

Georges Sauveur Maury (French 1872-1972), early 20th century, oil on canvas Impressionist chariot racing scene depicting figures chariot racing in the coloseum, signed at lower right...

Jean Potronat (French, 1921-1997), circa mid to late 20th century). Jean Potronat learned from his accomplished father Lucien who was a French painter known for fine quality depicti...

The oil on canvas artwork titled "Nude & Still Life" was created by Bela Kontuly, a Hungarian artist who lived from 1904 to 1983. This painting showcases Kontuly's skill in capturing...

Charles Towne (1763–1840) was an English painter of landscapes, horses and other animals, horse-racing and hunting scenes. Towne was born in Wigan, the son of Richard Town, a portra...

Robert Duffy (American, 1928-2015). Oil On Canvas "Robert “Bob” Duffy is a “Plein Air Artist” who paints primarily in New England. Frequently, he can be seen in Northern Vermont ar...

Dolores "Lolo" Soldevilla Neito (Cuban, 1901-1971), circa 1955. A very important piece by a leading female artist in the Cuban abstract movement. This painting conducted in oil and likely tempera on canvas laid to board. Her colorful geometric paintings evoke mixed emotions and feelings - we have always viewed this piece as an homage to our solar system. In its original frame, identical framing to nearly all of her pieces. Signed to the lower right "LoLo". Measuring 13.75" w x 10.5" h (image), 20.25" w x 16.875" h (framed). Provenance: From the collection of a Cuban art collector in Canton, Massachusetts. Below is a very detailed biography of the artist from her website dedicated to her work and life. María de los Dolores (Loló) Juana Soldevilla Nieto was born June 24, 1901 in the Pinar del Río Province, Cuba. She was the third child of a piano teacher, María Paula Bathilda Nieto Lannes and a merchant, Raoúl Soldevilla Seballos, both originally from Pinar del Río. Her maternal grandparents were Severo Nieto (Pontevedra, Spain) and Lorenza Lannes Díaz, baptized in Pinar del Río. Her paternal grandparents were Pedro Soldevilla Martí (Caracas, Venezuela) and Dolores Seballos Bermúdez (Habana, Cuba). Loló was a precocious, restless, and curious girl. She was surrounded in her early years in Pinar del Río by a numerous, charismatic, and cultured family. Her mother’s and uncle’s instructions provided a learning environment, and from an early age she practiced reading and writing, singing, piano, and the appreciation of various art forms such as painting and theater. Also as a child she was reflective of social issues since she was surrounded by ideals and actions that defined her family during that time. Around 1911 Loló is translated to Havana with her family. There she studied and graduated from piano and vocal performance (soprano). She trained her voice with professor Zoila Gálvez in the Municipal Academy of Havana and violin with professor Casimiro Zertucha in the Falcón Conservatory. In 1926 Loló went to live with her mother and sister near Paseo del Prado, where they remained until they were evacuated during the catastrophic hurricane of that same year. At age 25, Loló married Manuel de Jesús Nazario Barba Bonen, a professional pianist. From this marriage were born her three children, Haydée, Magaly, and Pasto; the latter passing at one year old. In 1934 she founds the “Loló Orchestra,” composed of women and with a Latin American and Cuban repertoire. She directed the orchestra and played the violin. They performed regularly in the “Aires Libres” in the cafés of the Paseo del Prado in Havana. During these years Loló refines her political ideals and actions, stemming from her early education in Pinar del Río and family traditions. She takes part in diverse activities against the government of Machado and she was imprisoned more than once in the Women’s Detention Center of Guanabacoa. In 1937 she becomes a member of the National Executive Committee of the Cuban Revolutionary Party (Authentic), where she carried out activities according to that historical moment. In 1940 Loló marries syndicalist Eusebio Mujal and they divorce four years later due to the discrepancy of their political ideas. In 1946 she represented the Authentic Party as a member of the House Representatives of the Oriente Province, where she was named President of the Commission of Press and publicity. She travels to Prague in 1947 to participate in the first session of the International Women’s Federation. Loló was charged with representing and defending the ideals of Cuban women, their social problems, the defense of children, etc. In 1948 she became a member of the House of Representatives of Cuba. Between her actions one could mention the public denouncement about the assassination of the farm workers leader Sabino Pupo, the proposal for a law for minor courts, the retributions due to sugar workers, among other demands. That same year she was invited by the American Federation of Art in Washington and she visited museums in Boston, Philadelphia, Chicago, and New York. Later that year she travelled to Paris and begins to paint under the guidance of her painter friend Wifredo Lam. At that time she creates her first small and large format sculptures, drawings, portraits, and projects for mural paintings. In February of 1949 she is named Cultural Attaché in the Cuban Embassy in France. From that moment on, her career as a visual artist deploys in intense and varied studies and exhibitions. She matriculates in the “Académie de la Grande Chaumière” in Paris and begins her sculpture studies with professors Léopold Kretz and Ossip Zadkine. In the 1950s she travels across Europe with her daughter Magaly. In Spain, she meets Eusebio Sempre who dedicated the poem collection “Claridad de Vivir. Versos Populares.” Together with Lam, she visits museums and galleries in Switzerland, Holland, Belgium, Great Britain, Austria, and Eastern Germany. She continues her studies in various workshops and attends several conferences on new artistic trends. She also continues establishing connections with painters, sculptors, musicians, writers, photographers, and artistic personalities of Cuba and the world. She exhibits her work in various individual and collective shows, such as an exhibition in Tampa. She returns to Cuba and exhibits there for the first time. In the show “Loló esculturas” (November 23-27, 1950) in the Lyceum Lawn Tennis Club of Havana she presented 22 sculptures and one oil painting. Back to Paris she participates in various collective exhibitions including Salon d’Automne Grand Palais del Champs Elysées; Peintres, graveurs et Sculpteurs Etrangeres (Ecole Nationale del Beaux-Arts, Paris). She also participates in Jubilé International in the Cité Universitaire, among others. There she becomes part of “The Dissidents,” and she travels to Mexico invited by the painter Felipe Orlando. In 1951 she promotes and organizes, as Cultural Attaché of Cuba in Paris, the exhibition, “Art cubain contemporain, in the Musée National d’Art Moderne de la Ville de Paris. She includes works of Pedro Alvarez...

