Greely Myatt

Red Baloons

2012

Large wall object made of hand-blown glass and wire in light blue. Despite the hard material, Aloni's objects possess an extraordinary soft quality, which is the optical attraction of the work. Ron...

Nevelson’s compositions explore the relational possibilities of sculpture and space, summing up the objectification of the external world into a personal landscape. Although her prac...

Collateral Beauty; The Apart by Allie Regan Dickerson. Clay sculpture on board. 30" x 40." $7,000. This is a large white American Contemporary floral ceramic sculptural work onboard....

One of a kind sculpture by Noche Crist (1909-2004). Noche Crist was an American artist born in Romania. Sculpture is made from polyester resin. Catalogue o...

Xawery Wolski Vestido de Oro I (Gold Dress I), 2015 Terracotta, gold glaze 67" x 60" x 3" Polish-born sculptor Xawery Wolski works in a variety of materials: bronze, terracotta, w...

These four plaques represent either domestic (a horse, two rams) or exotic animals (a rhinoceros and an elephant). Made on slate slabs cut to shape (a rectangle with concave angles), they are all based on the same narrative scheme: in a frame of Egyptian porphyry, an animal in multicoloured marble is represented advancing on a green marble floor, standing out against a black slate background. These plates were made in Italy, probably in Florence or in Rome, during the 18th century. We think that their primary purpose was to decorate the drawers of a cabinet. Like many other compositions in hard stone, these plaques were inspired by engravings that were a widespread decorative repertoire in the workshops. Three of the plaques presented here were directly inspired by works by Antonio Tempesta (1555 - 1630): the Rhinoceros, the Polish Horse...