Bengt Lindström Art
Swedish, 1925-2008
Bengt Lindström began his artistic training by attending the Stockholm Academy (1944-1945) and the Isaac Grünewald School of Painting. He then drew with Aksel Jorgensen in Copenhagen in 1946, before going to Chicago (1946-1947) and moving to Paris. There he worked in the studios of Fernand Léger and André Lhote.
In 1949, he began to paint less figuratively and more colourfully. He had his first solo exhibition in Sweden in 1954 at the Gummesson Art Fair. From the 1950s onwards, he participated in several group exhibitions and salons in Paris (Réalités nouvelles; Salon d'octobre).
Although he is often formally associated with Cobra painting and is a friend of Jorn, the artist claims to be more influenced by the Nordic painting of Nolde, Munch or Ensor. He is also influenced by folk art, Sami mythology and the shamans of the Far North.(Biography provided by Le Coin des Arts)
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Artist: Bengt Lindström
Untitled - Screen Print by Bengt Lindström - 1970s
By Bengt Lindström
Located in Roma, IT
Untitled is an artwork realized by Bengt Lindstrom (1925 - 2008).
Screen Print. Cm 78,00 x 57,00. 7/100.
Hand signed and numbered.
Good conditions
Bengt Lindström was born in S...
Category
1970s Contemporary Bengt Lindström Art
Materials
Screen
Friends
By Bengt Lindström
Located in Paris, FR
Lithograph, 1978
Handsigned by the artist in pencil and numbered 10/100
Publisher : Jacques Putman (Paris)
Printer : Clot Bramsen (Paris)
This lithograph reveals the artist's proxim...
Category
1970s Abstract Bengt Lindström Art
Materials
Lithograph
Le Lai de la Lance
By Bengt Lindström
Located in Long Island City, NY
Translating to "The Lay of the Lance" this vibrant and brutal series of four lithographs accompanied by fragments of Viking poems, translated into French. They tell the story of a ki...
Category
1970s Bengt Lindström Art
Materials
Lithograph
No title
By Bengt Lindström
Located in Paris, FR
Lithograph
Handsigned by the artist in pencil and annotated EA
Artist proof
76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (paper)
76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (image)
...
Category
1990s Abstract Bengt Lindström Art
Materials
Lithograph
Untitled
By Bengt Lindström
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category
1980s Abstract Bengt Lindström Art
Materials
Lithograph, Paper, Ink
Untitled
By Bengt Lindström
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category
1980s Abstract Bengt Lindström Art
Materials
Lithograph
The man and his dog
By Bengt Lindström
Located in Paris, FR
Lithograph, 1990
Handsigned by the artist in pencil
Edition : 100
Printer : Grapholith
56.00 cm. x 76.00 cm. 22.05 in. x 29.92 in. (paper)
56.00 cm. x 76.00 cm. 22.05 in. x 29.92 i...
Category
1990s Abstract Bengt Lindström Art
Materials
Lithograph
Ancestor Face - Original lithograph
By Bengt Lindström
Located in Paris, FR
Bengt Lindström (1925-2008)
Ancestor Face
Original Lithograph
Printed signature in the plate
Numbered / 400 ex
On vellum 31 x 22.5 cm (c. 12 x 9 in)
Excellent condition
Category
Late 20th Century Expressionist Bengt Lindström Art
Materials
Lithograph
Fauvist Portrait in Red - Original lithograph
By Bengt Lindström
Located in Paris, FR
Bengt Lindström (1925-2008)
Fauvist Portrait in Red
Original Lithograph
Printed signature in the plate
Numbered / 500 ex
On vellum 31 x 22.5 cm (c. ...
Category
Late 20th Century Expressionist Bengt Lindström Art
Materials
Lithograph
Expressionist Blue Face - Original lithograph
By Bengt Lindström
Located in Paris, FR
Bengt Lindström (1925-2008)
Expressionist Blue Face
Original Lithograph
Printed signature in the plate
Numbered / 400 ex
On vellum 31 x 22.5 cm (c. 12 x 9 in)
Excellent condition
Category
Late 20th Century Expressionist Bengt Lindström Art
Materials
Lithograph
Totem Portrait in Yellow - Original lithograph
By Bengt Lindström
Located in Paris, FR
Bengt Lindström (1925-2008)
Totem Portrait in Yellow
Original Lithograph
Printed signature in the plate
Numbered / 500 ex
On vellum 31 x 22.5 cm (c. 12 x 9 in)
Excellent condition
Category
Late 20th Century Expressionist Bengt Lindström Art
Materials
Lithograph
Bengt Lindstrom - Original Handsigned Engraving
By Bengt Lindström
Located in Collonge Bellerive, Geneve, CH
Bengt Lindström - Original Handsigned Engraving
The Seven Deadly Sins.
