Jennifer Pochinski

The Picassos

2014

For Julia Kiryanova, painting is a dialogue – a dialogue which she beautifully facilitates, layering her work with various techniques. At the heart of much of her work an inherent fascination for people lies, intimately displaying abandoned figures seemingly floating in an abstract dream world, where time has stopped everything, but them. Julia Kiryanova has exhibited work at Amsterdam museum, Museum Op Solder and The Holocaust Museum...

After touring Europe on a motorcycle, he arrived in Berlin in 2012, where he won a residence for artists with a pictorial series on massification and nihilism. In 2014 he was invited...

After touring Europe on a motorcycle, he arrived in Berlin in 2012, where he won a residence for artists with a pictorial series on massification and nihilism. In 2014 he was invited for a residence in Colombia, and subsequently he has travelled to Mexico, Guatemala and Cuba. The experience of Central America affects his painting so much that it becomes gestural and dominated by strong and bright colors. Contact with indigenous communities contributed to the formation of his thought and poetics, which suggests accessing an irrational dimension that cannot be explored through science and technology.

After touring Europe on a motorcycle, he arrived in Berlin in 2012, where he won a residence for artists with a pictorial series on massification and nihilism. In 2014 he was invited for a residence in Colombia, and subsequently he has travelled to Mexico, Guatemala and Cuba. The experience of Central America affects his painting so much that it becomes gestural and dominated by strong and bright colors. Contact with indigenous communities contributed to the formation of his thought and poetics, which suggests accessing an irrational dimension that cannot be explored through science and technology.

original painting; acrylic and oil on canvas; mounted on wooden stretcher frame. 27.5x27.5". The sides are painted and it's ready to hang. No additional framing needed.

In several mystical traditions, there are common elements that are needed for spiritual metamorphosis and transitions to another, transcendent dimension. In Sufism, there is also an inner dimension to the law that has to do with repentance, the abasement of desire, and discipline of the self, or the elimination of the ego. Transparent figures emphasize the inner world of pure innocence which is the prototype human being, pure consciousness, one's true identity, to be contrasted with the material human who is bound by one's senses and materialism. Materialism is shown by also patterns in the paintings. The two different layers are against each other in a contradictory way. Feeling the need to go deeper into this inner, imaginative world, I began to set artworks from the past in less familiar contexts such as seas or patterns and combine the figure with them where they seemed to become like elements in some greater dream. With her small paper works, Ece Gauer...