Early 1900s Enamel Frames and Objects

An antique yellow gold, black and white enamel, and rhodonite agate parasol handle, comprising a handle formed of polished pink agate, with decoration in white and black enamel, with detailing in 18 karat yellow gold. This elegant antique parasol...

ENAMEL MINIATURE SILVER TABLE £425 £1200 Edwardian miniature silver and enamel table box. Modelled as an occasional table on turned supports joined bay a stretcher. The enamel top with 18th century figures in a landscape...

This outstanding Art Nouveau buckle in the shape of a peacock feather has been designed and executed by Piel Frères, Paris around 1900. An identical buckle is published in Vivienne Becker's book 'Fabulous Fakes', page 91, Grafton Books 1988. The same buckle, executed in silver, is published in 'Pariser Schmuck', catalogue of the exhibition of the same name page 275. That catalogue describes the buckle as ' a peacockfeather with short quill, the eye of the feather is represented by a kidney shaped blue glas cabochon on green green shimmering metal foil'. Piel Frères were an important firm of jewellers based in Paris, they are mentioned in the 3 volume enzyclopedic publication 'La Bijouterie Française ' written by Henry Vever.

Edwardian parasol handle made in France. Very beautiful and elegant piece, created in Paris France during the Edwardian and Belle Epoque periods, back in the 1900. This fabulous parasol handle has been designed with French neo-classic patterns in the style of Louis XVI. Crafted by assembling pieces made up in 18 karats yellow gold, carved citrine and amber color faux tortoise. The baton is fitted with a screw to attach to any parasol or cane. The round gold parts on top are made with multiple leaf motifs, bows, tassels and floral clusters, typical from the Belle Epoque period. Gemstones: The top part is mounted, with 1 cylinder cabochon cut of natural translucent citrine quartz of about 120 carats. Birthstone: Citrine, for the month of November. Weight: 66.95 Grams, (42.91 Dwt). Measurements: 248 mm by 20 mm (9.75 x 0.79 Inches). Hallmarks: Both gold parts are stamped with French marks; the head of the eagle for the assay and warranty of the 18kt gold and the maker's maitre mark inside a lozange cartouche. Edwardian era, like the Georgian and Victorian eras before it, derives its name from the reign of the English King, Edward VII (1901-1910). Edwardian jewelry is known for representing femininity while incorporating a lot of the color white. Think diamonds, pearls and white metals like platinum and white gold. Diamonds often had an Old Mine or European cut and sapphires were a popular choice for a pop of color. They tended to be made from platinum and diamonds – the more, the merrier – and used fashionable, intricate techniques such as filigree and millegrain. Edwardian rings are works of art and best worn alone or alongside a simple wedding band...

A Fabergé white enamel egg shaped miniature frame, the translucent enamel on an engine turned radiating guilloché ground, with a picture aperture surr...

Beautiful antique picture frame: a sterling silver oval, with a rich deep blue guilloche border. Embellished with an allover flower a...

Brilliant antique picture frame. Luminous white guilloche enamel with floral cartouches and inlaid gold-leaf fleur de lis. Sterling silver; set on a sterling footed pedestal. 7 3/...

An antique handled round sterling silver basket/dish. It has a white guilloche enamel border, decorated with pink enamel flowers and green leaves. 5"...

Antique vase Émile Gallé, circa 1905, Nancy, France vase height - 2.87 in / 73 mm vase width - 2.48 in / 63 mm vase weight - 178 grams

Antique vase Émile Gallé, circa 1905, Nancy, France vase height - 2.87 in / 73 mm vase width - 2.48 in / 63 mm vase weight - 178 grams