French Gold-Mounted Pendant Cameo Vinaigrette, Late 18th Century

The oval carved carnelian measuring 2.3 x 1.7cm and depicting The silence, rub-over set in gold mount and tapering shoulders, intaglio circa 1790, the mount circa late 20th century, ...

A faceted rubies and old cut diamond set gold cross pendant. French, late 18th century. Dimensions Measures 5.1 x 3.3cm

A late 18th century agate cameo later mounted by Codognato, the oval cameo measiring 2,2cm x 1,9cm and depicting Platone in profile looking left, rub-over set in gold mount with blac...

A late 18th / early 19th century two-colour Jasper cameo ring depicting a Roman wearing a cloak, mouth slightly open, in gold, cameo 2.1cm high Ring size 9 1/4 Weight: 15,20gr.

The Latin cross, set with rose-cut diamonds in raised closed-back settings. Mounted in silver and gold, lengths: pendant 3.7cm

PENDANT CAMEO, the setting in 750 / °° yellow gold braided and chiseled decorated with foliage and black enamel punctuated with cultured pearls surrounding a woman in profile on agat...

Diamond-shaped vinaigrette with enameled gold and bordered with pearls. The hinged lid is decorated with four winged cupid heads floating in the clouds. The sides of the lid are embe...

Rectangular enamelled gold box. The hinged lid is decorated with a scene of young people dressed in neoclassical clothing and approaching near an altar where officiates a person dres...

The cameo at the center of this exceptional pendant is a stunning example of the art of gem engraving during the Renaissance. It likely dates to the early 17th century and features a sacrificial scene inspired by the Greco-Roman era. The central flaming altar is flanked by two figures preparing to sacrifice a ram, while a figure in a lion skin blowing horns stands in the left corner. The carver brilliantly uses the natural layers of the stone to achieve the illusion of shadow and musculature on the figures. A second, smaller cameo is set at the top of the pendant, while a myriad of multi-colored gems, pearls and enamel adorns the 18K gold setting. A large Baroque pearl suspended from an enamel dragon finishes the design, which embodies the opulence and theatricality of jewels from the Renaissance age. Cameos and intaglios were highly popular amongst wealthy connoisseurs in Renaissance Italy, and owning the finest pieces was the privilege of princes. Although they were often elaborately mounted for display alone, cameos were also frequently worn as pendants, surrounded by enameled and stone-set gold frames. Such pieces were particularly prized by the Medici and Lorraine families, many of which can now be seen at the National Archeological Museum in Florence. Very few Renaissance cameos...

Exceptionally rare 18th century diamond set calcedony intaglio pendant depicting the famed Roman marble Bocca della Verita, the Mouth of Truth. The eni...

Rectangular, gold vinaigrette with a hinged lid is organized around a central pattern of stylized flower. A geometric frieze frames the composition. T...

A 'vinaigrette' in the shape of a small tobacco box. In 18- carat, two- colored, gold (rose and green), it is studded with flower decorations. Marked with two eagles, warranty mark f...