Willard Lustenader

Distinguishing This Control Room

2014

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to...

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to...

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to...

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to...

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to surprise. Some of the tools are "new." Ruined old brushes and a variety of scrubbers from hardware stores provide novel ways of putting paint on canvas. Always pushing the boundary of "the tyranny of the mark, the handwriting" Kremer has accomplished this in the past with strategies such as masking and rubber stamping. Now, different tools bring their own idiosyncratic qualities of mark making, expanding the vocabulary with "different strokes." On these canvases, patterns emerge from the coalescence of chance events. Murmuration, the largest painting...

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to...