76 x 56 cm
Signed in pencil by Bengt Lindström
Paris, ABCD, 1976.
Original etching in color
Limited edition 90 ex.
This is the unique copy offered to Claude Manesse,
The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse.
Bengt Lindström (1925-2008)
Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North.
1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint.
1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model).
1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics.
1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris.
1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children).
1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery.
1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture.
1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin.
1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods.
1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden.
1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland.
2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women).
2003 : Bengt fell ill and was unable to paint, but the exhibitions went on.
2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy.
2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden.
2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe.
2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden.
Main exhibitions
1952 Fair Réalités Nouvelles – New realities, Paris, France.
1953 Craven Gallery, Paris, France.
1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France.
1958 Breteau Gallery, Paris, France.
1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland.
1960 Rive Gauche Gallery, Paris, France.
1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France.
1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France,
1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement.
1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark.
1966 Museum of Modern Art, Gothenburg, Sweden.
1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris.
1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976.
1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984.
1973 Galliera Museum, Paris, France.
1974 Gallery 111, Lisbon, Portugal.
1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany.
1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries.
1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France.
1985 Gallery Italia, Alicante, Spain.
1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear.
1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany.
1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France
1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England.
1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France.
1991 Gallery Michèle Sadoun, Paris, France.
1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy.
1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...
Category
1970s Modern Bengt Lindström Art
Materials
Engraving
Handstand, Etching by Bengt Lindstrom
By Bengt Lindström
Located in Long Island City, NY
Bengt Lindström, Swedish (1925–2008)
Handstand
Date: 1976
Engraving, signed and numbered in pencil
Edition of V/XX
Size: 30 x 22 in. (76.2 x 55.88 cm)
...
Category
1970s Modern Bengt Lindström Art
Materials
Etching
Visage, Lithograph by Bengt Lindstrom
By Bengt Lindström
Located in Long Island City, NY
Bengt Lindström, Swedish (1925–2008)
Visage
Date: circa 1970
Lithograph, signed in pencil
Edition of EA
Size: 29 x 21 in. (73.66 x 53.34 cm)
Category
1970s Modern Bengt Lindström Art
Materials
Lithograph
Seated Woman - Original oil painting
By Bengt Lindström
Located in Paris, FR
Bengt Lindström
Seated woman
Original oil painting
Unsigned
On paper applied on wood panel 107 x 77 cm (c. 42 x 31 in)
Presented in black wood frame 123 x 93 cm (c. 49 x 37 in)
Ver...
Category
Late 20th Century Expressionist Bengt Lindström Art
Materials
Oil
Bengt Lindstrom - Original Handsigned Engraving
By Bengt Lindström
Located in Collonge Bellerive, Geneve, CH
Bengt Lindström - Original Handsigned Engraving
The Seven Deadly Sins.
76 x 56 cm
Signed in pencil by Bengt Lindström
Paris, ABCD, 1976.
Original etching in color
Limited edition 90 ex.
This is the unique copy offered to Claude Manesse,
The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse.
Bengt Lindström (1925-2008)
Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North.
1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint.
1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model).
1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics.
1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris.
1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children).
1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery.
1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture.
1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin.
1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods.
1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden.
1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland.
2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women).
2003 : Bengt fell ill and was unable to paint, but the exhibitions went on.
2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy.
2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden.
2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe.
2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden.
Main exhibitions
1952 Fair Réalités Nouvelles – New realities, Paris, France.
1953 Craven Gallery, Paris, France.
1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France.
1958 Breteau Gallery, Paris, France.
1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland.
1960 Rive Gauche Gallery, Paris, France.
1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France.
1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France,
1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement.
1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark.
1966 Museum of Modern Art, Gothenburg, Sweden.
1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris.
1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976.
1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984.
1973 Galliera Museum, Paris, France.
1974 Gallery 111, Lisbon, Portugal.
1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany.
1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries.
1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France.
1985 Gallery Italia, Alicante, Spain.
1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear.
1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany.
1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France
1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England.
1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France.
1991 Gallery Michèle Sadoun, Paris, France.
1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy.
1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...
