Edward Avedisian

Untitled

1972

Punchy reds and zestful hot pinks convey a sense of intense motion and engine heat. The art is as much as color-field painting as a narrative work. It was a commissioned illustration for Sports Illustrated...

Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling vaults. The pain...

Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling...

Artist : Kory Twaddle Title : Doorway Materials : Acrylic and sand medium on photographic advertisement board (cardboard) Date : 2018 Dimensions : 8 x 10 x...

Bermuda Triangle, in vivid metallic tones, gold and bronze, on Arches Paper. framed. Signed, titled and dated verso. Size includes frame. This is an a...

Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling vaults. The paint-ings are process-based in the sense that one is aware of drips and the accretion of layers, and also flirt with their role as objects by virtue of the gesture’s relation to the painting edge. Color serves to create a window onto natural space and light, even as the forms themselves acknowledge their own framing. She often thinks in these works of Renaissance portraits where the sitter’s forearm rests on the very edge of the frame, inviting intimacy, with a tiny landscape...