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John James Audubon
John James Audubon "Snowy Owl" rare nocturnal print Oppenheimer Edition

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  • Large Surrealist Photo Realist Silkscreen Lithograph Print Swan Dreams
    Located in Surfside, FL
    Born in Stoke-on-Trent in 1953, Frederick Phillips studied Fine Art at Burslem College of Art when Arthur Berry was Head of the Fine Art (Painting) ...
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    1990s Surrealist Animal Prints

    Materials

    Lithograph, Screen

  • Salvador Dali, Le Cerf Malade Signed Etching Engraving, Color Lithograph Pochoir
    By Salvador Dalí­
    Located in Surfside, FL
    An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine. Hand signed in pencil and hand numbered. Limited edition in Roman numerals. Image size: 22.5" x 15.5". Sheet size is about 31 X 23 inches Le Bestiaire de la Fontaine Dalinisé, Robert Mouret, Editiones des Maîtres Contemporains, Paris, 1974 (M. & L. 653-664) (Reference: Albert Field, page 93 image 74-1F.) signed and numbered intaglio drypoints with pochoir in colors, hors-texte, on Arches, there were also editions of 250 on Japon and 120 on Auvergne numbered in Roman numerals. Salvador Dali (Spanish, 1904-1989 )is considered as the greatest original artist of the surrealist art movement and one of the greatest masters of art of the twentieth century. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. Surreal Art In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...
    Category

    1970s Surrealist Animal Prints

    Materials

    Color, Drypoint, Etching

  • Large Post Soviet Non Conformist Russian Israeli Unicorn Silkscreen Print
    By Michail Grobman
    Located in Surfside, FL
    Silkscreen Serigraph print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia....
    Category

    20th Century Modern Animal Prints

    Materials

    Lithograph, Screen

  • Large Post Soviet Non Conformist Russian Israeli Animal Beast Lithograph Print
    By Michail Grobman
    Located in Surfside, FL
    Silkscreen Serigraph print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia....
    Category

    20th Century Modern Animal Prints

    Materials

    Lithograph, Screen

  • Large Post Soviet Non Conformist Russian Israeli Angel Lithograph Print
    By Michail Grobman
    Located in Surfside, FL
    Silkscreen Serigraph print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia....
    Category

    20th Century Modern Animal Prints

    Materials

    Lithograph, Screen

  • Large Post Soviet Non Conformist Russian Israeli Volcano Lithograph Silkscreen
    By Michail Grobman
    Located in Surfside, FL
    Silkscreen Serigraph print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia....
    Category

    20th Century Modern Animal Prints

    Materials

    Lithograph, Screen

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    Located in London, GB
    A fine impression with good margins published by Associated American Artists.
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  • Haystack
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    Located in London, GB
    A fine impression of this very popular image with full margins (smaller on top and bottom) published by Associated American Artists.
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  • Spring
    Located in Ljubljana, SI
    Spring. Original color silkscreen, unknown year. Edition of E.A. (artist’s proof) signed and numbered impression on Arches paper. Ivan Generalić was a Croatian artist and a pioneer o...
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  • Rooster
    By Ivan Rabuzin
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    Rooster. Original lithograph in colors, 1963. Edition of 40 signed and numbered impressions on Arches paper. Ivan Rabuzin was a Croatian naive painter a...
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  • Ferry
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    Ferry. Original color lithograph, 1950. Edition of 200 signed and numbered impressions on the Arches paper. Zoran Mušič is one of the most celebrated Slovenian artists, born close to...
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  • Three Herons - At the flaming lake -
    Located in Berlin, DE
    Rudolf Hayder (active in the 1st half of the 20th century), Heron. Color woodcut on thin Japanese paper, 24 x 29 cm (image), 29 x 36 cm (sheet size), signed by hand at lower right "R. Hayder" and titled by hand as "Reiher". Lower left inscribed by hand "Orig.[inal] woodcut, hand print". - A little bit stained in the margins and very occasionally in the image, minimal hole above the signature, traces of creasing. At the back side's margins with remnants of an old mounting. About the artwork In the context of French Japonism, the color woodblock print, which was widespread in the Asian region, was rediscovered for Western art. The artists of the time, such as Édouard Manet, Claude Monet, Edgar Degas, Paul Gauguin and Vincent van Gogh, were inspired not only by the cultural influence, but also by the two-dimensionality of the pictorial spaces. Thus, color woodcuts became an important moment in the development of the modern pictorial concept founded by Impressionism. In Rudolf Hayder's "Herons", too, the two-dimensionality of the pictorial space is decisive for the pictorial effect. The herons, surrounded by reeds, are framed by the yellow background of the lake, followed by the dark blue-greenish stripe of the opposite shore and, above it, the sky in a lighter blue-green. Formally, it is a sequence of planes, but the two-dimensionality of the motif creates a spatial effect. This spatiality in the surface creates an intense pictorial effect. Hayder intensifies this effect with the blazing lake. In terms of color, the water becomes a sunset. The yellow turns reddish brown toward the shore, then fades to brownish red, while the shore is a watery turquoise...
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