Category
1970s Modern Bengt Lindström Art
Materials
Engraving
Polka, 1965 - gouache, 63x48 cm., framed
By Bengt Lindström
Located in Nice, FR
By the swedish painter Bengt Lindstrom, an abstract gouache painting on canvas from the sixties. It is signed and it is certified by the Lindstrom Committee. Framed
Bengt Lindström commence sa formation artistique en fréquentant l'académie de Stockholm (1944-1945) et l'école de peinture d'Isaac Grünewald (en). Il dessine ensuite chez Aksel Jorgensen...
Category
1960s Abstract Bengt Lindström Art
Materials
Gouache
Couple with a Dog - Original handsigned lithograph - 100 ex
By Bengt Lindström
Located in Paris, FR
Bengt LINDSTROM
Couple with a Dog
Original lithograph
Handsigned
Numbered / 100 ex
On vellum 70 x 50 cm (c. 28 x 20 inch)
Excellent condition
Category
1970s Surrealist Bengt Lindström Art
Materials
Lithograph
Bengt Lindstrom - Original Handsigned Engraving
By Bengt Lindström
Located in Collonge Bellerive, Geneve, CH
Bengt Lindström - Original Handsigned Engraving
The Seven Deadly Sins.
76 x 56 cm
Signed in pencil by Bengt Lindström
Paris, ABCD, 1976.
Original etching in color
Limited edition 90 ex.
This is the unique copy offered to Claude Manesse,
The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse.
Bengt Lindström (1925-2008)
Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North.
1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint.
1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model).
1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics.
1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris.
1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children).
1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery.
1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture.
1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin.
1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods.
1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden.
1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland.
2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women).
2003 : Bengt fell ill and was unable to paint, but the exhibitions went on.
2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy.
2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden.
2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe.
2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden.
Main exhibitions
1952 Fair Réalités Nouvelles – New realities, Paris, France.
1953 Craven Gallery, Paris, France.
1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France.
1958 Breteau Gallery, Paris, France.
1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland.
1960 Rive Gauche Gallery, Paris, France.
1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France.
1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France,
1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement.
1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark.
1966 Museum of Modern Art, Gothenburg, Sweden.
1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris.
1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976.
1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984.
1973 Galliera Museum, Paris, France.
1974 Gallery 111, Lisbon, Portugal.
1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany.
1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries.
1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France.
1985 Gallery Italia, Alicante, Spain.
1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear.
1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany.
1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France
1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England.
1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France.
1991 Gallery Michèle Sadoun, Paris, France.
1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy.
1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...
Category
1970s Modern Bengt Lindström Art
Materials
Engraving
Le gourmand
By Bengt Lindström
Located in Malmo, SE
Free shipment worldwide.
Edition of 12 ex.
Signed/Numbered.
Bengt Lindström was a big man from the central parts of the Norrland province, born in Storsjö Kapell on 3 September 1925...
Category
1990s Contemporary Bengt Lindström Art
Materials
Ceramic
Bengt Lindstrom - Original Handsigned Engraving
By Bengt Lindström
Located in Collonge Bellerive, Geneve, CH
Bengt Lindström - Original Handsigned Engraving
The Seven Deadly Sins.
76 x 56 cm
Signed in pencil by Bengt Lindström
Paris, ABCD, 1976.
Original etching in color
Limited edition 90 ex.
This is the unique copy offered to Claude Manesse,
The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse.
Bengt Lindström (1925-2008)
Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North.
1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint.
1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model).
1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics.
1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris.
1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children).
1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery.
1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture.
1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin.
1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods.
1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden.
1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland.
2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women).
2003 : Bengt fell ill and was unable to paint, but the exhibitions went on.
2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy.
2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden.
2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe.
2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden.
Main exhibitions
1952 Fair Réalités Nouvelles – New realities, Paris, France.
1953 Craven Gallery, Paris, France.
1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France.
1958 Breteau Gallery, Paris, France.
1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland.
1960 Rive Gauche Gallery, Paris, France.
1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France.
1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France,
1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement.
1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark.
1966 Museum of Modern Art, Gothenburg, Sweden.
1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris.
1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976.
1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984.
1973 Galliera Museum, Paris, France.
1974 Gallery 111, Lisbon, Portugal.
1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany.
1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries.
1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France.
1985 Gallery Italia, Alicante, Spain.
1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear.
1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany.
1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France
1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England.
1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France.
1991 Gallery Michèle Sadoun, Paris, France.
1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy.
1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...
Category
1970s Modern Bengt Lindström Art
Materials
Engraving
L'esprit du feu
By Bengt Lindström
Located in Malmo, SE
Free shipment worldwide.
Edition of 12 ex.
Signed/Numbered.