Signed lower left. (Born in Yorkshire, England in 1927; died in 2008). Dinsdale painted the sea and great ships of the era when “Britannia ruled the waves” with her fleets of clipper and fighting ships...

Piero Guccione (Italy, 1935-2018), “Oleandro in Controluce” (Oleander in Silhouette ), titled and signed lower margins, titled, signed and dated verso, ...

Discover the essence of artistic freedom with our Vintage Boho 1972 Original Abstract Oil On Canvas. This captivating piece embodies the spirit of American creativity, with bold stro...

We are delighted to offer for sale this very large and decorative oil on canvas of some early Victorian ships on the Thames. This is a wonderful painting that looks really quite e...

1972 Abstract oil on canvas massive artwork B. T. Kim 72 painting. Abstract oil on canvas in Verso appears signed B. T. Kim 72 Wood frame around canv...

Beautiful oil on canvas by Arizona/Utah/California artist John Burton (b. 1966). The painting is in excellent condition and bears a lovely gold frame. The work measures 36 x 24 inches. The frame is 42 x 30 inches. The painting is signed lower right and also signed and dated on the verso, 2006. The title is seen on the verso on the label: "Escape" Artist John Burton (b. 1966) is a graduate of Arizona State University and the Academy of Art in San Francisco. The artist won the top award at the 2003 Oil Painters of America show and competition in Taos, New Mexico and an award of excellence at the 2004 show. Burton was born in Salt Lake City, Utah but moved to Los Altos, California at the age of two. Burton always wanted to be an artist and when he was in fifth grade he broke his back and spent his recovery drawing and sketching. He attended Arizona State University but, feeling the art program was lacking he earned a degree in business and marketing. He went on to work as a graphic artist for six years after graduation. It wasn't until he enrolled in San Francisco's Academy of Art that he renewed his passion for painting. Burton has also studied at the Scottsdale Artists School were he was encouraged by his mentors; Scott Burdick...