John Richard Fox

Untitled 8101

1981

This highly gestural and drip composition on paper balances a kaleidoscope of colour -- grape, magenta, orange, gold, green -- with areas of black and grey. It is a muscular explosion inspired by the classic Greek poem, the Odyssey, which charts the journey of hero Odysseus home to Ithaca after the 10 year Trojan war. This work on paper is currently unframed. However, it can be mounted on panel and framed or framed behind glass. Adam Cohen born in New Jersey in 1959, studied with artist Lilian Marzell, a friend of Willem de Kooning. Cohen earned his BFA at Philadelphia's Tyler School of Art at Temple University which included a year of painting in Rome. Returning to New York he studied at the School of Visual Arts, the Arts Students League and Parsons School of Design. Cohen has exhibited in Italy, Holland, New Jersey, New York and Ontario. His work is in numerous private collections. In 2015, he was awarded the International Art Prize Giuseppe Gambino...

Hot pink and red intersects with drips and splashes of yellow, magenta and orange in this dynamic acrylic painting on paper. Beneath the energetic surface a scaffold of black completes the composition. Cohen intersects the language Abstract Expressionism with narrative to re-invent the experience of action painting in a contemporary context. This painting on paper is currently unframed. However, it can be mounted on panel and framed or framed behind glass. Adam Cohen, born in New Jersey in 1959, studied with artist Lilian Marzell, a friend of Willem de Kooning. Cohen earned his BFA at Philadelphia's Tyler School of Art at Temple University which included a year of painting in Rome. Returning to New York he studied at the School of Visual Arts, the Arts Students League and Parsons School of Design. Cohen has exhibited in Italy, Holland, New Jersey, New York and Ontario. His work is in numerous private collections. In 2015, he was awarded the International Art Prize Giuseppe Gambino...

Remarkably beautiful, lush, and impressionistic in form—Rajasthan is a stunning example of Canadian artist John Graham Coughtry’s masterful use of colour. Rendered in the exotic spic...

Rapid passages, drips and lines in pink, yellow, pastel green and dove gray are an extension of the artist's brush in this dynamic action painting by Adam Cohen. New York based art...

Canadian artist Paul Fournier’s gorgeous abstract paintings are often inspired by the colours of the tropics. This acrylic in both colour and composition appears as if the viewer is ...

Strips of canvas saturated in pink are shaped and curated into a large vertical swath in this bold painting. The hue, tone and personality of this dramatic rose colour framed by pass...

Artist: Chuck Close Title: Tavern Year of Work: 1960 Medium: Oil on Canvas Signature: Signed & Dated Upper Left Dimensions: framed 31 x 25 unframed 30 x 24 Provenance: Chuck Close, Marjorie Dalton (Dear friend of Chuck), Private Collection. Tavern, is truly a rare find, an original oil on canvas, in compelling blues and grays with a touch of gold and orange. This work reveals more imagery and detail the longer one enjoys it. This painting was created during his years studying in Yale Art School, and draws different qualities to each new viewer similar to a Rorschach. Close's work is in the collections of most of the great international museums of contemporary art, including the Centre Georges Pompidou in Paris, the Metropolitan Museum of Art New York City. and the Tate Modern in London. Artist Bio: Chuck Close – (1940-2021) an American painter, artist and photographer born in Monroe, Washington. Early childhood illnesses including a neuromuscular condition, nephritis and dyslexia were compounded later in life by a condition known as prosopagnosia (face blindness), which may have inspired him to do portraits. Most of his early, large-format portraits are based on photographs, using photorealism or hyperrealism, of family and friends, often other artists. Close often painted abstract portraits of himself and others, which hang in collections internationally. Even though a catastrophic spinal artery collapse in 1988 left him severely paralyzed, he continued to paint inspired by artists like Jackson Pollock and Willem de Kooning. Close's first solo exhibition, held in 1967 at the University of Massachusetts Art Gallery, Amherst, featured paintings, painted reliefs, and drawings based on photographs of record covers. Being much in the mainstream of pop art, a fragment of Close's portrait of singer-songwriter Paul Simon...

Part of a new collection of painted porcelain panels by Chinese artist Yuan Lin, “Daydreams” is a luminous meditation on the sun's rays. In this painting, Lin...

Mindy Weisel Not Everything is Black and White , 2017 oil on canvas 91 x 91 cm 36 x 36 in Exhibited Mindy Weisel "Meditations on Love", Rosenbach Conte...

Binyamin Basteker The sounds of flowers , 2020 oil on canvas 80 x 60 cm 31 x 24 in Exhibited: "Jerusalem Flowers", 2020 Rosenbach Contemporary, Jerusalem Binyamin Basteker was bo...

Binyamin Basteker First rain in Jerusalem , 2018 oil on canvas 100 x 120 cm 39 x 47 in As a student of the masterful colorists of India and the Israeli abstract masters of the 1970s, Basteker has developed a unique style of painting. He loves color, he loves abstract and he loves the holy city...

Binyamin Basteker The Mighty Waves, 2023 oil on canvas 60 x 80 cm 24 x 31 in Binyamin Basteker was born in Mumbai in 1953. Growing up in a family of artists, his unique talent was discovered at a very early age. He perfected the art of portraiture and color while still living in India. Following his immigration to Israel in 1969, he studied with the modern Israeli masters and was considered to be one of the promising young abstract artists of the 1980s. In the mid-1980s he became observant and ceased to exhibit his work. The artist’s inaugural solo exhibition of oil paintings entitled “Stones that Speak” set Basteker apart from the mainstream of “modern” Jewish, religious painters. Whereas in many instances the theme of the painting, whether it be the Kotel or Jerusalem or the wealth of themes available to the observant artist, becomes the goal of the artist, Basteker relates to the “theme” as the “excuse” for the painting. Basteker searches for balance and harmony in his life and translates this to color and texture and motion. Nothing is his work is arbitrary. Every stroke and splash, every line and curve contribute to the perfect composition. The artist’s selection of tools, a result of an immediate inspiration, greatly affects the application of the color and texture. His works are sophisticated and worthy of deep examination. Tremendous layers of thought and spirituality are engraved in each and every work. Yet to the casual viewer, the paintings are aesthetically pleasing on a very simplistic level. On first glance, we see a beautiful bouquet or garden. Yet as the viewer’s eye travels and dissects the composition, we might imagine a maestro conducting a symphony orchestra or a pianist’s graceful fingers dancing over the keyboard. “Jerusalem Flowers” are unique to the Holy City...