Bengt Lindström was a big man from the central parts of the Norrland province, born in Storsjö Kapell on 3 September 1925...
Category
Early 2000s Contemporary Bengt Lindström Art
Materials
Ceramic
L'esprit de l'air
By Bengt Lindström
Located in Malmo, SE
Free shipment worldwide.
Edition of 12 ex.
Signed/Numbered.
Bengt Lindström was a big man from the central parts of the Norrland province, born in Storsjö Kapell on 3 September 192...
Category
Early 2000s Contemporary Bengt Lindström Art
Materials
Ceramic
Chasse de nuit
By Bengt Lindström
Located in Malmo, SE
Free shipment worldwide.
Ceramics.
Edition: 20 ex.
Category
Bengt Lindström Art
Materials
Ceramic
L'esprit de la terre.
By Bengt Lindström
Located in Malmo, SE
Free shipment worldwide.
Edition of 12 ex.
Signed/Numbered.
Bengt Lindström was a big man from the central parts of the Norrland province, born in Storsjö Kapell on 3 September 192...
Category
Early 2000s Contemporary Bengt Lindström Art
Materials
Ceramic
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Materials
Lithograph
H 8.55 in W 11.42 in D 1.19 in
"Blue Approach #2" - Hand-Augmented Collotype
By Patricia A. Pearce
Located in Soquel, CA
"Blue Approach #2" - Hand-Augmented Collotype
Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piec...
Category
Late 20th Century Abstract Geometric Bengt Lindström Art
Materials
Copper
H 35.5 in W 26 in D 0.03 in
Gold Sky with Silver Ribbon - Hand-Augmented Modern Collotype Print
By Patricia A. Pearce
Located in Soquel, CA
Gold Sky with Silver Ribbon - Hand-Augmented Modern Collotype Print
Delicate and layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of...
Category
Late 20th Century Abstract Geometric Bengt Lindström Art
Materials
Silver, Gold Leaf
H 24 in W 36 in D 0.03 in
Spiral
By Alexander Calder
Located in New York, NY
Alexander Calder
Spiral, 1970
Hand-signed
Lithograph
25.5 x 19.5
22/75
Category
1970s Abstract Bengt Lindström Art
Materials
Lithograph
Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Bengt Lindström Art
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Geranium
Located in Llanbrynmair, GB
’Geranium’
By Yutaka Takayanagi.
Medium - Relief and lithographic print
Edition - 5/20
Signed - Yes
Size - 510mm x 660mm
Date - 1978
Condition - Excellent. 10 out of 10.
Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year.
During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers.
Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums.
In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist.
Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks.
Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints.
Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...
Category
1970s Abstract Bengt Lindström Art
Materials
Lithograph
untitled
By Richard Hunt
Located in New York, NY
Lithograph printed in black and grey in an edition of 43
Category
2010s Abstract Bengt Lindström Art
Materials
Lithograph
untitled
By Richard Hunt
Located in New York, NY
untitled lithograph drawn in 2019 and published in 2020 in an edition of 44. Measuring 25 by 36 inches, the work is designated number 29 of 44 lower left and signed in pencil "R Hunt...
Category
2010s Abstract Bengt Lindström Art
Materials
Lithograph
Previously Available Items
Personage
By Bengt Lindström
Located in Malmo, SE
Artwork size: 81x65 cm
Frame size 89x73 cm
Signed by the artist.
Certificate of authenticity is issued by Comité Bengt Lindström in Paris.
Free shipment worldwide.
Bengt Lindstr...
Category
1980s Contemporary Bengt Lindström Art
Materials
Canvas, Oil
Creatures - Original Oil Painting by Bengt Lindström - 1980
By Bengt Lindström
Located in Roma, IT
Creatures is an original contemporary artwork realized in 1980 by the Contemporary artist Bengt Lindström (Storsjökapell, 1925 - 2008).
Original oil painting on canvas.
Hand-signed by the artist on the lower margin in black oil painting: Lindström.
Excellent conditions.
Beautiful expressionist painting depicting the deformed faces of zoomorphic figures. The work is a classical example of Nordic painting...
Category
1980s Contemporary Bengt Lindström Art
Materials
Canvas, Oil
H 23.63 in W 28.75 in D 0.04 in
Jeu de l’été
By Bengt Lindström
Located in Malmo, SE
Artwork size: 46x38 cm
Frame size: 62x54 cm
Signed by the artist.
Free shipment worldwide.
Bengt Lindström was a big man from the central parts of the Norrland province, born in S...
Category
1980s Contemporary Bengt Lindström Art
Materials
Canvas, Oil
LA FEMME ET L'ENFANT
By Bengt Lindström
Located in Aventura, FL
Hand signed and numbered carborundum etching. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.
Category
1970s Contemporary Bengt Lindström Art
Materials
Etching, Paper
Bengt Lindstrom - Original Handsigned Engraving
By Bengt Lindström
Located in Collonge Bellerive, Geneve, CH
Bengt Lindström - Original Handsigned Engraving
The Seven Deadly Sins.
76 x 56 cm
Signed in pencil by Bengt Lindström
Paris, ABCD, 1976.
Original etching in color
Limited edition 90 ex.
This is the unique copy offered to Claude Manesse,
The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse.
Bengt Lindström (1925-2008)
Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North.
1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint.
1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model).
1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics.
1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris.
1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children).
1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery.
1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture.
1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin.
1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods.
1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden.
1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland.
2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women).
2003 : Bengt fell ill and was unable to paint, but the exhibitions went on.
2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy.
2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden.
2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe.
2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden.
Main exhibitions
1952 Fair Réalités Nouvelles – New realities, Paris, France.
1953 Craven Gallery, Paris, France.
1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France.
1958 Breteau Gallery, Paris, France.
1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland.
1960 Rive Gauche Gallery, Paris, France.
1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France.
1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France,
1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement.
1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark.
1966 Museum of Modern Art, Gothenburg, Sweden.
1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris.
1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976.
1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984.
1973 Galliera Museum, Paris, France.
1974 Gallery 111, Lisbon, Portugal.
1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany.
1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries.
1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France.
1985 Gallery Italia, Alicante, Spain.
1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear.
1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany.
1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France
1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England.
1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France.
1991 Gallery Michèle Sadoun, Paris, France.
1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy.
1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...
Category
1970s Modern Bengt Lindström Art
Materials
Engraving
Bengt Lindstrom - Original Handsigned Engraving
By Bengt Lindström
Located in Collonge Bellerive, Geneve, CH
Bengt Lindström - Original Handsigned Engraving
The Seven Deadly Sins.
76 x 56 cm
Signed in pencil by Bengt Lindström
Paris, ABCD, 1976.
Original etc...
Category
1970s Modern Bengt Lindström Art
Materials
Engraving
Le guetteur
By Bengt Lindström
Located in Malmo, SE
Free shipment worldwide.
Edition of 20 ex.
Signed/Numbered.
Bengt Lindström was a big man from the central parts of the Norrland province, born in Storsjö Kapell on 3 September 1925...
Category
1990s Contemporary Bengt Lindström Art
Materials
Ceramic
Le poète.
By Bengt Lindström
Located in Malmo, SE
Free shipment worldwide.
Edition of 12 ex.
Signed/Numbered.
Bengt Lindström was a big man from the central parts of the Norrland province, born in Storsjö Kapell on 3 September 1925...
Category
1990s Contemporary Bengt Lindström Art
Materials
Ceramic
Le poète.
By Bengt Lindström
Located in Malmo, SE
Free shipment worldwide.
Edition of 20 ex.
Signed/Numbered.
Bengt Lindström was a big man from the central parts of the Norrland province, born in Storsjö Kapell on 3 September 192...
Category
1990s Contemporary Bengt Lindström Art
Materials
Ceramic
L’homme de la Taiga
By Bengt Lindström
Located in Malmo, SE
Certificate number at the backside: F25-1306-97
Free shipment worldwide.
Acquired directly from the artist.
Bengt Lindström was a big man from the central parts of the Nor...
Category
Contemporary Bengt Lindström Art
Materials
Oil
Harmonie
By Bengt Lindström
Located in Malmo, SE
Free shipment worldwide.
Edition of 20 ex.
Signed/Numbered.
Bengt Lindström was a big man from the central parts of the Norrland province, born in Storsjö Kapell on 3 September 1925...
Category
Early 2000s Contemporary Bengt Lindström Art
Materials
Ceramic
Personnage
By Bengt Lindström
Located in Malmo, SE
Frame size 79×68.5 cm
Free shipment worldwide.
Category
Bengt Lindström Art
Bengt Lindström art for sale on 1stDibs.
Find a wide variety of authentic Bengt Lindström art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of red, blue, orange and other colors. You can also browse by medium to find art by Bengt Lindström in lithograph, ceramic, engraving and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Bengt Lindström art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of John Hultberg, René Gruau, and Olivier Attar. Bengt Lindström art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $222 and tops out at $19,468, while the average work can sell for $1,367.
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